The Book of the Courtier
conte Baldassarre Castiglione
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  • Cacus, [275], [411]
  • Cæcilia Tanaquil, Caia, [190], [389]
  • Cæsar, Caius Julius, [54], [57], [58], [118], [205], [346], [347], [360], [362], [378], [388], [389], [401]
  • Cæsarion, [401]
  • Caglio, story of the bishopric of, [137]
  • Calabria, Duke Alfonso of, afterwards Alfonso II of Naples, [130], [363]
    • Duke Ferdinand of, (son of Federico III of Naples), [205]
  • Calandrino (a character in Boccaccio), [127], [161], [362]
  • Calfurnio, Giovanni, [138], [366-7]
  • Caligula, the Emperor, [388]
  • Calixtus III., [328]
  • Callisthenes, [285], [414]
  • Calmeta, Collo Vincenzo, [71], [72], [97], [98], [99], [116], [352]
  • Calunnia, imputation, [384]
  • Calzini, Egidio, [327]
  • Camma, [194-5]
  • Cammelli, Antonio,—see [Pistoia]
  • Campani, Niccolò, da Siena,—see [Strascino]
  • Campaspe, [70], [351]
  • Cane, Facino, [355]
  • Canossa, Conrad of, [394]
    • Count Ludovico da, Bishop of Bayeux, [12], [20-7]2, [121], [138], [176], [202], [233], [236], [237], [244], [279], [292], [293], [297], [329], [332], [342], [346], [360], [361], [394], [407]
  • Çapila, Miguel de, [420]
  • Capitol at Rome, a woman’s effort to secure the surrender of the, [199]
  • Captain of the Church, Duke Guidobaldo made, [10]
  • Capua, story of the sack of, [214]
  • Cara, Marchetto, [50], [340]
  • Carbo, Caius Papirius, [51], [344]
  • Cardinals:
    • referred to in the prayer for heretics and schismatics, [138];
    • Raphael’s retort to the two, [149], [377-8]
  • Cardona, Don Giovanni di, [146], [375], [376]
    • Don Pedro di, Count of Gosilano, [375]
    • Don Ugo di, [147], [375], [376]
  • Cards and dice, [108]
  • Carillo, Alonso, [148], [150], [164], [377]
  • Carlos, Don, Prince of Spain, (afterwards Charles V of Spain), [276], and see [Charles V of Spain]
  • Carmenta, another name for Nicostrate, [391]
  • Carnesecchi, G., [422]
  • Carpaccio, [343]
  • Carpentras, the Bishop of,—see [Sadoleto], Giacomo
  • Casanatense Library at Rome, [417]
  • Casanova, Marcantonio, his distiches on “The Spartan Mother Slaying Her Son,” [393]
  • Castagneta, the Count of, [384]
    • the Countess of, [164], [384]
  • Castel del Rio, the Lord of, [375]
  • Castellina, story about the siege of, [130], [363]
  • Castiglione, Anna, [314]
    • A. P., [421]
    • Count Baldesar, [6], [7], [75], [171], [243], [276], [313-5], [316], [317], [318], [319], [320], [322], [323], [325], [327], [331], [332], [333], [334], [335], [337], [338], [340], [342], [343], [344], [346], [347], [348], [349], [351], [356], [357], [358], [360], [361], [362], [363], [364], [367], [369], [375], [379], [382], [383], [384], [387], [388], [390], [391], [392], [393], [394], [395], [396], [398], [399], [400], [404], [407], [408], [409], [410], [411], [413], [415], [419], [420], [421]
    • his Tirsi, [314], [331], [332]
    • Count Camillo, [314], [347]
  • Castiglione, Count Cristoforo, [313]
    • Ippolita, [314]
    • Tealdo, Archbishop of Milan, [313]
  • Castile, [202], [203]
  • Castillo, Andrea, [382]
    • a Spanish name jestingly bestowed upon a Bergamasque cow-herd, [156]
  • Castor, [404]
  • Castriani, Antonio da, Bishop of Cagli, [366]
  • Castro, Violante de, [384]
  • Cataline’s conspiracy, [200], [392]
  • Cato, Marcus Porcius, [44], [146], [339]
  • Cato Uticensis, Marcus Porcius, [149], [181], [190], [378]
  • Catonian severity of countenance assumed hypocritically, [209]
  • Catria, Mount, [309]
  • Cattanei, Tommaso,—see [Cervia], the Bishop of
  • Cattani, Francesco, da Diacceto,—see [Diacceto]
  • Catullus, [55], [126], [345], [346]
  • Caucasia, [285]
  • Cavaillon, the Bishop of,—see [Mario de’ Maffei]
  • Cavalcalovo, Gerolamo, [420]
  • Cavalier servente, [361]
  • Cavriani Library at Mantua, [417]
  • Cecil, Sir William, afterwards Lord Burleigh, [316]
  • Cellini, Benvenuto, [346], [350], [379], [382], [414]
  • Celsus, St., [383]
  • Ceres, [197]
  • Cerignola, humourous incident after the battle of, [147], [376]
  • Cervia, the Bishop of, (Tommaso Cattanei), [153], [382]
  • Cesena, Bottone da,—see [Bottone]
  • Ceva, the Marquess Febus di, [71], [114], [351]
    • the Marquess Gerardino di, [71], [351]
    • the Marquess Giovanni di, [351]
  • Chalcondylas, Demetrios, [313], [344], [374]
  • Chancery, the, [159], [383]
  • Chaperon, Jean, [315]
  • Chapman, John Jay, [348]
  • Chapuis, Gabriel, [420], [421]
  • “Characters,” a work by Theophrastus, translated and afterwards expanded by La Bruyère, [323]
  • Charlemagne, the Emperor, [413]
  • Charles the Bold of Burgundy, [396]
  • Charles V of Spain, [276], [314], [315], [319], [332], [337], [371], [387], [396], [413], [414]
  • Charles VIII of France, [117], [202], [317], [327], [328], [330], [347], [360], [367], [368], [371], [372], [373], [374], [381], [395], [396], [398], [400], [409]
  • Charlotte of Savoy, [395]
  • Chase, the, an appropriate pastime for the courtier, [31]
  • Chastity:
    • discussions concerning, [162-3], [208-9];
    • instances of, [211] et seq.
