Warwick went in, and as the woman closed the door after him, he threw a glance round the room. On the wall, over the mantelpiece, hung a steel engraving of General Jackson at the battle of New Orleans, and, on the opposite wall, a framed fashion-plate from "Godey's Lady's Book." In the middle of the room an octagonal centre-table with a single leg, terminating in three sprawling feet, held a collection of curiously shaped sea-shells. There was a great haircloth sofa, somewhat the worse for wear, and a well-filled bookcase. The screen standing before the fireplace was covered with Confederate bank-notes of various denominations and designs, in which the heads of Jefferson Davis and other Confederate leaders were conspicuous.
"Imperious Caesar, dead, and turned to clay,
Might stop a hole to keep the wind away,"
murmured the young man, as his eye fell upon this specimen of decorative art.
The woman showed her visitor to a seat. She then sat down facing him and looked at him closely. "When did you last see my son?" she asked.
"I've never met your son," he replied.
Her face fell. "Then the message comes through you from somebody else?"
"No, directly from your son."
She scanned his face with a puzzled look. This bearded young gentleman, who spoke so politely and was dressed so well, surely—no, it could not be! and yet—
Warwick was smiling at her through a mist of tears. An electric spark of sympathy flashed between them. They rose as if moved by one impulse, and were clasped in each other's arms.
"John, my John! It IS John!"