Dear Dr. Holmes! What a delightful, warm spontaneous nature was his, and what a fine mind! We were always good friends and I am proud of the fact. Shall I ever forget the dignity and impressiveness of his bearing as, after the fourth course of one of my breakfasts, he glanced up, saw the waiter approaching, arose solemnly as if he were about to make a speech, went behind his chair,—we all thought he was about to give us one of his brilliant addresses—shook out one leg and then the other, all most seriously and without a word, so as to make room for the next course!

Years later Dr. Holmes and I crossed from England on the same steamer. He had been fêted and made much of in England and we discussed the relative brilliancy of American and English women. I contended that Americans were the brighter and more sparkling, while English women had twice as much real education and mental training. Dr. Holmes agreed, but with reservations. He professed himself to be still dazzled with British feminine wit.

"I'm tired to death," he declared. "At every dinner party I went to they had picked out the cleverest women in London to sit on each side of me. I'm utterly exhausted trying to keep up with them!"

This was the voyage when the benefit for the sailors was given—for the English sailors, that is. It was well arranged so that the American seamen could get nothing out of it. Dr. Holmes was asked to speak and I was asked to sing; but we declined to perform. We did write our names on the programmes, however, and as these sold for a considerable price, we added to the fund in spite of our intentions.

My first season in Boston—from which I have strayed so far so many times—was destined to be a brief one, but also very strenuous, due to the fact that in the beginning I had only two operas in my répertoire, one of which Boston did not approve. After Linda, I was rushed on in Bellini's I Puritani and had to "get up in it" in three days. It went very well, and was followed with La Sonnambula by the same composer and after only one week's rehearsal. I was a busy girl in those weeks; and I should have been still busier if opera in America had not received a sudden and tragic blow.

The "vacillating" Buchanan's reign was over. On March 4th Lincoln was inaugurated. A hush of suspense was in the air:—a hush broken on April 12th by the shot fired by South Carolina upon Fort Sumter. On April 14th Sumter capitulated and Abraham Lincoln called for volunteers. The Civil War had begun.

CHAPTER VI
WAR TIMES

AT first the tremendous crisis filled everyone with a purely impersonal excitement and concern; but one fine morning we awoke to the fact that our opera season was paralysed.

The American people found the actual dramas of Bull Run, Big Bethel and Harpers Ferry more absorbing than any play or opera ever put upon the boards, and the airs of Yankee Doodle and The Girl I Left Behind Me more inspiring than the finest operatic arias in the world. They did not want to go to the theatres in the evening. They wanted to read the bulletin boards. Every move in the big game of war that was being played by the ruling powers of our country was of thrilling interest, and as fast as things happened they were "posted."