A third person, who had been looking at the new scene about her—the orange-trees, the palmettoes, the blue water of the Espiritu beyond the low sea-wall, and the fringe of tropical forest on Patricio opposite—now stepped from the carriage.

"I was beginning to think that there had been some change of plan, Mrs. Harold, and that you had not come," said Winthrop, going back to the carriage to assist her.

Margaret Harold smiled. Her smile was a very pleasant one; she and Winthrop greeted each other with what seemed like a long-established, though quiet and well-governed, coldness.


CHAPTER IV.

Later in the evening Mrs. Rutherford was sitting with her nephew on the piazza of her new residence, the little house he had engaged for her use during her stay in Gracias; they were looking at the moonlight on the lagoon.

The little residence had but one story, and that story was a second one. It had been built above an old passageway of stone, which had led from the Franciscan monastery down to the monks' landing-place on the shore; the passageway made a turn at a right angle not far from the water, and this angle had been taken possession of by the later architect, who had rested his square superstructure solidly on the old walls at the south and west, and had then built a light open arch below to support the two remaining sides, thus securing an elevated position, and a beautiful view of the sea beyond Patricio, at comparatively small expense for his high foundation. An outside stairway of stone, which made a picturesque turn on the way, led up to the door of this abode, and, taken altogether, it was an odd and pleasant little eyrie on a pleasant shore.

Evert Winthrop, however, when he secured it for his aunt, had not been thinking so much of its pleasantness as its freedom from damp, Mrs. Rutherford having long been of the opinion that most of the evils of life, mental, moral, and physical, and even in a great measure the disasters of nations, could be directly traced to the condition of cellars.

"You will observe, Aunt Katrina, that there is no cellar," he remarked as she took possession.

The eyrie had but one fault, and that was a fault only if people were disposed to be sentimental: the old walls beneath, built by the monks long before, had the air of performing their present duty with extreme unwillingness. Coming up from the water, they passed under the modern house reluctantly, supporting it under protest, as it were; their cold disapprovals seemed to come through the floors.