Twilight in Italy

by D. H. Lawrence

'Il sole, il sole!'

So we talked for a while of Italy. They had a pained tenderness for it, sad, reserved.

'Don't you want to go back?' I said, pressing them to tell me definitely. 'Won't you go back some time?'

'Yes,' they said, 'we will go back.'

But they spoke reservedly, without freedom. We talked about Italy, about songs, and Carnival; about the food, polenta, and salt. They laughed at my pretending to cut the slabs of polenta with a string: that rejoiced them all: it took them back to the Italian mezzo-giorno, the bells jangling in the campanile, the eating after the heavy work on the land.

But they laughed with the slight pain and contempt and fondness which every man feels towards his past, when he has struggled away from that past, from the conditions which made it.

They loved Italy passionately; but they would not go back. All their blood, all their senses were Italian, needed the Italian sky, the speech, the sensuous life. They could hardly live except through the senses. Their minds were not developed, mentally they were children, lovable, naïve, almost fragile children. But sensually they were men: sensually they were accomplished.

Yet a new tiny flower was struggling to open in them, the flower of a new spirit. The substratum of Italy has always been pagan, sensuous, the most potent symbol the sexual symbol. The child is really a non-Christian symbol: it is the symbol of mans's triumph of eternal life in procreation. The worship of the Cross never really held good in Italy. The Christianity of Northern Europe has never had any place there.

And now, when Northern Europe is turning back on its own Christianity, denying it all, the Italians are struggling with might and main against the sensuous spirit which still dominates them. When Northern Europe, whether it hates Nietzsche or not, is crying out for the Dionysic ecstasy, practising on itself the Dionysic ecstasy, Southern Europe is breaking free from Dionysus, from the triumphal affirmation of life over death, immortality through procreation.

I could see these sons of Italy would never go back. Men like Paolo and Il Duro broke away only to return. The dominance of the old form was too strong for them. Call it love of country or love of the village, campanilismo, or what not, it was the dominance of the old pagan form, the old affirmation of immortality through procreation, as opposed to the Christian affirmation of immortality through self-death and social love.