  • Chaumont, the Grand Master de, [379-8]0
  • Cheirocrates, [411]
  • Chess: 108-9;
    • story of the monkey who played, [133-4]
  • Chigi, Agostino, [383]
  • Chigiana Library at Rome, [417]
  • Chignones, Diego de, [139], [368]
  • Chilon of Sparta, [408]
  • Chios, a story of Philip V’s siege of, [200]
  • Chiote women and their husbands, a story of, [200-1]
  • Chiron, [64], [349]
  • Choice of friends, [105-7]
  • Christian Cicero, the, (Lactantius Firmianus), [392]
  • Chrysoloras, [370]
  • Cian, Vittorio, [334], [335], [349], [353], [367], [369], [373], [377], [378], [379], [380], [382], [383], [422]
  • Ciarla, Magia, [342]
  • Ciccarelli, Antonio, [363], [377], [420], [421]
  • Cicero, Marcus Tullius, [5], [44], [49], [51], [52], [53], [54], [129], [200], [339], [346], [362], [363], [379], [389], [392], [408]
  • Cicero’s Brutus, [323]
    • De Amicitia, [358]
    • De Officiis, [402]
    • De Oratore, [324], [344], [408]
    • De Senectute, [397]
    • Pro Archia, [34]
  • Cicero, the Christian, (Lactantius Firmianus), [392]
  • Ciminelli, Serafino,—see [Serafino dall’Aquila]
  • Cimon, [250], [407-8]
  • Circe, [272], [409]
  • Circumspection:
    • necessary to the courtier, [59];
    • even more necessary to the court lady, [176]
  • Cithern:
    • played by Socrates, [63];
    • Achilles taught by Chiron to play upon the, [64]
  • Civita Vecchia, [274], [410]
  • Claudio, Scipio, [419]
  • Claudius, the Emperor, [388]
  • Clearchus, “tyrant of Pontus,” [264], [409]
  • Clement VII (Giulio de’ Medici), [314], [317], [319], [331], [335], [345], [369], [374]
  • Cleobulus of Rhodes, [408]
  • Cleopatra, [205], [401]
  • Clerke, Bartholomew, [420], [421]
  • Clermont, Isabelle de, Queen of Naples, [327], [397]
  • Cleves, Anne of, [371]
  • Cloquemin, Loys, [420]
  • Cloven Tongues, [305]
  • Clymene, [408]
  • Colin, Jacques, [315-6], [419], [420]
  • Colonna, Caterina, [394]
    • Fabrizio, [319]
    • Francesco, his Hypnerotomachia Poliphili, [405]
    • Marcantonio, [140], [371]
    • Pierantonio, [371]
    • Vittoria, Marchioness of Pescara, [1], [319-2]0, [323], [324], [369], [371], [394]
  • Columbus, Christopher, [396]
  • Comino, Giuseppe, [421]
  • Command, he is always obeyed who knows how to, [265]
  • Commines, [395]
  • Commonwealths, Duke Guidobaldo in the service of the Venetian and Florentine, [10]
  • Como, the Bishop of, [366]
  • Concealment:
    • of art, [35];
    • the courtier need not conceal his good deeds, [84]
  • Conduct, Federico Fregoso propounds rules of, [83]
  • Confession of ignorance, discussed, [116-7]
  • Conquest, princes ought not to aim at, [266]
  • Consalvo de Cordoba, [139], [141], [147], [204], [313], [327], [368-9], [371], [376], [400]
  • Constable, T. and A., printers, [422]
  • Conti, Bernardina, [371]
  • Continence and temperance, contrasted and discussed, [257]
  • Continence of Scipio, the story of the, [207-8]
  • Contrast and balance, in art and character, [82-3]
  • Conversation, to be varied to suit the company, [92]
  • Conversion of the heathen, [275-6]
  • Cooke, Sir Anthony, [316]
  • Cordoba, Consalvo de,—see [Consalvo]
    • Francisco Fernandez de,—see [Fernandez]
  • Corinna, [197], [391]
  • Corio, Lodovico, [324], [422]
  • Cornelia, [190], [344], [389]
  • Corrozet, Gelles, [419]
  • Corsiniana Library at Rome,
  • Corvinus, Matthias,—see [Matthias Corvinus]
  • Coscia, Andrea, [152], [380]
  • Costume appropriate to the courtier, [102-4]
  • Cotta, Caius Aurelius, [51], [344]
  • Courage requisite in the courtier, [25]
  • Court Lady, the:
    • beginning of the discussion on, [173];
    • must be womanly, [175];
    • her need of beauty, [176];
    • must be affable, vivacious, witty, not too prudish, [176];
    • not too familiar, not a scandal-monger, tactful in conversation, [177-8];
    • not addicted to over-rugged exercises, or too ready to dance or sing, [179];
    • her dress, [179-8]0;
    • must be no less well informed than the courtier, and understand even those exercises that she does not practise; she must also be accomplished in literature, music, painting and dancing, [180];
    • Pallavicino objects to such multiplicity of acquirement, [181-2]
  • COURTIER, THE BOOK OF THE. reasons for writing, [1], [7];
    • reasons for hasty publication of, [1];
    • “a picture of the court of Urbino,” [2];
    • excuse for not writing in the Tuscan dialect, [3-5];
