INTRODUCTION.
Like every other specific collection of art labour among the several such brought together within these splendid halls of the South Kensington Museum, this extensive one made from woven stuffs, tapestry, and needlework, is meant to have, like them, its own peculiar useful purposes. Here, at a glance, may be read the history of the loom of various times and in many lands. Here may be seen a proof of the onward march of trade and its consequent civilizing influences. Here we take a peep at the private female life in ages gone by, and learn how women, high-born and lowly, spent or rather ennobled many a day of life in needlework, not merely graceful but artistic. Here, in fine, in strict accordance with the intended industrial purposes of this public institution, artizans, designers, and workers in all kinds of embroidery, may gather many an useful lesson for their respective crafts, in the rare as well as beautiful samples set out before them.
The materials out of which the articles in this collection were woven, are severally wool, hemp, flax, cotton, silk, gold, and silver. The silken textures are in general wholly so; in many instances they are wrought up along with either cotton, or with flax; hence, in ancient documents, the distinction of “holosericum,” all silk, and “subsericum,” not all silk, or the warp—that is, the longitudinal threads—of cotton or flax, and the woof—that is the cross-threads of silk. Very seldom is the gold or the gilt silver woven into these textiles found upon them in a solid wire-drawn form, but almost always, after being flattened very thin, the precious metal was wound about a very small twist of cotton, or of flax, and thus became what we call gold thread. As a substitute for this, the Moors of Granada, and after them the Spaniards of that kingdom, employed strips of gilded parchment, as we shall have to notice.
Section I.—TEXTILES.
Under its widest acceptation, the word “textile” means every kind of stuff, no matter its material, wrought in the loom. Hence, whether the threads be spun from the produce of the animal, vegetable, or the mineral kingdom—whether of sheep’s wool, goats’ hair, camels’ wool, or camels’ hair—whether of flax, hemp, mallow, Spanish broom, the filaments drawn out of the leaves of the yucca—Adam’s needle—and other plants of the lily and asphodel tribes of flowers, the fibrous coating about pods, or cotton; whether of the mineral amianthus, of gold, silver, or of any other metal, it signifies nothing, the webs from such materials are textiles. Unlike to these are other appliances for garment-making in many countries; and of such materials, not the least curious, if not odd to our ideas, is paper, which is so much employed for the purpose by the Japanese.
At the outset of our subject a word or two may be of good use, upon