After the men was a little gap—and then the brilliant wedge of the women. They were packed two by two, close on each other's heels, chanting inadvertently when their turn came, and all in brilliant, beautiful costume. In front were the little girl-children, two by two, immediately following the tall men in peasant black-and-white. Children, demure and conventional, in vermilion, white and green—little girl-children with long skirts of scarlet cloth down to their feet, green-banded near the bottom: with white aprons bordered with vivid green and mingled colour: having little scarlet, purple-bound, open boleros over the full white shirts: and black head-cloths folded across their little chins, just leaving the lips clear, the face framed in black. Wonderful little girl-children, perfect and demure in the stiffish, brilliant costume, with black head-dress! Stiff as Velasquez princesses! The bigger girls followed, and then the mature women, a close procession. The long vermilion skirts with their green bands at the bottom flashed a solid moving mass of colour, softly swinging, and the white aprons with their band of brilliant mingled green seemed to gleam. At the throat the full-bosomed white shirts were fastened with big studs of gold filigree, two linked filigree globes: and the great white sleeves billowed from the scarlet, purplish-and-green-edged boleros. The faces came nearer to us, framed all round in the dark cloths. All the lips still sang responses, but all the eyes watched us. So the softly-swaying coloured body of the procession came up to us. The poppy-scarlet smooth cloth rocked in fusion, the bands and bars of emerald green seemed to burn across the red and the showy white, the dark eyes peered and stared at us from under the black snood, gazed back at us with raging curiosity, while the lips moved automatically in chant. The bus had run into the inner side of the road, and the procession had to press round it, towards the sky-line, the great valley lying below.

The priest stared, hideous St. Anthony cockled a bit as he passed the butt end of the big grey automobile, the peasant men in gold-coloured corduroy, old, washed soft, were sweating under the load and still singing with opened lips, the loose white breeches of the men waggled as they walked on with their hands behind their backs, turning again, to look at us. The big, hard hands, folded behind black kilt-frill! The women, too, shuffled slowly past, rocking the scarlet and the bars of green, and all twisting as they sang, to look at us still more. And so the procession edged past the bus, and was trailing upwards, curved solid against the sky-line towards the old church. From behind, the geranium scarlet was intense, one saw the careful, curiously cut backs of the shapen boleros, poppy-red, edged with mauve-purple and green, and the white of the shirt just showing at the waist. The full sleeves billowed out, the black head-cloths hung down to a point. The pleated skirts swing slowly, the broad band of green accentuating the motion. Indeed that is what it must be for, this thick, rich band of jewel green, to throw the wonderful horizontal motion back and forth, back and forth, of the suave vermilion, and give that static, Demeta splendor to a peasant motion, so magnificent in colour, geranium and malachite.

All the costumes were not exactly alike. Some had more green, some had less. In some the sleeveless boleros were of a darker red, and some had poorer aprons, without such gorgeous bands at the bottom. And some were evidently old: probably thirty years old: still perfect and in keeping, reserved for Sunday and high holidays. A few were darker, ruddier than the true vermilion. This varying of the tone intensified the beauty of the shuffling woman-host.


When they had filed into the grey, forlorn little church on the ridge-top just above us, the bus started silently to run on to the rest-point below, whilst we climbed back up the little rock-track to the church. When we came to the side-door we found the church quite full. Level with us as we stood in the open side doorway, we saw kneeling on the bare stoneflags the little girl-children, and behind them all the women clustered kneeling upon their aprons, with hands negligently folded, filling the church to the further doorway, where the sun shone: the bigger west-end doorway. In the shadow of the whitewashed, bare church all these kneeling women with their colour and their black head-cloths looked like some thick bed of flowers, geranium, black hooded above. They all knelt on the naked, solid stone of the pavement.

There was a space in front of the geranium little girl-children, then the men in corduroys, gold-soft, with dark round heads, kneeling awkwardly in reverence; and then the queer, black cuirasses and full white sleeves of grey-headed peasant men, many bearded. Then just in front of them the priest in his white vestment, standing exposed, and just baldly beginning an address. At the side of the altar was seated large and important the modern, simpering, black-gowned Anthony of Padua, nursing a boy-child. He looked a sort of male Madonna.

"Now," the priest was saying, "blessed Saint Anthony shows you in what way you can be Christians. It is not enough that you are not Turks. Some think they are Christians because they are not Turks. It is true you are none of you Turks. But you have still to learn how to be good Christians. And this you can learn from our blessed Saint Anthony. Saint Anthony, etc., etc...."

The contrast between Turks and Christians is still forceful in the Mediterranean, where the Mohammedans have left such a mark. But how the word cristiani, cristiani, spoken with a peculiar priestly unction, gets on my nerves. The voice is barren in its homily. And the women are all intensely watching the q-b and me in the doorway, their folded hands are very negligently held together.

"Come away!" say I. "Come away, and let them listen."