    • purports to record actual dialogues, [8];
    • when written, [319]
  • Courtiers’ duty to entice their prince towards virtue, [250-1]
  • Courtiership:
    • the subject of the book, [7];
    • beginning of the discussion concerning the perfection of, [19];
    • beginning of the discussion concerning the proper aims of, [246];
    • explanation of the word, [325]
  • Crassus, Lucius Licinius, the orator, [44], [49], [51], [339], [344]
    • Marcus Licinius, the triumvir, [347]
  • Crassus Mucianus, Publius Licinius, [101], [358]
  • Crato, Johannes, [420]
  • Creede, T., [421]
  • Crema, Margarita, [362]
  • Cretans, cultivators of music, [64]
  • Crimson velvet, jest about a captain who celebrated his infrequent victories by wearing, [152]
  • Crivello, Biagino, [153], [381]
  • Crotona, the five beautiful maidens of, [70], [351]
  • Cuña, Don Pedro de,—see [Messina], the Prior of
  • Cuppis (or Coppi) da Montefolco, Bernardo de, [404]
    • Lucrezia de, [404]
  • Curll, E., [421]
  • Curtius Rufus, Quintus, his History of Alexander the Great, [358]
  • Custom, the basis of manners, [7]
  • Cyrene, [348]
  • Cyrus, [201], [393], [400]
  • Damasco, play upon the word, [150]
  • Dances: see [Basset], [Brawl], [Morris-dance], Moresca, Roegarze
  • Dancing:
    • affectation in, [36];
    • how to be practised, [86-7]
  • Dante, [323], [330], [339], [340], [363], [381]
  • Dante’s Divina Commedia, [323]
    • Inferno, [360]
    • Paradiso, [416]
    • Purgatorio, [376]
    • Vita Nuova, [348]
  • Danzare and ballare compared, [352-3], [382]
  • D’Arco, MS. bibliographical notes by the late Count, at Mantua, [417]
  • Darius III of Persia, [103], [207], [212], [358], [401]
  • Dauson, Thomas, [420]
  • Day, John, [420]
  • Death from excessive joy, an instance of, [195-7]
  • Deceased friends, the author’s eulogy of his, [2-3], [243-4]
  • Deceptions and tricks practised by lovers, [217-8]
  • Defects and foibles, limits to be observed in ridiculing, [128]
  • Defender of the Faith, origin of the title, [412]
  • Deianeira, [415]
  • Demarata, [390]
  • Demetrius I of Macedon, [69], [351], [392]
  • Demetrius II of Macedon, [200], [392]
  • Democritus, [124], [337], [361]
  • Demosthenes, [344]
  • Denham, Henry, [420]
  • Dennistoun, James, [317], [322], [334]
  • Dennistoun’s “Memoirs of the Dukes of Urbino,” [335], [337], [377], [397]
  • Derketo, a Syrian goddess, [401]
  • Deserve, the best way to win princes’ favour is to deserve it, [96]
  • Devices (imprese), [12], [330]
  • Diacceto, Francesco Cattani da, [51], [345-6]
  • Diacceto’s Tre Libri d’Amore, [346]
  • Diana, [194]
  • Digressions from the main subject of the work:
    • on literary style, [38-5]4;
    • on pleasantries and witticism, [120-1]62;
    • on the attributes of the perfect court lady, [175-2]28;
    • on Platonic love, [288-3]07
  • Dinocrates, [411]
  • Dio of Syracuse, [285], [414-5]
  • Diocletian, the Emperor, [404]
  • Diogenes Laertius, [348]
  • Diomed, [275], [411]
  • Dionysius the Elder of Syracuse, [348], [415]
  • Dionysius the Younger of Syracuse, [285], [415]
  • Diotima, [197], [308], [391]
  • Disguises, fancy dress, etc., [87-8]
  • Disparagement, to be avoided, [115-6]
  • Divorce, impliedly favoured, [224]
  • Djem Othman, [141], [371-2]
  • Dnieper, comic story of words frozen in crossing the, [132-3]
  • Dolce, Ludovico, [420]
  • Dolet, Estienne, [419]
  • Domenico, a printer at Venice, [420]
  • Donatello, [341]
  • Donato, Geronimo, [136], [365-6]
  • Don Carlos, Prince of Spain, (afterwards Charles V of Spain), [276], and see [Charles V of Spain]
  • Donkey, story of peasant who had lost his, [128-9]
  • Double entente, instances of allowable, [125]
  • Doves, story of a tiresome fellow and his, [148]
  • Dovizi, Bernardo,—see [Bibbiena Pietro], [321]
  • Drake, S., [421]
  • Drawing, a necessary accomplishment for the courtier, [65]
  • Dreams, Alfonso I’s jesting advice to a servant regarding, [153]
  • Dress:
    • the courtier’s, [102-4];
    • an index of character, [103-5];
    • the court lady’s, [179-8]0
  • Ducats:
    • as a laudatory simile, [140-1];
    • story of the prior who had borrowed ten thousand, [150-1]
  • Duchess of Urbino, the,—see Gonzaga, [Eleanora] and [Elisabetta]
  • Duel:
    • the courtier to know how to conduct a, [30];
    • story about a, [152]
  • Due torti, play upon the words, [151]
  • Duhamel, l’Abbé, [421]
