Among prose writers of less note we may mention LICINIUS MUCIANUS, CLUVIUS RUFUS, who both wrote histories; and VIPSTANUS MESSALA, an orator of the reactionary school, who, like Quintilian, sought to restore a purer taste, and devoted some of his time to historical essays on the events he had witnessed. M. APER and JULIUS SECUNDUS are important as being two of the speakers introduced into Tacitus's dialogue on oratory, the former taking the part of the modern style, the latter mediating between the two extreme views, but inclining towards the modern. All these belonged to the reigns of Vespasian and Titus, and lived into the first years of Domitian.
An important writer for students of ancient applied science is SEX. JULIUS FRONTINUS, whose career extends from about 40 A.D. to the end of the first century. He was praetor urbanus 70 A.D., and was employed in responsible military posts in Gaul and Britain. In the former country he reduced the powerful tribe of the Lingones, in Britain, as successor to Petilius Cerealis, he distinguished himself against the Silures, showing, says Tacitus, qualities as great as it was safe to show at that time. He was thrice consul, once under Domitian, again under Nerva (97 A.D.), and lastly under Trajan (100 A.D.), when he had for colleague the emperor himself. He died 103 A.D. or perhaps in the following year. Pliny the younger knew him well, and has several notices of him in his letters. Throughout his active life he was above all things a man of business: literature and science, though he was a proficient in both, were made strictly subservient to the ends of his profession. His character was cautious but independent, and he is the only contemporary writer we possess who does not flatter Domitian. The work on gromatics, which originally contained two books, has descended to us only in a few short excerpts, which treat de agrorum gualitate, de controversiis, de limitibus, de controversiis aquarum. This was written early in the reign of Domitian. Another work of the same period was a theoretical treatise on tactics, alluded to in the more popular work which we possess, and quoted by Vegetius who followed him. In this he examined Greek theories of warfare as well as Roman, and apparently with discrimination; for Aelian, in his account of the Greek strategical writers, assigns Frontinus a high place. The comprehensive manual called Strategematon (sollertia ducum facta) is intended for general reading among those who are interested in military matters. The books are arranged according to their subjects, but in the distribution of these there is no definite plan followed. Many interpolations have been inserted, especially in the fourth and last book which is a kind of appendix, adding general examples of strategic sayings and doings (strategematica) to the specifically-selected instances of the strategic art which are treated in the first three. Its introduction, as Teuffel remarks, is written in a boastful style quite foreign to Frontinus, and the arrangement of anecdotes under various moral headings reminds us of a rhetorician like Valerius Maximus, rather than of a man of affairs. The entire fourth book appears to be an accretion, perhaps as early as the fourth century. The last treatise by Frontinus which we possess is that De Aquis Urbis Romae, or with a slightly different title, De Aquaeductu, or De Cura Aquarum, published under Trajan soon after the death of Nerva. In an admirable preface he explains that his invariable custom when intrusted with any work was to make himself thoroughly acquainted with the subject in all its bearings before beginning to act; he could thus work with greater promptitude and despatch, and besides gained a theoretical knowledge which might have escaped him amid the multitude of practical details. Frontinus's account of the water-supply of Rome is complete and valuable: recent explorers have found it thoroughly trustworthy, and have been aided by it in reconstructing the topography of the ancient city. [15] The architecture of Rome has been reproached with some justice for bestowing its finest achievements on buildings destined for amusement, or on mere private dwellings. But if from the amphitheatres, the villas, the baths, we turn to the roads, the sewers, and the aqueducts, we shall agree with Frontinus in deeply admiring so grand a combination of the artistic with the useful. A practical recognition of some of the great sanitary laws seem to have early prevailed at Rome, and might well excite our wonder, if such things had not been as a rule passed by in silence by historians. Recent discoveries are tending to set the early civilisation of Rome on a far higher level than it has hitherto been able to claim.
The style of Frontinus is not so devoid of ornament as might be expected from one so much occupied in business; but the ornament it has is of the best kind. He shuns the conceits of the period, and goes back to the republican authors, of whom (and especially of Caesar's Commentaries) his language strongly reminds us. We observe that the very simplicity which Quintilian sought in vain from a lifelong rhetorical training is present unsought in Frontinus; a clear proof that it is the occupation of life and the nature of the man, not the varnish of artistic culture, however elaborately laid on, that determines the main characteristics of the writer.
