Narcisse looked at him shrewdly, yet lovingly, too. "I'm not afraid of your marrying because you've fallen in love. What I'm agitated about is lest you'll fall in love because you want to marry."
Alois had an uncomfortable look that was confession.
VI
NEVA GOES TO SCHOOL
Boris let a week, nearly two weeks, pass before he went to see Miss Carlin. He thought he was delaying in hope that the impulse to investigate her would wane and wink out. He had invariably had this same hope about every such impulse, and invariably had been disappointed. The truth was, whenever he happened upon a woman with certain lines of figure and certain expression of eyes—the lines and the expression that struck the keynote of his masculine nerves for the feminine—he pursued and paused not until he was satisfied, sated, calm again—or hopelessly baffled. And as he was attractive to women, and both adroit and reckless, and not at all afraid of them, his failures were few.
In this particular case the cause of his long delay in beginning was that he had just maneuvered his affair with the famously beautiful Mrs. Coventry to the point where each was trying to get rid of the other with full and obvious credit for being the one to break off. Mrs. Coventry was stupid; even her beauty, changelessly lovely, bored and irritated him. But nature had given her in default of brains a subtle craftiness; thus, she had been able to meet Boris's every attempt to cast her off with a move that put her in the position of seeming to be the one who was doing the casting—and Boris had a feminine vanity in those matters. At last, however, his weariness of his tiresome professional beauty and his impatience to begin a new adventure combined to make him indifferent to what people might say and think. Instead of sailing with Mrs. Coventry, as he had intended, he abruptly canceled his passage; and while she was descending the bay on the Oceanic, he was moving toward Miss Carlin's studio.
"You have not forgotten me?" said he in that delightfully ingenuous way of his, as he entered the large studio and faced the shy, plainly dressed young woman from the Western small town.
"No, indeed," replied she, obviously fluttered and flattered by this utterly unexpected visit from the great man.
"I come as a brother artist," he explained. He was standing before her, handsome and picturesque in a costume that was yet conventional. He diffused the odor of a powerful, agreeable, distinctly feminine perfume. The feminine details of his toilet made his strong body and aggressive face seem the more masculine; his face, his virile, clean, blond beard, his massive shoulders, on the other hand, made his perfume, his plaited shirt and flowing tie, his several gorgeous rings and his too neat boots seem the more flauntingly feminine. "What I saw of you," he proceeded, "and what your cousin told me, roused my interest and my curiosity."
At "curiosity" his clear, boyish eyes danced and his smile showed even, very white teeth and part of the interior of a too ruddy, too healthily red mouth. Like everything about him that was characteristic, this smile both fascinated and repelled. Evidently this man drew an intense physical joy from life, had made of his intellect an expert extractor of the last sweet drop of pleasure that could be got from perfectly healthy, monstrously acute nerves. When he used any nerve, any of those trained servants of his sybarite passions, it was no careless, ignorant performance such as ordinary mortals are content with. It was a finished and perfect work of art—and somehow suggestive of a tiger licking its chops and fangs and claws and fur that it might not lose a shred of its victim's flesh. But this impression of repulsion was fleeting; the charm of the personality carried off, where it did not conceal, the sinister side. Because Boris understood his fellow beings, especially the women, so thoroughly, they could not but think him sympathetic, could not appreciate that he lured them into exposing or releasing their emotions solely for his own enjoyment.