  • “Duke Borso,”—see [Este, Borso d’], Duke of Ferrara
  • “Duke Federico,”—see [Montefeltro, Federico di], Duke of Urbino
  • “Duke Filippo,”—see [Visconti, Filippo Maria]
  • “Duke Valentino,”—see [Borgia, Cesare]
  • Durán, Alfonso, [421]
  • Dürer, Albert, [342], [343]
  • Earth, story about disposing of earth from an excavation, [129-3]0
  • Edward III of England, [387]
  • Edward IV of England, [413]
  • Edward VII of England, [380]
  • Egano, a character in Boccaccio, [164], [165]
  • Egnatius, a character in Catullus, [55], [346]
  • Egypt, the pyramids of, said to have been built in order to keep the Egyptians busy, [267]
  • Eleanora of Portugal, [396]
  • Elias, [305]
  • Elis in Achaia, [171], [387]
  • Elizabeth of England, [316], [329]
  • Elizabeth of Portugal, [387]
  • Elizabeth of York, [412], [413]
  • Elmo, St., [147], [376]
  • Elocution, the essentials of, [4]
  • Emanuel I of Portugal, [133], [364]
  • Emilia Pia,—see [Pia]
  • Empedocles, [337]
  • Employment of the courtier’s qualities, etc., beginning of Federico Fregoso’s discourse upon, [80]
  • England, the author’s absence in, [8], [276], [325]
  • Ennius, Quintus, [44], [49], [148], [339]
  • Envy, the courtier to avoid arousing, [82]
  • Epaminondas, [64], [250], [349], [408]
  • Ephesus, [68]
  • Epicharis, [192], [390]
  • Epimetheus, [252], [408]
  • Equicola, Mario, [398]
  • Equipment of the cavalier, the necessity for proper, [85]
  • Erasmus, [348], [357], [367]
  • Erasmus, St., [376]
  • Eris, the goddess of discord, [387]
  • Errea, Elvira, [368]
  • Erythræans, the, [200], [393]
  • Este, Alfonso d’, Duke of Ferrara, [322], [330], [363], [399], [400]
    • Beatrice d’, Duchess of Milan, [204], [333], [336], [338], [352], [363], [381], [394], [398], [399]
    • Bianca Maria d’, [394]
    • Borso d’, Duke of Ferrara, [77], [355], [363], [384]
    • Ercole d’, Duke of Ferrara, [129], [330], [336], [363], [398], [399]
    • Ginevra d’, [394]
    • Ippolito d’, Cardinal, [22-3], [329], [336], [363]
    • Isabella d’, Marchioness of Mantua, [204], [332], [333], [334], [338], [341], [343], [352], [363], [381], [394], [398-9], [409], [413]
    • Niccolò d’, Duke of Ferrara, [355], [363], [384]
  • Este family, eulogy of the women of the, [202]
  • Ettore Romano Giovenale, [71], [351-2]
  • Europe and Asia, united by Alexander the Great, [275]
  • Eurydice, [384]
  • Evander, [44], [197], [339], [391]
  • Evil:
    • the correlative and necessary accompaniment of good, [78];
    • ignorance is the root of, [254-6]
  • Exalted station attained by several members of the court of Urbino, [244]
  • Exercises:
    • those proper for the courtier, [29-3]1;
    • those inappropriate for the courtier, [31]
  • Eye, story of the quack and the peasant who had lost an, [150]
  • Fabié, Antonio Maria, [320], [367], [377], [383], [417], [421]
  • Fabius Pictor, Quintus, [65], [349]
  • Fagiani, Bernardin, [420]
  • Falsehood, the origin of princes’ errours, [248]
  • Fancy dress and masks, [87-8]
  • Farri, Domenico, [420]
  • Fasanini, Landomia, [383]
  • Favorinus, [357]
  • Favours, not in general to be sought by the courtier, [94-6]
  • Federico III of Naples, [205], [358], [383], [397], [399], [400]
  • Fedra (Tommaso Inghirami), [138], [367], [375]
  • Feltre, Vittorino da,—see [Vittorino da Feltre]
  • Ferdinand I of Naples, [327], [363], [383], [397], [400]
  • Ferdinand II of Naples, [10], [35], [118], [141], [204], [327-8], [368], [397], [400]
  • Ferdinand the Catholic:
    • referred to as “the king,” [148], [164];
    • mentioned, [202], [203], [219], [313], [327], [359], [368], [371], [377], [396], [397], [400], [412], [413]
  • Ferdinand the Just, King of Aragon and Sicily, [375]
  • Fernandez de Cordoba, Francesco, [420]
  • Ferrara, the Dukes of,—see [Este]
  • Fetti, Fra Mariano,—see [Fra Mariano Fetti]
  • Fiaccadori, [421]
  • Ficino, [345]
  • Fierezza, boldness, [83], [356]
  • Fiery Chariot of Elias, [305]
  • Fig-tree, story about a man who begged a branch from his neighbour’s, [149]
  • Filiberta of Savoy, [320], [346]
  • Filiberto, Duke of Savoy, [396]
  • Filippello’s wife, a character in Boccaccio, [164], [165], [166]
  • Filippo, Duke,—see [Visconti, Filippo Maria]
  • Finger-rings, story of Alfonso I’s, [146]
  • Firmianus, Lactantius, “the Christian Cicero,” [392]
  • First impression:
    • amusing story illustrating the importance of, [111-2];
    • the courtier to try to make a good, [113]