No other prose authors of any name have come down to us from this epoch. A vast number of persons are flatteringly saluted by Statius and Martial as orators, historians, jurists, &c.; but these venal poets had a stock of complimentary phrases always ready for any one powerful enough to command them. When we read therefore that Tutilius, Regulus, Flavius Ursus, Septimius Severus, were great writers, we must accept the statement only with considerable reductions. Victorius Marcellus, the friend to whom Quintilian dedicates his treatise, was probably a person of some real eminence; his juridical knowledge is celebrated by Statius. The Silvae of Statius and the letters of Pliny imply that there was a very active and generally diffused interest in science and letters; but it is easy to be somebody where no one is great. Among grammarians AEMILIUS ASPER deserves notice. [16] He seems to have been living while Suetonius composed his biography of grammarians, since he is not included in it. He continued the studies of Cornutus and Probus of Berytus, and was best known for his Quaestiones Virgilianae (of which several fragments still remain), and his commentaries on Terence and Sallust. LARGUS LICINIUS, the author of Ciceromastix, may perhaps be referred to this time. The reiterated commendation of Cicero occurring in Quintilian may have roused the modernising party into active opposition, and drawn out this brochure. History and philosophy both sunk to an extremely low ebb; no writers on these subjects worthy of mention are preserved.
APPENDIX.
Quintilian's Account of the Roman Authors.
We subjoin a translation of Quintilian's criticism of the chief Roman authors as very important for the student of Latin literature, premising, however, that he judged them solely as regards their utility to one who is preparing to become an orator. The criticism, although thus special, has a permanent value, as embracing the best opinion of the time, temperately stated (Inst. Or. xi. 85-131):—"The same order will be observed in treating the Roman writers. As Homer among the Greeks, so Virgil among our own authors will best head the list; he is beyond doubt the second epic poet of either nation. I will use the words I heard Domitius Afer use when I was a boy. When I asked him who he considered came nearest to Homer, he replied, 'Virgil is the second, but he is nearer the first than the third;' and in truth, while Rome cannot but yield to that celestial and deathless genius, yet we can observe more care and diligence in Virgil; for this very reason, perhaps, that he was obliged to labour more. And so it is that we make up for the lack of occasional splendour by consistent and equable excellence. All the other epicists will follow at a respectful distance. Macer and Lucretius are indeed worth reading, but are of no value for the phraseology, which is the main body of eloquence. Each is good in his own subject; but the former is humble, the latter difficult. Varro Atacinus, in those works which have gained him fame, appears as a translator by no means contemptible, but is not rich enough to add to the resources of eloquence. Ennius let us reverence as we should groves of holy antiquity, whose grand and venerable trees have more sanctity than beauty. Others are nearer our own day, and more useful for the matter in hand. Ovid in his heroics is as usual wanton, and too fond of his own talent, but in parts he deserves praise. Cornelius Severus, though a better versifier than poet, would still claim the second place, if only he had written all his Sicilian War as well as the first book. But his early death did not allow his genius to be matured. His boyish works show a great and admirable talent, and a desire for the best style rare at that time of life. We have lately lost much in Valerius Flaccus. The inspiration of Salcius Bassus was vigorous and poetical, but old age never succeeded in ripening it. Rabirius and Pedo are worth reading, if you have time. Lucan is ardent, earnest, and full of admirably expressed sentiments, and, to give my real opinion, should be classed with orators rather than poets. We have named these because Germanicus Augustus (Domitian) has been diverted from his favourite pursuit by the care of the world, and the gods thought it too little for him to be the first of poets. Yet what can be more sublime, learned, matchless in every way, than the poems in which, giving up empire, he spent the privacy of his youth? Who could sing of wars so well as he who has so successfully waged them? To whom would the goddesses who watch over studies listen so propitiously? To whom would Minerva, the patroness of his house, more willingly reveal the mysteries of her art? Future ages will recount these things at greater length. For now this glory is obscured by the splendour of his other virtues. We, however, who worship at the shrine of letters will crave your indulgence, Caesar, for not passing the subject by in silence, and will at least bear witness, as Virgil says,
'That ivy wreathes the laurels of your crown.'
"In elegy, too, we challenge the Greeks. The tersest and most elegant author of it is in my opinion Tibullus. Others prefer Propertius. Ovid is more luxuriant, Gallus harsher, than either. Satire is all our own. In this Lucilius first gained great renown, and even now has many admirers so wedded to him, as to prefer him not only to all other satirists but to all other poets. I disagree with them as much as I disagree with Horace, who thinks Lucilius flows in a muddy stream, and that there is much that one would wish to remove. For there is wonderful learning in him, freedom of speech with the bitterness that comes therefrom, and an inexhaustible wit. Horace is far terser and purer, and without a rival in his sketches of character. Persius has earned much true glory by his single book. There are men now living who are renowned, and others who will be so hereafter. That earlier sort of satire not written exclusively in verse was founded by Terentius Varro, the most learned of the Romans. He composed a vast number of extremely erudite treatises, being well versed in the Latin tongue as well as in every kind of antiquarian knowledge; he will, however, contribute much more to science than to oratory.
"The iambus is not much in vogue among the Romans as a separate form of poetry; it is more often interspersed with other rhythms. Its bitterness is found in Catullus, Bibaculus, and Horace, though in the last the epode breaks its monotony.