[142]. Roscoe; Sismondi; Munch; Michaelis; Histoire de Normandie.

Section VII.—Ogier le Danois.

One of the Paladins was, undoubtedly, the legacy of a much more ancient myth, namely, Ogier le Danois. He does not play a very prominent part in the poems of the Italians, but as Ogier the Dacian he is one of Turpin’s catalogue of knights, and a ballad especially dear to Don Quixote thus commences:—

‘De Mantua sale el Marques,

Danes Urgel el leal.’

It proceeds to tell how he found Valdovinos, his nephew, dying under a tree, having been assassinated by the emperor’s son, Carloto. The ballad further relates how the Marques proceeds to court, gets Carloto tried by his peers and doomed to death, and though el Rey Carlo banishes them all for uttering the condemnation, the sentence is carried out.

This Italian marquis is an exceedingly droll development of the old Teutonic hero, Holger Danske. In Italy he is Oggieri, Oggero, or Uggieri il Danese; in French, Ogier le Danois; and, at times, le damné, or il dannato, which title is further accounted for by the story that he was a Saracen who became a Christian, and that his friends wrote from home ‘tu es damné,’ whence he chose to be thus christened. In the Reali de Francia, Charlemagne cuts off, with his own hand, the head of an unfortunate Oldrigi, whose blood was too noble to be shed by any one else. Now this Oggier was without doubt a contribution from the stores of Norman tradition; for Holger, or Olger, Danske is the grandest national hero of Denmark. There is a ballad, given by Weber, where he and Tidrek the Strong have a tremendous battle, and he comes off victor. Moreover, he has eaten of the fruit of the trees of the sun and moon, and has become immortal, and there he sits with his fellows in the vaults of the Castle of Kronberg, near which are two ponds, called his spectacles. A peasant, with a plough-share on his shoulders, once lost his way, and wandered in; he found a circle of tall old men in armour, all asleep round a stone table, with their heads resting on their crossed arms. Holger Danske, who sat at the head of the table, raised his head and the stone broke asunder, for his beard had grown into the stone. He asked his guest some questions about the upper world and dismissed him, offering his hand. The peasant, dreading the gigantic grip of the old champion, gave his ploughshare. ‘Ha! ha!’ said Holger, as he felt its firmness, ‘it is well. There are still men in Denmark. Tell them that we shall come back when there are no more men left than can stand round one tun!’ But the ploughshare had been twisted round by his fingers. Can this return of Holger be the Roger Bon Temps of the French peasantry?

But Holger, though I have placed him among the Paladins, might have gone even farther back than the days of Dietrich. He is a mythical king, well nigh a god, originally called Haaloge, and owing, as his sacred island, Haalogaland, or Heligoland.

His name itself is holy, our very word holy—the halig of the Anglo-Saxons, the hellig of the North, the heilig of Germany, and these words sprang from those denoting health; as the Latin salve, hail, salvus, safe, and salvatio, safety, are all related to soundness.

Leaving this, as not belonging to our main subject, we find that Helgi, the Norse form of the word for this holy old mythic king, was exceedingly popular in the North. Helgi has a poem to himself in the elder Edda. A son of Burnt Njal was called Helgi, and forty-two cases are found of the name in the Landnama-bok, and thirty-four of its feminine, Helga. In Domesday there are five called Helgi, besides fourteen Algars, very possibly meant for Holger; and it may be suspected that the Helie of the early Norman barons may have been as much due to the Helgi of their forefathers as to the prophet whom they learnt to know on Mount Carmel. Perhaps, too, Helga was the source of Ala, or Ela, by which name a good many Norman ladies are recorded, the best known of whom was Ela, heiress of Salisbury, the wife of one William Longsword and mother of the other, one of the founders of Salisbury Cathedral, and the witness of a vision of her son’s death in Egypt.