  • Five nuns and the friar, story of the, [136-7]
  • Flogged, story of man condemned to be, [129]
  • Florence, [39], [43], [44], [140], [151]
  • Florence, the Archbishop of, (Roberto Folco), [142], [372]
  • Florentine Council, humourous sally made in the, [149-5]0
  • Florentine territory, story of a soldier who had fled from, [147]
  • Florentines, wont to wear the hood, [104]
  • Florido, Orazio, [71], [352]
  • Foglietta, Agostino, [145], [374-5]
  • Foglino, Scarmiglione da, [377]
  • Foix, Gaston de, [379]
  • Folco, Roberto, Archbishop of Florence, [142], [372]
  • Forden, Katherine, [316]
  • Foreign phrases, instances of allowable use of, [46]
  • Forged document of renunciation, story of a, [151]
  • Forli, Antonello da,—see [Antonello da Forli]
  • Fornovo, the battle of, [360]
  • Fortebracci, Braccio, [384]
  • Fra Mariano Fetti, [16], [122], [162], [335]
  • France, [31], [57], [97], [114]
  • Francia, Francesco Raibolini, better known as, [332]
  • Franciotti, Gianfrancesco, [361]
  • Francis I of France, [56-7], [275], [315], [320], [322], [330], [332], [337], [341], [346], [347], [371], [376], [387], [405], [412], [413]
  • Francis II, Duke of Brittany, [395]
  • Francis, St., [308], [416]
  • Fra Serafino, [16], [37], [108], [162], [335]
  • Frederick Barbarossa, [360], [364]
  • Frederick III, Emperor of Germany, [396]
  • Fregosa, Costanza, [14], [54], [73], [334]
  • Fregoso, Agostino, [322]
    • Costanza,—see [Fregosa]
    • Federico, [12], [19], [39], [40], [49], [50], [52], [53], [54], [72], [80], [81], [83], [86], [88], [90], [91], [93], [96], [97], [98], [99], [100], [102], [104], [105], [106], [107], [108], [109], [110], [113], [114], [117], [118], [120], [121], [122], [155], [169], [170], [172], [173], [221], [222], [223], [224], [234], [244], [294], [321], [330], [331], [334], [340], [346], [367], [407]
    • Ottaviano, [2], [12], [17], [18], [163], [167], [168], [174], [218], [240], [241], [242], [244], [245-8]7, [322], [330], [334], [376], [407], [409], [414]
  • French fashion of dress:
    • affected by some, [102];
    • tends to over amplitude, [103]
  • Frenchmen:
    • martial exercises excelled in by, [30-1];
    • said to disprize letters, [56];
    • whether or not they are presumptuous, [97];
    • their freedom of manner, [115]
  • Friar and the five nuns, story of the, [136-7]
  • Friars, hypocrisy of the, [188-9]
  • Friends:
    • choice of, [105-7];
    • peril of too blind confidence in, [106];
    • reciprocal duties of, [107]
  • Frigio, Niccolò,—see [Frisio]
  • Frisio (or Frigio), Niccolò, [12], [169], [172], [174], [188], [191], [192], [194], [195], [197], [205], [216], [279], [334], [402]
  • Frosinone, the battle of, [379]
  • Frozen words, story about, [132-3]
  • Gæa, [411]
  • Galatea, [388]
  • Galba, Sergius Sulpicius, [44], [51], [340], [344]
  • Galeotto, Giantommaso, [138], [367]
  • Galeotto Marzi da Narni, [136], [365], [367]
  • Galpino, a servant of “My lord Magnifico,” [144]
  • Gama, Vasco da, [364]
  • Gambara, Veronica, [395]
  • Gambling, [108]
  • Games proposed by various members of the court, [13-9]
  • Gaming, [108]
  • Garigliano, the battle of, [313]
  • Garter, the order of the, [173], [313], [387]
  • Garzia, Diego, [141], [371]
  • Garzoni’s L’Hospidale de Pazzi Incurabili, [373]
  • Gaspar, my lord,—see [Pallavicino]
  • Gaultier, Pierre, [420]
  • Gazuolo, story of a peasant girl of, [214]
  • General repute, illustrations of the influence of, [113]
  • Generosity, a duty of princes, [273-4]
  • Generous, all givers are not, [276-7]
  • Genoa, the Doge of,—see [Fregoso, Ottaviano]
  • Genoese Riviera, wine from the, [113]
  • Genoese spendthrift, retort made by a, [139]
  • Gentle birth, requisite in the courtier, [22-5]
  • George, St., [404]
  • German fashion of dress:
    • affected by some, [102];
    • tends to over scantiness, [103]
  • German student at Rome, story of a, [139]
  • German women of Roman times, heroism of, [201]
  • Geryon, [275], [411]
  • Ghirlandajo, [343]
  • Giancristoforo Romano, [12], [66], [135], [333], [404]
  • Gianluca da Pontremolo, [151]
  • Giglio, Domenico, [420], [421]
  • Giolito de’ Ferrari, Gabriel, [419], [420]
  • Giorgio da Castelfranco,—see [Giorgione]
  • Giorgione, [50], [313], [343-4], [350], [369]
  • Giovenale, Ettore Romano, [71], [351-2]
    • Latino, de’ Manetti, [151], [379]
  • Giovio, Paolo, [330], [369], [420]
