But Neva was seeing the artist so vividly that she was seeing the man not at all. Only those capable of real enthusiasm can appreciate how keenly she both suffered and enjoyed, in the presence of the Boris Raphael who to her meant the incorporeal spirit of the art she loved and served. He, to relieve her embarrassment and to give her time to collect herself, turned his whole attention to her work—a portrait of Molly, the old servant she had brought with her from Battle Field.

He seemed absorbed in the unfinished picture. In fact, he was thinking only of her. By the infection to which highly sensitive people are susceptible, he had become as embarrassed as she. One of the chief sources of his power with women was his ability to be in his own person whatever the particular woman he was seeking happened to be—foolish with the foolish, youthful with the young, wise with the sensible, serpentine with the crafty, coarse with the grossly material, spiritual with the high-minded. He had all natures within himself and could show whichever he pleased.

As he felt Neva's presence, felt the thrill of those moving graces of her figure, the passion that those mysterious veiled eyes of hers inspired, he was still perfectly aware of her defects, all of them, all that must be done before she should be ready to pluck and enjoy. It was one of her bad mornings. Her skin was rather sallow and her eyelids were too heavy. Since she had been in New York, she had adopted saner habits of regular eating and regular exercise than she had had, or had even known about, in Battle Field. She was beginning to understand why most people, especially most women, go to pieces young; and for the sake of her work, not at all because she hoped for or wished for physical beauty, she was taking better care of herself. But latterly she had been all but prostrate before a violent attack of the blues, and had been eating and sleeping irregularly, and not exercising. Thus, only a Boris Raphael would have suspected her possibilities as she stood there, slightly stooped, the sallowness of her skin harmonizing drearily with her long, loose dark-brown blouse, neutral in itself and a neutralizer. He saw at a glance the secret of her having been able to deceive everybody, to conceal herself, even from herself. He felt the discoverer's thrill; his blood fired like knight's at sight of secret, sleeping princess. But he pretended to ignore her as a personality of the opposite sex pole, knowing that to see her and know her as she really was he must not let her suspect she was observed. He reveled in such adventures upon soul privacy, not the least disturbed because they bore a not remote resemblance to that of the spy upon a nymph at the forest pool. He justified himself by arguing that he made no improper use of his discoveries, but laid them upon the high and holy altars of art and love.

Far from being discouraged by the difficulties which Neva was that morning making so obvious, he welcomed the abrupt change from the monotonous beauty of Doris Coventry. She had given him no opportunity for the exercise of his peculiar talents. With her the banquet was ready spread; with this woman practically everything had to be prepared. And what a banquet it would be! When he had developed her beauty, had made her all that nature intended, had taught her self-confidence and the value of externals and had given her the courage to express the ideas and the emotions that now shrank shyly behind those marvelous eyes of hers— How poor, how paltry, how tedious seemed such adventures as that with Doris Coventry beside this he was now entering!

As if he were her teacher, he took up the palette and with her long-handled brushes made a dozen light, swift touches—what would have been an intolerable insolence in a less than he. To be master was but asserting his natural right; men hated him for it, but the women liked him and it.

"Oh!" she cried delightedly as she observed the result of what he had done. Then, at the contrast between his work and her own, cried "Oh," again, but despondently.

"You must let me teach you," said he, as if addressing the talent revealed in her picture.

"Do you think I could learn?" she asked wistfully.

He elevated his shoulders and brows. "We must all push on until we reach our limit; and until we reach it, we, nor no man, can say where it is."

"But I've no right to your time," she said reluctantly.