The hair has in all ages been an endless topic for the declamation of the moralist, and the favorite object of fashion. If the beau monde wore their hair luxuriant, or their wig enormous, the preachers, as in Charles the Second’s reign, instantly were seen in the pulpit with their hair cut shorter, and their sermon longer, in consequence; respect was, however, paid by the world to the size of the wig, in spite of the hair-cutter in the pulpit. Our judges, and until lately our physicians, well knew its magical effect. In the reign of Charles II the hair-dress of the ladies was very elaborate; it was not only curled and frizzled with the nicest art, but set off with certain artificial curls, then too emphatically known by the pathetic terms of heart-breakers and love-locks. So late as William and Mary, lads, and even children, wore wigs; and if they had not wigs, they curled their hair to resemble this fashionable ornament. Women then were the hair-dressers.
The courts in all ages and in every country are the modelers of fashions, so that all the ridicule, of which these are so susceptible, must fall on them, and not upon their servile imitators the citizens. This complaint is made even so far back as in 1586, by Jean des Caures, an old French moralist, who, in declaiming against the fashions of his day, notices one, of the ladies carrying mirrors fixed to their waists, which seemed to employ their eyes in perpetual activity. From this mode will result, according to honest Des Caures, their eternal damnation. “Alas!” he exclaims, “in what age do we live: to see such depravity which we see, that induces them even to bring into church these scandalous mirrors hanging about their waists! Let all histories divine, human, and profane be consulted; never will it be found that these objects of vanity were ever thus brought into public by the most meretricious of the sex. It is true, at present none but the ladies of the court venture to wear them; but long it will not be before every citizen’s daughter, and every female servant, will wear them!” Such in all times has been the rise and decline of fashion; and the absurd mimicry of the citizens, even of the lowest classes, to their very ruin, in straining to rival the newest fashion, has mortified and galled the courtier.
[LANGUAGE IN ANIMALS.]
By RICHARD BUDD PAINTER.
No one who has clearly observed animals, birds, bees, and other creatures, can possibly deny their possession of a faculty of communicating ideas to one another.
Admitting this fully, my object therefore will be, while elicitating some of the facts concerning animal language, to maintain the consistency of my argument in regard to man, as contrasted with animals, by showing that such animal language is not of an intellectual kind, but only such as is necessary for the conduct, and use, of the highest phases of the animal “instinctive mind,” according to its ordained capacity in each species.
In my opinion, every kind of animal possesses a different sort of language; and which is peculiar to its genus; just as in the case of different races of man, a language which though capable of interpretation by a member of the group which speaks it, can not be generally understood by other races in minute detail; although among both men and animals there are a few cries, etc., that can be generally understood; as those of alarm communicated by screams, stamping of the ground, etc. But we must note that whatever may be the kind and extent of language in animals, it is in them always expressive only of animal sensations and sense impressions and reasonings.