A farm boy who had yearned to study engineering and who had been helped unexpectedly by a secret fund, revealed the name of the fund's donor.
A market gardener whose house, barns, and horses had been destroyed by fire, proclaimed that insurance had not enabled him to make good his loss. For he had not been insured. Peter Grimm had set him on his feet again. And as in every other case, Grimm had imposed but one condition upon the gift:—absolute secrecy.
These were but a few cases out of dozens that were made known within the week after Grimm's death.
The little stone church of Grimm Manor was packed to the doors on the day that six big awkward men with tear blotched faces bore a silent burden up its aisle. A burden so covered with masses of fragrant blossoms as to blot out its gruesome oblong shape. The flowers were from Peter Grimm's own gardens, then in the riot of their June-tide glory.
And so, covered and drifted over with the glowing blooms he loved so well, the dead man went to his burial.
In the Grimm pew, with its silver plate and high, box-like sides, sat Frederik, Kathrien, and old Marta. The heir was as woe begone of face and as crassly sombre of raiment as even the most captious could have desired. The unostentatious pressure of his black bordered handkerchief to his eyes once or twice during the service attested to a sorrow that could not be kept wholly within stoic bounds.
Yet, oddly enough, it was Kathrien,—rather than Frederik or the frankly blubbering old housekeeper,—on whom people's eyes most often rested—rested and then dimmed with a haze of sympathy. The girl did not weep. Her face was very pale. But it was set and expressionless. Save for its big eyes it seemed a lifeless mask. The eyes alone were alive. And never for one instant did they move from the flower banked casket in front of the altar rail. They were tearless. But in their soft depths lurked the awed, unbelieving horror of a little child's that is for the first time brought face to face with the Black Half of life.
Kathrien was not in mourning. Her simple white dress caused no comment. For, by this time, it was known she was acting on what she believed to be Grimm's wishes. The dead man had ever had a loathing of all the hideous visible trappings of grief. He had been wont to hold forth on his aversion after every funeral he had been forced to attend.
"When it comes my time to fall asleep," he had said, during one of these Philippics, "I don't want anybody that cares for me to make death horrible by going around dressed like an undertaker. I'd as soon expect a mother to put on black after she had kissed her child good-night. There'd be just as much sense in it. If it's done because we're grieved to think where our friends have gone,—well and good. But if we're willing to give them the benefit of the doubt, why dress as if we were sorry for them?"
Wherefore, Kathrien was wearing one of the white summer dresses he had loved. She had timidly suggested that Frederik also honour the dead man's prejudices. But the sad, reproachful look he had bent upon her at her first hint of the subject had silenced the girl and had left her half-convicted of heartlessness because of her own avoidance of black.