Zen and Dhyana

The term “Zen” (ch‘an in Chinese), is an abbreviated form of Zenna or Ch‘anna,[2.2] which is the Chinese rendering of “dhyāna,” or “jhāna,” and from this fact alone it is evident that Zen has a great deal to do with this practice which has been carried on from the early days of the Buddha, indeed from the beginning of Indian culture. Dhyana is usually rendered in English meditation, and, generally speaking, the idea is to meditate on a truth, religious or philosophical, so that it may be thoroughly comprehended and deeply engraved into the inner consciousness. This is practised in a quiet place away from the noise and confusion of the world. Allusion to this abounds in Indian literature; and “to sit alone in a quiet place and to devote oneself to meditation exclusively” is the phrase one meets everywhere in the Āgamas.

The following conversation between Sandhana, a Buddhist, and Nigrodha, an ascetic, which is recorded in the Udumbarika Sīhanāda Suttanta,[f37] will throw much light on the habit of the Buddha. Says Sandhana, “But the Exalted One haunts the lonely and remote recesses of the forest, where noise, where sound there hardly is, where the breezes from the pastures blow, yet which are hidden from the eyes of men, suitable for self-communing.” To this, the ascetic wanderer answers: “Look you now, householder, know you with whom the Samana Gotama talks? with whom he holds conversation? By intercourse with whom does he attain the lucidity in wisdom? The Samana Gotama’s insight is ruined by his habit of seclusion. He is not at home in conducting an assembly. He is not ready in conversation. So he keeps apart from others in solitary places. Even as a one-eyed cow that, walking in a circle, follows only the outskirts, so is the Samana Gotama.”

Again we read in the Sāmañña-phala Sutta[f38]: “Then, the master of this so excellent body of moral precepts, gifted with this so excellent self-restraint as to the senses, endowed with this so excellent mindfulness and self-possession, filled with this so excellent content, he chooses some lonely spot to rest at on his way—in the woods, at the foot of a tree, on a hill side, in a mountain glen, in a rocky cave, in a charnel place, or on a heap of straw in the open field. And returning thither after his round for alms he seats himself, when his meal is done, cross-legged, keeping his body erect, and his intelligence alert, intent.”

Further, in the days of the Buddha, miracle-working and sophistical discussions seem to have been the chief business of the ascetics, wanderers, and Brahman metaphysicians. The Buddha was thus frequently urged to join in the debates on philosophical questions and also to perform wonders in order to make people embrace his teaching. Nigrodha’s comment on the Buddha conclusively shows that the Buddha was a great disapprover of empty reasoning, devoting himself to things practical and productive of results, as well as that he was always earnestly engaged in meditation away from the world. When Chien-ku, son of a wealthy merchant in Nalanda, asked the Buddha to give his command to his disciples and make them perform for the benefit of his townspeople, the Buddha flatly refused, saying, “My disciples are instructed to sit in solitude quietly and to be earnestly meditating on the Path. If they had something meritorious, let them conceal it, but if they had faults, let them confess.”[f39]

An appeal to the analytical understanding is never sufficient to thoroughly comprehend the inwardness of a truth, especially when it is a religious one, nor is mere compulsion by an external force adequate for bringing about a spiritual transformation in us. We must experience in our innermost consciousness all that is implied in a doctrine, when we are able not only to understand it but to put it in practice. There will then be no discrepancy between knowledge and life. The Buddha knew this very well, and he endeavoured to produce knowledge out of meditation, this is, to make wisdom grow from personal, spiritual experience. The Buddhist way to deliverance, therefore, consisted in threefold discipline: moral rules (śīla), tranquillisation (samādhi), and wisdom (prajñā). By Śīla one’s conduct is regulated externally, by Samādhi quietude is attained, and by Prajñā real understanding takes place. Hence the importance of meditation in Buddhism.

