We left the church crowded with its kneeling host, and dropped down past the broken houses towards the omnibus, which stood on a sort of level out-look place, a levelled terrace with a few trees, standing silent over the valley. It should be picketed with soldiers having arquebuses. And I should have welcomed a few thorough-paced infidels, as a leaven to this dreary Christianity of ours.
But it was a wonderful place. Usually, the life-level is reckoned as sea-level. But here, in the heart of Sardinia, the life-level is high as the golden-lit plateau, and the sea-level is somewhere far away, below, in the gloom, it does not signify. The life-level is high up, high and sun-sweetened and among rocks.
We stood and looked below, at the puff of steam, far down the wooded valley where we had come yesterday. There was an old, low house on this eagle-perching piazza. I would like to live there. The real village—or rather two villages, like an ear-ring and its pendant—lay still beyond, in front, ledging near the summit of the long, long, steep wooded slope, that never ended till it ran flush to the depths away below there in shadow.
And yesterday, up this slope the old peasant had come with his two brilliant daughters and the pack-pony.
And somewhere in those ledging, pearly villages in front must be my girovago and his "wife". I wish I could see their stall and drink aqua vitae with them.
"How beautiful the procession!" says the q-b to the driver.
"Ah yes—one of the most beautiful costumes of Sardinia, this of Tonara," he replied wistfully.
The bus sets off again—minus the old peasant. We retrace our road. A woman is leading a bay pony past the church, striding with long strides, so that her maroon skirt swings like a fan, and hauling the halter rope. Apparently the geranium red costume is Sunday only, the week-day is this maroon, or puce, or madder-brown.
Quickly and easily the bus slips down the hill into the valley. Wild, narrow valleys, with trees, and brown-legged cork trees. Across the other side a black and white peasant is working alone on a tiny terrace of the hill-side, a small, solitary figure, for all the world like a magpie in the distance. These people like being alone—solitary—one sees a single creature so often isolated among the wilds. This is different from Sicily and Italy, where the people simply cannot be alone. They must be in twos and threes.