This is another of those liturgical rarities—Corpus Christi cloths—of which we have spoken at [No. 8342], under the name of Sindons, or Pyx-cloths. Such appliances were employed for mantling the pyx or ciborium when shut up in the tabernacle—that little temple-like erection on the table, or rather step, on the wall-side of the altar—when the custom ceased of keeping the pyx hanging up beneath a canopy.
8692.
Hood of a Cope, silk damask, red and yellow, with the subject of the Assumption of the Blessed Virgin Mary woven in it. Florentine, late 15th century. 1 foot 5 inches by 1 foot 4½ inches.
Uprising from her grave, and amid rays of glory and an oblong or elliptic aureole, the Virgin Mary is being wafted to heaven by four angels, who are not, as of yore, vested in long close albs like deacons, but in flowing garments so slit up as to show their naked arms, bare legs, and lower thighs. Upon the empty tomb, from out of which are springing up lilies, is written “Assunta est;” and at one corner kneels the apostle St. Thomas who, with head uplifted and both his arms outstretched, is receiving from the mother of our Lord her girdle, which she is holding in her hands and about to let drop down to him. “La Madonna della cintola”—this subject—may often be met with in Italian, more especially Florentine, art of the middle ages, and is closely linked with the history of the fine old church of Prato, as we gather from Vasari, in his “Vite dei Pittori,” t. i. p. 279, Firenze, 1846; and the English translation, t. ii. p. 75.
8693.
Linen Napkin, for liturgic use, embroidered in white, brown, and blue thread, with figures of our Lord and the twelve Apostles. German, 4 feet 8 inches by 1 foot 4½ inches.
Like the valuable specimen of the needle described at [No. 8358], the example before us served the purpose of covering the lectern in the chancel at the celebration of the liturgy.
As in the usual representations of the Jesse-tree, the bust of each of the thirteen figures is made to rest within a circular branch upon its tip, where it sprouts out like a wide flower. At the top of this tree we behold our Lord with His right hand uplifted in the act of benediction, His left rested upon a mund, and, about His head a scroll inscribed “Pax F(V)obis.” To the right is St. Peter—so inscribed—holding a key; to the left, St. John, as a beardless youth—inscribed “S. Johnis;” then St. Anderus (Andrew), with a cross saltire-wise; and St. Jacob (James), with his pilgrim’s staff in hand, and on his large slouched hat turned up in front he has two pilgrim-staves in saltire; St. Jacobi (James the Less), with fuller’s bat; St. Simonus (Simon), beardless, with a long knife or sword jagged or toothed like a saw; St. Thomas, with his spear; St. Bartlyme (Bartholomew), with the flaying knife; St. Judas Tadvs (Jude or Thaddeus), with a knotted club; St. Matheus (Matthew), with a hatchet, and beardless; St. Philippe, with a cross bottony, and beardless; St. Mathias, with a halbert. At bottom is marked, in blue ink, 1574; but it may be fairly doubted if this date be the true one for this embroidery, of which the style looks at least fifty years older.