will tell you to begin at the bottom and work upwards. This done, untwist the copper bands from the bars and put your own glass in its place, re-fixing the bars (or new ones) in the places you have determined on to suit your design and to support the glass, and fixing your glass to them in the way described, and pointing the whole with good cement. The method of inserting the new glass is described at [p. 135].
Fig. 62.
But that it is good for a man to feel the satisfaction of knowing his craft thoroughly there would be no need to go into this, which, after all, is partly masons' work. But I, for my part, cannot understand the spirit of an artist who applies his art to a craft purpose and has not, at least, a strong wish to know all that pertains to it.
PART II
[CHAPTER XII]
Introductory—The Great Questions—Colour—Light—Architectural Fitness—Limitations—Thought—Imagination—Allegory.