That this threefold discipline was one of the most characteristic features of Buddhism since its earliest days is well attested by the fact that the following formula, which is culled from the Mahāparinibbāna-Sutta, is repeatedly referred to in the Sutra as if it were a subject most frequently discussed by the Buddha for the edification of his followers: “Such and such is upright conduct (śīla); such and such is earnest contemplation (samādhi); such and such is intelligence (prajñā). Great becomes the fruit, great the advantage of intellect when it is set round with earnest contemplation. The mind set round with intelligence is set quite free from the intoxications (āśrava), that is to say, from the intoxication of sensuality (kāma), from the intoxication of becoming (bhāva), from the intoxication of delusion (dṛishti), from the intoxication of ignorance (avidyā)[f40].”

Samadhi and dhyana are to a great extent synonymous and interchangeable, but strictly samadhi is a psychological state realised by the exercise of dhyana. The latter is the process and the former is the goal. The Buddhist scriptures make reference to so many samadhis, and before delivering a sermon the Buddha generally enters into a samadhi,[f41] but never I think into a dhyana. The latter is practised or exercised. But frequently in China dhyana and samadhi are combined to make one word, ch‘an-ting;[2.3] meaning a state of quietude attained by the exercise of meditation or dhyana. There are some other terms analogous to these two which are met with in Buddhist literature as well as in other Indian religious systems. They are Saṁpatti (coming together), Samāhita (collecting the thoughts), Śamatha (tranquillisation), Cittaikāgratā (concentration), Dṛishta-dharma-sukha-vihāra (abiding in the bliss of the Law perceived), Dhāraṇi or Dhāraṇa (abstraction), etc. They are all connected with the central idea of dhyana, which is to tranquillise the turbulence of self-assertive passions and to bring about a state of absolute identity in which the truth is realised in its inwardness, that is, a state of Enlightenment. The analytical tendency of philosophers is also evident in this when they distinguish four or eight kinds of dhyana.[f42]

The first dhyana is an exercise in which the mind is made to concentrate on one single subject until all the coarse affective elements are vanished from consciousness except the serene feelings of joy and peace. But the intellect is still active, judgment and reflection operate upon the object of contemplation. When these intellectual operations too are quieted and the mind is simply concentrated on one point, it is said that we have attained the second dhyana, but the feelings of joy and peace are still here. In the third stage of dhyana, perfect serenity obtains as the concentration grows deeper, but the subtlest mental activities are not vanished and at the same time a joyous feeling remains. When the fourth and last stage is reached, even this feeling of self-enjoyment disappears, and what prevails in consciousness now is perfect serenity of contemplation. All the intellectual and the emotional factors liable to disturb spiritual tranquillity are successively controlled, and mind in absolute composure remains absorbed in contemplation. In this there takes place a fully-adjusted equilibrium between Samatha and Vipasayana, that is, between tranquillisation or cessation and contemplation. In all Buddhist discipline this harmony is always sought after. For when the mind tips either way, it grows either too heavy (styānam) or too light (auddhatyam), either too torpid in mental activity or too given up to contemplation. The spiritual exercise ought to steer ahead without being hampered by either tendency, they ought to strike the middle path.

There are further four stages of dhyana called “Arūpa-vimoksha” which are practised by those who have passed beyond the last stage of dhyana. The first is to contemplate the infinity of space, not disturbed by the manifoldness of matter; the second is on the infinity of consciousness as against the first; the third is meant to go still further beyond the distinction of space and thought; and the fourth is to eliminate even this consciousness of non-distinction, to be thus altogether free from any trace of analytical intellection. Besides these eight Samāpatti (“coming together”) exercises, technically so called, the Buddha sometimes refers to still another form of meditation which is considered to be distinctly Buddhist. This is more or less definitely contrasted to the foregoing by not being so exclusively intellectual but partly affective, as it aims at putting a full stop to the operation of Samjñā (thought) and Vedita (sensation), that is, of the essential elements of consciousness. It is almost a state of death, total extinction, except that one in this dhyana has life, warmth, and the sense-organs in perfect condition. But in point of fact it is difficult to distinguish this Nirodha-vimoksha (deliverance by cessation) from the last stage of the Aruppa (or Arūpa) meditation, in both of which consciousness ceases to function even in its simplest and most fundamental acts.