Stole and Maniple; ground, tawny-coloured velvet, embroidered with flowers in gold and coloured silks. English, 15th century. Stole, 8 feet 6 inches by 2¾ inches; maniple, 3 feet 3 inches by 2¾ inches.
The embroidery is quite of the style of the period, and in character with that usually found upon the commoner class of English vestments, done in flos-silk and gold thread, after a large design. The velvet is Italian, and this tone of colour seems to have been then in favour.
4059.
Piece of Woven Orphrey; ground, crimson silk; subject, the Assumption of the Blessed Virgin Mary, in yellow silk. Florentine, 15th century. 2 feet 9 inches by 8¾ inches.
This favourite subject of all art-schools in the mediæval period is treated here much after other examples in this collection, as [No. 8977], &c., but with some variations, and better design and drawing. The Eternal Father, with glory round Him, and two cherubim, is putting a crown upon the head of St. Mary, who is seated upon sunbeams surrounded by angels, while she drops her girdle to St. Thomas as he kneels at her late grave, now filled with new-blown lilies, and bearing on its front the words “Assunta est.” “Assunta” for “Assumpta” is the weaver’s own blunder. Dr. Bock gives a plate of it in his “Geschichte der Liturgischen Gewänder des Mittelalters,” 1 Band, 2 Lieferung, pl. xvi.
4061.
Piece of Raised Velvet; ground, pale yellow silk; pattern, in raised velvet, a large oblong square, having within a border of corn-flowers a large star-like inflorescence, and each square separated by a border or band charged with liliaceous flowers, in crimson raised velvet, in part upon a silver ground, now blackened, surrounded by an ornament in amber-streaked green in raised velvet. Italian, late 16th century. 4 feet by 1 foot 1 inch.