The whole spirit of the Settlement is expressed in these words, displayed in a framed notice at the entrance to the social hall:—
We believe that many changes in the conditions of life and labour are needed, and are coming to pass; but we believe also that men, without any change except in themselves and in their feelings towards one another, might make this world a better and a happier place.
Therefore, with the same sympathies but different experiences of life, we meet to exchange ideas and to discuss social questions, in the hope that, as we learn to know one another better, a feeling of fellowship may arise among us.
To these ends we have a Library, Clubs, Lectures, Classes, Entertainments, etc., and we endeavour to make the Settlement a centre where we may unite our several resources in a social and intellectual home.
In all this work Mrs. Humphry Ward is the inspiration, and a moving, active spirit. Her name stands next to that of the wealthy Duke of Bedford as the most liberal contributor. She is the Honorable Secretary of the Council, a member of the Finance Committee, president of the Women’s Club, etc. But these are only her official positions. Her directing hand is manifest in every branch of the work, and, from the warden down to the humblest member of the Girls’ Club, her name is accorded a respect amounting almost to reverence.
But, as with the play centers, Mrs. Ward is not content with the work of this one institution, splendid as it is. To her it is only the means of ascertaining the way. She feels that she is dealing with a great problem, and her method is to ascertain, first of all, the best solution, and then to use her large influence to induce others to take up the work. Thus the “New Brotherhood” of Robert Elsmere has not only continued to exist for a quarter of a century, but has in it the elements of growth which will make it a vital power in human society long after the real Robert Elsmere, in the person of Mrs. Ward, has ceased to be the directing force.
II
THE REAL ROBERT ELSMERE
In seeking to point out the real persons and places of Mrs. Ward’s novels, it is only fair to the author to begin with her own statement as to the story-teller’s method of procedure:—