Greek Biology & Greek Medicine

by Charles Singer

From VILLA ALBANI
Copy (second century a. d.?) of earlier work

Notwithstanding his lack of insight as to the nature of sex in flowers, he attains to an approximately correct idea of the relation of flower and fruit. Some plants, he says, ‘have [the flower] around the fruit itself as vine and olive; [the flowers] of the latter, when they drop, look as though they had a hole through them, and this is taken for a sign that it has blossomed well; for if [the flower] is burnt up or sodden, the fruit falls with it, and so it does not become pierced. Most flowers have the fruit case in the middle, or it may be the flower is on the top of the pericarp as in pomegranate, apple, pear, plum, and myrtle ... for these have their seeds below the flower.... In some cases again the flower is on top of the seeds themselves as in ... all thistle-like plants’.[82] Thus Theophrastus has succeeded in distinguishing between the hypogynous, perigynous, and epigynous types of flower, and has almost come to regard its relation to the fruit as the essential floral element.

Theophrastus has a perfectly clear idea of plant distribution as dependent on soil and climate, and at times seems to be on the point of passing from a statement of climatic distribution into one of real geographical regions. The general question of plant distribution long remained at, if it did not recede from, the position where he left it. The usefulness of the manuscript and early printed herbals in the West was for centuries marred by the retention of plant descriptions prepared for the Greek East and Latin South, and these works were saved from complete ineffectiveness only by an occasional appeal to nature.

With the death of Theophrastus about 287 b. c. pure biological science substantially disappears from the Greek world, and we get the same type of deterioration that is later encountered in other scientific departments. Science ceases to have the motive of the desire to know, and becomes an applied study, subservient to the practical arts. It is an attitude from which in the end applied science itself must suffer also. Yet the centuries that follow were not without biological writers of very great ability. In the medical school of Alexandria anatomy and physiology became placed on a firm basis from about 300 b. c., but always in the position subordinate to medicine that they have since occupied. Two great names of that school, Herophilus and Erasistratus, we must consider elsewhere.[83] Their works have disappeared and we have the merest fragments of them. In the last pre-Christian and the first two post-Christian centuries, however, there were several writers, portions of whose works have survived and are of great biological importance. Among them we include Crateuas, a botanical writer and illustrator, who greatly developed, if he did not actually introduce, the method of representing plants systematically by illustration rather than by description. This method, important still, was even more important when there was no proper system of botanical nomenclature. Crateuas by his paintings of plants, copies of which have not improbably descended to our time, began a tradition which, fixed about the fifth century, remained almost rigid until the rediscovery of nature in the sixteenth. He was physician to Mithridates VI Eupator (120-63 b. c.), but his work was well known and appreciated at Rome, which became the place of resort for Greek talent.[84]

Celsus, who flourished about 20 b. c., wrote an excellent work on medicine, but gives all too little glimpse of anatomy and physiology. Rufus of Ephesus, however, in the next century practised dissection of apes and other animals. He described the decussation of the optic nerves and the capsule of the crystalline lens, and gave the first clear description that has survived of the structure of the eye. He regarded the nerves as originating from the brain, and distinguished between nerves of motion and of sensation. He described the oviduct of the sheep and rightly held that life was possible without the spleen.

The second Christian century brings us two writers who, while scientifically inconsiderable, acted as the main carriers of such tradition of Greek biology as reached the Middle Ages, Pliny and Dioscorides. Pliny (a. d. 23-79), though a Latin, owes almost everything of value in his encyclopaedia to Greek writings. In his Natural History we have a collection of current views on the nature, origin, and uses of plants and animals such as we might expect from an intelligent, industrious, and honest member of the landed class who was devoid of critical or special scientific skill. Scientifically the work is contemptible, but it demands mention in any study of the legacy of Greece, since it was, for centuries, a main conduit of the ancient teaching and observations on natural history. Read throughout the ages, alike in the darkest as in the more enlightened periods, copied and recopied, translated, commented on, extracted and abridged, a large part of Pliny’s work has gradually passed into folk-keeping, so that through its agency the gipsy fortune-teller of to-day is still reciting garbled versions of the formulae of Aristotle and Hippocrates of two and a half millennia ago.

The fate of Dioscorides (flourished a. d. 60) has been not dissimilar. His work On Materia Medica consists of a series of short accounts of plants, arranged almost without reference to the nature of the plants themselves, but quite invaluable for its terse and striking descriptions which often include habits and habitats. Its history has shown it to be one of the most influential botanical treatises ever penned. It provided most of the little botanical knowledge that reached the Middle Ages. It furnished the chief stimulus to botanical research at the time of the Renaissance. It has decided the general form of every modern pharmacopœia. It has practically determined modern plant nomenclature both popular and scientific.

Translated into nearly every language from Anglo-Saxon and Provençal to Persian and Hebrew, appearing both abstracted and in full in innumerable beautifully illuminated manuscripts, some of which are still among the fairest treasures of the great national libraries, Dioscorides, the drug-monger, appealed to scholasticized minds for centuries. The frequency with which fragments of him are encountered in papyri shows how popular his work was in Egypt in the third and fourth centuries. One of the earliest datable Greek codices in existence is a glorious volume of Dioscorides written in capitals,[85] thought worthy to form a wedding gift for a lady who was the daughter of one Roman emperor and the betrothed of a second.[86] The illustrations of this fifth century manuscript are a very valuable monument for the history of art and the chief adornment of what was once the Royal Library at Vienna[87] ([figs. 9-10]). Illustrated Latin translations of Dioscorides were in use in the time of Cassiodorus (490-585). A work based on it, similarly illustrated, but bearing the name of Apuleius, is among the most frequent of mediaeval botanical documents and the earliest surviving specimen is almost contemporary with Cassiodorus himself.[88] After the revival of learning Dioscorides continued to attract an immense amount of philological and botanical ability, and scores of editions of his works, many of them nobly illustrated, poured out of the presses of the sixteenth and seventeenth centuries.

Fifth century drawings from JULIANA ANICIA MS.,
copied from originals of first century b. c.(?)