He retraced his steps to the front gate, which he essayed to open. There was apparently some defect in the latch, for it refused to work. Warwick remembered the trick, and with a slight sense of amusement, pushed his foot under the gate and gave it a hitch to the left, after which it opened readily enough. He walked softly up the sanded path, tiptoed up the steps and across the piazza, and rapped at the front door, not too loudly, lest this too might attract the attention of the man across the street. There was no response to his rap. He put his ear to the door and heard voices within, and the muffled sound of footsteps. After a moment he rapped again, a little louder than before.
There was an instant cessation of the sounds within. He rapped a third time, to satisfy any lingering doubt in the minds of those who he felt sure were listening in some trepidation. A moment later a ray of light streamed through the keyhole.
"Who's there?" a woman's voice inquired somewhat sharply.
"A gentleman," answered Warwick, not holding it yet time to reveal himself. "Does Mis' Molly Walden live here?"
"Yes," was the guarded answer. "I'm Mis' Walden. What's yo'r business?"
"I have a message to you from your son John."
A key clicked in the lock. The door opened, and the elder of the two women Warwick had seen upon the piazza stood in the doorway, peering curiously and with signs of great excitement into the face of the stranger.
"You 've got a message from my son, you say?" she asked with tremulous agitation. "Is he sick, or in trouble?"
"No. He's well and doing well, and sends his love to you, and hopes you've not forgotten him."
"Fergot him? No, God knows I ain't fergot him! But come in, sir, an' tell me somethin' mo' about him."