  • Giulia, a virtuous peasant girl, [403]
  • Giulio Romano, [314]
  • Giunta, the heirs of Filippo di, [320], [419], [421]
  • Giunti, Benedetto, [419]
  • Giunti, the heirs of Bernardo, [420]
  • Glutton, rebuke administered by the Marquess Federico to a, [145]
  • Goethe’s “Travels in Italy,” [334-5]
  • Golden Fleece, the order of the, [173], [387]
  • Gonnella, a buffoon, [162], [384]
  • Gonnella, Bernardo, his father, [384]
  • Gonzaga, Alessandro, [142], [143], [373]
    • Barbara, Duchess of Würtemberg, [394], [404]
    • Cecilia, [394]
    • Cesare, [12], [14], [21], [28], [32], [37], [69], [70], [86], [96], [104], [128], [131], [134], [174], [179], [208], [210], [213], [215], [216], [218], [231], [235], [236], [237], [243], [245], [257], [269], [273], [296], [307], [309], [331-2], [402], [403], [407]
    • Eleanora, Duchess of Urbino, [244], [318], [407]
    • Elisabetta, Duchess of Urbino, [2], [11-2], [13], [16], [20], [32], [43], [71], [73], [80], [104], [112], [156], [163], [167], [169], [170], [172], [174], [175], [216], [221], [228], [236], [241], [242], [245], [265], [269], [273], [280], [287], [288], [292], [297], [307], [309], [314], [317], [318], [322-3], [329], [334], [335], [341], [352], [380], [388], [394], [398], [404], [405], [407], [409]
    • Federico, Marquess of Mantua, [145], [148], [279], [322], [340], [373], [409]
    • Federico, Marquess and afterwards Duke of Mantua, [279], [343], [362], [373], [374], [379], [413-4]
    • Francesco,—see [Gianfrancesco]
    • Giampietro, [331]
    • Gianfrancesco, Marquess of Mantua, [274], [313], [317], [318], [341], [352], [360], [372], [373], [374], [381], [383], [398], [407], [409-1]0, [413]
    • Gianfrancesco, uncle to “My lady Duchess,” [404]
    • Giovanni, [142], [373]
    • Ludovico, Bishop of Mantua, [215], [403-4]
    • Ludovico, Marquess of Mantua, [374], [404]
    • Luigi, [331]
    • Luigia, [313]
    • Maddalena, [380]
    • Margarita, [73], [192], [352]
  • Gonzaga family, eulogy of the women of the, [202]
  • Good, the correlative and necessary accompaniment of evil, [78]
  • Good government, three forms of, [260]
  • Gosilano, the Count of, (Don Pedro di Cardona), [375]
  • Goths, the time when Italy was ruled by the, [202]
  • Governo misto, [261], [269-7]0, [409]
  • Gracchi, the, [344], [389]
  • Gracchus, Caius Sempronius, [51], [344]
  • Grace:
    • cannot be learned, but may be cultivated, [34];
    • lies chiefly in the avoidance of affectation, [35]
  • Grace requisite in the courtier, [23]
  • Granada, the conquest of, [203], [219-2]0
  • Grand Turk, the,—see [Bajazet II]
  • Graphic narrative, [127]
  • Gravity of visage, the effect of pleasantry heightened by, [154]
  • Great Captain, the,—see [Consalvo de Cordoba]
  • Greece, [65], [192], [219]
  • Greek:
    • Hannibal said to have written in, [58];
    • the courtier to be conversant with, [59];
    • Castiglione prefers that his son should devote less attention to Latin than to, [347]
  • Greek dialects, discussion of, [47]
  • Gregory, St., [393]
  • Grove’s Dictionary of Music, [359]
  • Guicciardini, [409]
  • Hadrian’s mausoleum, afterwards the Castle of St. Angelo, [367]
  • Handmaidens, the Festival of the, [199-2]00, [392]
  • Hands, the beauty of, [55]
  • Hanging, the method by which a Spanish cavalier hoped to escape, [148-9]
  • Hannibal, [58], [201], [274], [347], [376], [392], [408]
  • Harmodius, [390]
  • Harmonia, [191], [389-9]0
  • Harsy, Denys de, [419]
  • Hasdrubal, [191], [389]
  • Helen of Troy, [351], [387], [415]
  • Henry, Prince of Wales,—see [Henry VIII of England]
  • Henry IV of England, [413]
  • Henry V of England, [412-3]
  • Henry VII of England, [313], [327], [412-3]
  • Henry VIII of England, [276], [332], [348], [371], [412]
  • Hera, [387]
  • Heraclea, [390]
  • Hercules, [171], [275], [305], [408], [411], [412]
  • Hermes, [339], [391]
  • Hermit, Lavinello’s, a character in Bembo’s Gli Asolani, [288], [415]
  • Hernand, Pietro, [368]
  • Hernand y Aguilar, Gonzalvo,—see [Consalvo de Cordoba]
  • Herodotus, [400]
  • Herrick, Robert, [338]
  • Hesiod, [49]
  • Hiero of Syracuse, [191], [389-9]0
  • High standard, to be aimed at, even if a higher cannot be attained, [116]
  • Hipparchus, [390]
  • History, the courtier to be versed in, [59]
  • Hobbie, Sir Thomas, [316]
  • Hoby, Thomas, [316], [420], [421], [422]
    • William, [316]
  • Hohenstauffen rulers of Naples, [375]
