"Replace your guitar, Theodore," said Miss Elisabetha, rising, "and then walk to and fro between here and the gate ten times. Walk briskly, and keep your mouth shut; after singing you should always guard against the damps."
The boy obeyed in his dreamy way, pacing down the white path, made hard with pounded oyster-shells, to the high stone wall. The old iron-clamped gate, which once hung between the two pomegranate-topped pillars, was gone; for years it had leaned tottering half across the entrance-way, threatening to brain every comer, but Miss Elisabetha had ordered its removal in the twinkling of her Northern eye, and in its place now hung a neat, incongruous little wicket, whose latch was a standing bone of contention between the mistress and the entire colored population of the small village.
"Go back and latch the gate," was her constantly repeated order; "the cows might enter and injure the garden."
"But th' arn't no cows, Miss 'Lisabeet."
"There should be, then," the ancient maiden would reply, severely. "Grass would grow with a little care and labor; look at our pasture. You are much too indolent, good people!"
Theodore stood leaning over the little gate, his eyes fixed on the white sand-hills across the Warra; he was listening to the waves on the outer beach.
"Theodore, Theodore!" called Miss Elisabetha's voice, "do not stand, but pace to and fro; and be sure and keep your mouth closed."
Mechanically the boy obeyed, but his thoughts were following the sound of the water. Following a sound? Yes. Sounds were to him a language, and he held converse with the surf, the winds, the rustling marsh-grass, and the sighing pines of the barrens. The tale of the steps completed, he reëntered the house, and, following the light, went into a long, narrow room, one of three which, built out behind the main body of the house, formed with its back-wall a square, surrounding a little courtyard, in whose center stood the well, a ruined fountain, rose- and myrtle-bushes, and two ancient fig-trees, dwarfed and gnarled. Miss Elisabetha was standing at the head of the table; before her was a plate containing three small slices of dry toast, crisp and brown, and a decanter of orange-wine, made by her own hands. One slice of the toast was for herself, two were for the boy, who was still supposed to be growing; a Northerner would have said that he was over twenty, but Spanish blood hastens life, and Teodoro in years was actually not yet eighteen. In mind he was still younger, thanks to Miss Elisabetha's care and strict control. It had never even occurred to him that he need not so absolutely obey her; and, to tell the truth, neither had it occurred to her. Doro ate his simple supper standing—the Daarg family never sat down gluttonously to supper, but browsed lightly on some delicate fragments, moving about and chatting meanwhile as though half forgetting they were eating at all. Then Miss Elisabetha refilled his little glass, watched him drink the clear amber liquid to the last drop, and bade him good night in her even voice. He turned at the door and made her a formal bow, not without grace; she had carefully taught him this salutation, and required it of him every night.
"I wish you a blessed rest, Theodore," she said, courtesying in reply; "do not keep the light burning."
Half an hour later, when the ancient maiden glided out of her chamber, clad in a long frilled wrapper, the three curls in papers on each side of her head, she saw no gleam from under the low door of the little room across the hall; she listened, but there was no sound, and, satisfied, she retired to her high couch and closed the gayly flowered curtains around her. But, out on the small balcony which hung like a cage from his eastern window, Doro stood, leaning over the iron railing and listening, listening to the far sound of the sea.