"Yes, inasmuch ours celebrates truth; his, only pagan errors. But, brother Colomban, in all that relates to style, the pagans are our masters, for Christian poetry is still in its infancy."
"We have admired together the statues lately received from Rome; do you think we are capable of doing anything as perfect?"
"We must make a distinction here," replied Odilon. "The pagans attained a rare perfection of form; but is the body the only, the real object of art? No; the sculptor must give a spirituality to his work! The most skilful pagan would never have been able to chisel out the pure image of the Holy Virgin."
"I think I understand your meaning," said Colomban.
"It is the same with poetry. The fountain head of all sublimity, the source of the beautiful is God; the nearer the poet approaches that, the more truly artistic he becomes, and, in proportion as his ideas diverge from the Divinity, so much farther is he from perfection."
The two monks disappeared at a turn of the path.
"Well, what think you? are not those men true lights of the faith?" asked Severinus. "They have great privileges, they can go to Rome and further, too, if they wish, and sometimes are excused from attendance in the choir."
At this moment the bell rang; all conversation was immediately suspended, and each monk took his place with a regularity which surprised the young German, who could almost fancy that he was looking at a well disciplined troop of soldiers, as they defiled before him in stately procession.
The solemn strains of the organ were heard, and the chants began.
"Now, let us make good use of our time," said Severinus, hurrying forward. "Let us see the refectory first; it is only a refectory, it is true, but its equal does not exist in France or Germany."