  • Homer, [41], [44], [49], [53], [57], [61], [62], [284], [315], [348], [391]
  • Honesty and uprightness, requisite in the courtier, [56]
  • Honour of women, discussion as to the regard to be shown to the, [162]
  • Horace, [44], [340]
  • Horse afraid of weapons, story about a, [138]
  • Horse-breeding, [274]
  • Horsemanship, the courtier to be an adept in, [30]
  • Hortensius Hortalus, Quintus, [44], [339]
  • Huguetan, Jean, [420]
  • Humanities, the courtier to be versed in the, [59]
  • Humour, beginning of the discussion on, [120]
  • Hunchbacks, story of two, [151]
  • Hungary, “the other queen of,”—see [Aragon, Beatrice]
  • Hunyadi, János, of Hungary, [397]
  • Husbands and wives, ill treatment between, [193]
  • Hypnerotomachia Poliphili, [405]
  • Iapetus, [408]
  • Icarus, [342]
  • Ignorance:
    • as to confessing, [116-7];
    • one of the gravest faults of princes, [247];
    • the root of evil, [254-6]
  • Iliad, the, kept by Alexander the Great at his bedside, [57]
  • Imitation, in literary style: 41;
    • more necessary for the moderns than for the ancients, [49]
  • Imprese (devices), [12], [330]
  • Improbabilities, to be avoided in conversation, [119]
  • Incongruity, the source of laughter, [124]
  • Incontinence in men, no more excusable than unchastity in women, [206]
  • India, [285]
  • Inghirami, Paolo, [367]
    • Tommaso, (“Fedra”), [138], [367], [375]
  • Innocent VIII, [341], [371], [372]
  • Innuendo, instances of witty, [145-7]
  • Innys, William, [421]
  • Ippolito d’Este,—see [Este]
  • Isabella del Balzo, Queen of Naples, [205], [397], [399-4]00
  • Isabella the Catholic:
    • referred to as “the queen,” [150];
    • mentioned, [156], [202-4], [219], [377], [378], [384], [396-7], [412], [413]
  • Isaia di Pippo of Pisa, [333]
  • Ischia, the island of, [319]
  • Ismail Sufi I of Persia, [173], [387-8]
  • Isocrates, [51], [344], [409]
  • Isola Ferma, [222], [405]
  • Italian language, derived from the Latin, [43]
  • Italians:
    • martial exercises in which they excelled, [30];
    • military decadence of, [58-9], [347];
    • lamentable lack of any style of dress peculiar to, [103];
    • become a prey to other nations, [103], [347]
  • Italy, [5], [8], [9], [12], [13], [40], [43], [44], [46], [103], [114], [171], [198], [202], [274], [347]
  • James I of England, [413]
  • James IV of Scotland, [413]
  • Janus, [407]
  • Japan, THE COURTIER said to have been carried to, [324]
  • J. C. L. L. J., an anonymous German translator of THE COURTIER, [316], [421]
  • Jem,—see [Djem]
  • Jena University Library, [417]
  • Jerome, St.,—see [St. Jerome]
  • Jobinus, Bernhardus, [420], [421]
  • Johannes Hyrcanus, King of the Jews, [389]
  • John III of Portugal, [317]
  • John, King of Hungary, [397]
  • Joly, Aristide, (De Balthassaris Castillionis opere, etc.), [417]
  • Jousting, deemed by Djem too serious for sport, [141]
  • Jove, [184], [252], [388]
  • Jovinianus, St. Jerome’s first tract against, [388]
  • Juan, Infant of Castile, [396]
  • Juan II of Castile, [396]
  • Juan II of Navarre and Aragon, [397]
  • Judgment Day, story of lady who dreaded to appear nude on the, [132]
  • Julius II (Giuliano della Rovere), [10], [12-3], [137], [138], [151], [153], [274], [313], [314], [318], [319], [321], [325], [328-9], [330], [332], [334], [335], [336], [342], [343], [361], [365], [366], [371], [372], [375], [377], [378], [380], [382], [383], [400], [404], [410], [413]
  • Juno, [199]
  • Jupiter Feretrius, [325]
  • Juste, Françoys, [419]
  • Justice, the good prince’s first care, [270]
  • Justinian, the Emperor, [393]
  • “King Louis,”—see [Louis XII]
  • “King of France, The,” a phrase signifying the acme of royal power, [272]
  • Kiss, the origin and meaning of the, [300-1]
  • Knowledge, the essential prerequisite of literary style, [45]
  • Kratzer, Lorenz, [316], [420]
  • Lacedemonians, cultivators of music, [64]
  • Ladislas II of Bohemia, [397]
  • Lady at church and the beggar, story of the, [125]
  • Lælius, Caius (Sapiens), [51], [106], [344], [358]
  • Laïs, [402]
  • Landi, Agostino, [334]
    • Caterina, [334]
    • Count Marcantonio, [334]
  • Landriano, Gerardo, Bishop of Como, [366]
  • Language, in what consists the excellence of, [53]
  • Languages, the courtier ought to know many, [115]
  • Laocoön, the, [349]
  • Lapi, Checca, [384]
  • Lascaris, Constantine, [330], [397]
  • Lasso, Pedro, [420]
  • Latin:
