Mrs. Rutherford declared that it made her feel "sacrilegious." But the sentiments of Minerva Poindexter were of an entirely different nature. "I admire to have 'em there," said this rigid Protestant; "I admire to know they're under my feet, so that I can tromple 'em down!" For though she had been over the entire civilized world, though she could adapt Paris fashions, and was called Celestine, Miss Poindexter had never in her heart abated one inch of her original Puritan principles, and as she now came and went over the old monks' passage, her very soles rejoiced in the opportunity to express their utter detestation of the monastic system, she ground them deeply into the mattings on purpose.
The little plaza of Gracias-á-Dios was near the eyrie. On one side of it stood the rambling old inn, the Seminole House, encircled by a line of stout ancient posts for the use of its patrons, who for the most part had come mounted; for in that country there had been very little driving, all rode. There had been horses of many grades, mules, and the little ponies not much larger than sheep that browsed in the marshes. To walk was beneath the dignity of any one; the poorest negro had his sorry animal of some sort to save him from that. As to walking for pleasure, that crazed idea had not yet reached Gracias.
The Seminole had agreed to send lunches and dinners of its best cooking to the eyrie, and its best cooking, though confined to the local ingredients, was something not to be despised; it owed its being to the culinary intuitions of Aunt Dinah-Jim, a native artist, who evolved in some mysterious way, from her disorderly kitchen, the dishes for which she was celebrated at uncertain hours. But if the hours were uncertain, the dishes were not.
The old black woman sent the results of her labors to the house on the wall, in the charge of Telano Johnson, a tall, slender colored boy of eighteen summers, whose spotless white linen jacket and intense gravity of demeanor gained him the favor of even Celestine. "He has manners like the Governor of Vermont and all his staff, I do declare!" was the secret thought of this good woman. Telano, who had never seen a white servant before, treated Celestine with profound respect; his inward belief was that she was a witch, which would account for her inexplicable leanness, and the conciseness of her remarks, the latter most singular of all to Telano, who had the usual flowery fluency of his race. He carried a Voudoo charm against her, and brandished it when she was not looking; in addition, he often arranged, swiftly and furtively, in a corner of the dining-room when he came to lay the cloth, a little pile of three minute twigs crossed in a particular fashion, and sprinkled with unknown substances which he also took from his pocket, the whole a protection from her supposed incantations against him. Minerva meanwhile had no suspicion of these pagan rites, she continued to be pleased with Telano, and had a plan for teaching him to read. The boy sang with the charming sweetness so common among the Africans, and once, after listening, duster in hand, in spite of herself, for a quarter of an hour, as he carolled over the dishes he was washing in his pantry, she went so far as to appear at his pantry door to ask, briefly, if he knew a favorite song of her youth, "The Draggle-tail Gypsies, Oh!" Telano did not know it. And she said she would sing it to him some day. Whereupon Telano, as soon as possible afterwards, took flight in his long white apron back to the Seminole House for a fresh charm against her; he was convinced that the singing of this strange bony woman would finish him, would be the worst spell of all.
"That's a very good black boy we've got to wait at table and do the chores," Celestine remarked approvingly to her mistress, as she brought a shawl of different thickness, suitable to the dew in the air, to put round her. "He's a deal sight more serious-minded than the rantum-scootum boys one has to put up with in a wanderin' life like this. He's spry, yet he's steady too; and he sings like a bobolink, though his songs are most dreadful as to words. There's one, 'O Lord, these bones of mine! O Lord, these BONES of mine! O Lord, these BONES of mine!'"—Celestine sang this quotation in a high chanting voice, with her eyes closed and her face screwed up tightly, which was her usual expression when musical. "And I suppose it refers to rheumatism," she added, descending to her ordinary tones; "but it's very irreverent. He doesn't know 'The Draggle-tail Gypsies,' nor yet 'Barbara Allen,' nor yet 'I'll Make You a Present of a Coach and Six;' but I'm going to sing 'em to him some day. I feel that I must do my duty by him, poor neglected African. Have you any objections to my teaching him to read?"
"No, provided he doesn't read my books," Mrs. Rutherford answered.
"He will read in McGuffey's Third Reader," responded Celestine.
Winthrop had retained his bachelor quarters at the Seminole; the house over the old monks' passage was not large, and Mrs. Rutherford was fond of space. She liked open doors in all directions, she liked to have several sitting-rooms; she liked to leave her book in one, her fan in another, her scent-bottle or handkerchief in a third, and have nobody disturb them.
"I don't detect in you, Aunt Katrina, any signs of the ruin you mentioned," her nephew said, as they sat together, that first evening, on the piazza.
The light from the room within shone across Mrs. Rutherford's face and the soft waves of her silvery hair as, with a pink shawl thrown round her, she sat leaning back in an easy-chair. "Celestine repairs the breaches so cleverly that no doubt I continue to present a fair appearance to the world," she answered, drawing the shawl more closely round her shoulders, and then letting her hands drop on its pink fringes.