Once washed at high tide they are now separated from the water’s edge by a wide roadway and promenade. The walls, which are about forty feet in height, are embattled, and pierced for the discharge of arrows and firearms by the defenders. One of the most prominent features of this stretch of wall along the west shore is the fine, high corner tower—but alas! much spoiled and hidden by the modern inn literally built on to it—known as the Arundel Tower, from the fact that considerable repairs were made to the original structure in the latter half of the fifteenth century by one Thomas FitzAlan, Earl of Arundel. It was with the idea of protecting this tower from the action of the sea (which until quite comparatively recent times washed its base at every tide) that the lightermen of Southampton were by ancient custom enjoined to carry stone from the Isle of Wight and deposit it on the shore near the walls to counteract and break the force of the water.

Almost midway between the northern and southern extremities of this stretch of wall is another semi-circular tower, with a high parapet, which rejoices in the somewhat singular name of the Catch Cold Tower. Further southward along the wall stood the fourteenth-century entrance to the town known as the Bridle Gate, at the foot of Simnel Street, leading up from the waterside to the base court of the castle. The keep, a circular tower, stood on a high mound of made earth. Hard by is one of the most interesting survivals of former times, an exceptionally well-preserved vault of the late Norman period, possibly the wine store of the castle, and bearing on the stone sides of the doorway marks, we have ourselves seen, caused most probably by the porters’ shoulders as they passed through with their loads, and just beyond this is a stretch of arcaded wall, the arches of which are in different styles, on top of which runs a parapet and a walk for the sentry to pass along.

This piece of the old walls contains traces of several interesting Norman windows and doors dating from about the twelfth century. The new battlemented top afforded complete protection to the defenders and permitted them easily to cover with their arrows or shot an approaching enemy.

It is through one of the arches we have referred to—several of which were probably open for the purpose of affording means of ingress and egress for the townsfolk—that the interesting building commonly known as King John’s Palace is reached. Historians are fairly well agreed that this almost unique building—a Norman dwelling house—with its thick rough walls, tiny windows and rough-hewn rafters, was the king’s house attached to the neighbouring castle in the reign of King John, even if not used as such by other Sovereigns. An inspection of the National Records provides a considerable amount of information concerning its repair at various times, safe custody, and the fact that it was esteemed as a Royal residence. In an adjacent wall are the remains of a fine Norman fireplace, by the side of which it is even likely that Henry I waited in November, 1120, for news of the White Ship and his son, Prince William, who was drowned by its wreck off the French coast. The West Gate is another deeply interesting relic of long ago, and forms the remaining building of interest contiguous to this portion of the old town walls.

There are many scattered traces of the walls still discoverable, notably near the Royal Southern Yacht Club House, close to what is known as the Water Gate, and adjoining the God’s House Tower in the south-east portion of the anciently enclosed town and the Polymond Tower to the north-east.

SOUTHAMPTON

The famous God’s House, Hospital, and Chapel, although the ancient house has been sadly modernized, is one of the most interesting blocks of buildings in Southampton. The last-named is also known as the French Church, or St Julian’s, from the fact that it was devoted to the use of French Protestant refugees. In the chapel lie buried the bodies of three distinguished men of Henry V’s reign, the Earl of Cambridge, Lord Scrope of Masham, and Sir Thomas Grey of Heaton, whose conspiracy and execution form a stirring incident in Shakespeare’s play, Henry V.

It was whilst the king was waiting with his assembled host in 1415 for a favourable wind to carry them to the invasion of France that a conspiracy to murder him was discovered, in which the three persons we have just mentioned were implicated. In those stirring times trials were speedily gone through, and within a very few hours of the discovery of the ringleaders in the plot they had been tried, condemned, and executed outside the Bar Gate.

Although God’s House has been modernized and has not such architectural interest as, say, the Earl of Leicester’s Hospital, Warwick, St Cross, Winchester, and others we could name, it yet forms a good example of the ancient hospitals, or alms houses, and is amongst one of the oldest still remaining in England. The chapel dates from the latter end of the twelfth century, and is in the Transitional Norman style of architecture. It is only fair to say that the restoration, so far as the interior is concerned, has been very carefully and sympathetically done. The exterior has been cased, and this, of course, has destroyed much of its interest. The chancel arch is almost Early English in character, and the doorways are of the round-headed type; and at the eastern end there is a piscina of (probably) thirteenth century workmanship.