    • the source of Italian, [43];
    • the courtier to be conversant with, [59];
    • Castiglione prefers that his son should devote more attention to Greek than to, [347]
  • Latinistic forms of several Italian words advocated, [48], [54], [340]
  • Latino Giovenale de’ Manetti, [151], [379]
  • Latrin tongue, [136]
  • Lattanzio da Bergamo, [376]
  • Laughter:
    • peculiar to man, [123];
    • incongruity affirmed to be its source, [124]
  • Laura, [220], [404-5]
  • Laure de Noves, [405]
  • Lavinello, [415]
  • Lavinello’s Hermit, a character in Bembo’s Gli Asolani, [288], [415]
  • Law, princes’ need to show respect for, [271]
  • Leæna, [192], [390]
  • Leaping, an accomplishment proper for the courtier, [31]
  • Leghorn, [196]
  • Lei, Bernardino, Bishop of Cagli, [366]
  • Lemonnier, Felice, [421]
  • Lenzuoli, Giuffredo (or Alfonso), [328]
    • Roderigo,—see [Alexander VI]
  • Leo X (“My lord Cardinal”), [152], [313], [314], [317], [319], [320], [321], [322], [329], [331], [332], [333], [335], [336], [337], [340], [341], [342], [345], [352], [361], [362], [364], [365], [368], [369], [370], [373], [374], [380-1], [382], [411], [413]
  • Leonardo da Vinci, [50], [336], [337], [341], [346], [350], [366], [381]
    • his Codex Atlanticus, [360]
    • his “Treatise on Painting,” [350]
  • Leonico Tomeo, Niccolò, [145], [374]
  • Letters:
    • the true ornament of the mind, [56];
    • disprized by the French at the beginning of the 16th century, [56];
    • but esteemed by the youthful Francis (I), [56-7];
    • and by captains of ancient times, [57-8];
    • the true conservator of glory, [58];
    • letters vs. arms, discussed, [60-2]
  • Leuconia, [200], [393]
  • Liberty, [259-6]1
  • Library of the Palace of Urbino, [9], [331]
  • Library of the Spanish Academy at Madrid, [417]
  • Libreria Salesiana, [421]
  • Literary piracy:
    • hasty publication of THE COURTIER arose from dread of, [1];
    • frequency of, [320]
  • Literary style, discussion of, [3-5], [38-5]4
  • Literary usage:
    • how determined, [48];
    • subject to change, [48-9]
  • Livy (Titus Livius), [47], [326], [340], [358], [375], [391]
  • Lombard, the author admits writing as a, [5]
  • Lombards:
    • addicted to the use of foreign words, [38];
    • fond of fantastic dress, [104]
  • Lombardy: 104;
    • eulogy of noble ladies of, [204]
  • Longinus, the lance of, [372]
  • Longis, Jean, [419]
  • Lor—, Jean, [419]
  • Loreto, Our Lady of, [158], [382]
  • Lorraine, Beatrice of, [394]
  • Louis, St., [395]
  • Louis IX of France, [395]
  • Louis XI of France, [387], [395]
  • Louis XII of France, [141], [202], [313], [318], [330], [332], [337], [341], [346], [359], [371], [376], [381], [395], [396], [400], [409]
  • Louise of Savoy, [346]
  • Love:
    • the course to be pursued by women (married and unmarried) in love, [223-4]0;
    • how men are to win women’s love, [229-3]0;
    • how men are to declare their love, [231-2];
    • openness in love, [233-4];
    • how love is retained, [234-6];
    • rivalry in love, [234-6];
    • secrecy in love, [237-4]0;
    • whether love be seemly in an old courtier, [286-7];
    • beginning of Bembo’s discourse on Platonic love, [288];
    • love defined as “a certain desire to enjoy beauty,” [288];
    • defects of carnal love, [290];
    • maturity less prone to carnal love, than youth, [291];
    • true love of beauty is beneficent, [291];
    • sensual love in a measure excusable in the young, [292];
    • sensual love not excusable in those of mature years, [292], [297];
    • spiritual love, [304-5];
    • Bembo’s invocation to divine love, [305-7];
    • instances in which the mysteries of divine love have been revealed to women, [308]
  • Love talk, the course to be pursued by women in, [221-3]
  • Loyalty requisite in the courtier, [25]
  • Loyson, Estienne, [421]
  • Lucca, Proto da,—see [Proto da Lucca]
  • Lucca, story of the sables and the merchant of, [132-3]
  • Lucian, [357]
  • Luciani, Sebastiano, “del Piombo,” [335]
  • Luciano of Laurana, architect of the Palace of Urbino, [410]
  • Lucullus, Lucius Licinius, [58], [205], [250], [347], [408]
  • Luther, [313], [330], [333]
  • Luzio, Alessandro, [399]
  • Luzio and Renier’s Mantova e Urbino, [410]
  • Lycurgus, [64], [349]
  • Lyons, a practical joke played by Bibbiena on the bridge at, [160-1]
  • Lysias, [51], [344]
  • Lysis the Pythagorean, [250], [408]