The Story of the Innumerable Company, and Other Sketches

by David Starr Jordan

"When I came into his house, Reuchlin said, 'Welcome, bachelor; seat yourself.' And he had a pair of spectacles ('unum Brillum') on his nose, and a book before him curiously written, and I saw at once that it was neither in German nor Bohemian, nor yet in Latin. And I said to him, 'Respected Doctor, what do they call that book?' He answered, 'It is called the Greek Plutarch, and it treats of philosophy.' And I said, 'Read some of it, for it must contain wonderful things.' Then I saw a little book, newly printed, lying on the floor, and I said to him, 'Respected Doctor, what lies there?' He answered, 'It is a controversial book, which a friend in Cologne sent me lately. It is written against me. The theologians in Cologne have printed it, and they say that Johann Pfefferkorn wrote it.' And I said, 'What will you do about it? Will you not vindicate yourself?' And he answered, 'Certainly not. I have been vindicated long ago, and can spend no time on these follies. My eyes are too weak for me to waste their strength on matters which are not useful.'"

We next find Hutten high in the favor of the Emperor Maximilian, by whose order he was crowned poet-laureate of Germany. The wreath of laurel was woven by the fair hands of Constance Peutinger, who was called the handsomest girl in Germany, and with great ceremony she put this wreath on his head in the presence of the Emperor at Mainz.

Now, for the first time, Hutten seems to have thought seriously of marriage. He writes to a friend, Friedrich Fischer: "I am overcome with a longing for rest, that I may give myself to art. For this, I need a wife who shall take care of me. You know my ways. I cannot be alone, not even by night. In vain they talk to me of the pleasures of celibacy. To me it is loneliness and monotony. I was not born for that. I must have a being who can lead me from sorrows—yes, even from my graver studies; one with whom I can joke and play, and carry on light and happy conversations, that the sharpness of sorrow may be blunted and the heat of anger made mild. Give me a wife, dear Friedrich, and you know what kind of one I want. She must be young, pretty, well educated, serene, tender, patient. Money enough give her, but not too much. For riches I do not seek; and as for blood and birth, she is already noble to whom Hutten gives his hand."

A young woman—Cunigunde Glauburg—was found, and she seemed to meet all requirements. But the mother of the bride was not pleased with the arrangement. Hutten was a "dangerous man," she said, "a revolutionist." "I hope," said Hutten, "that when she comes to know me, and finds in me nothing restless, nothing mutinous, my studies full of humor and wit, that she will look more kindly on me." To a brother of Cunigunde he writes: "Hutten has not conquered many cities, like some of these iron-eaters, but through many lands has wandered with the fame of his name. He has not slain his thousands, like those, but may be none the less loved for that. He does not stalk about on yard-long shin-bones, nor does his gigantic figure frighten travelers; but in strength of spirit he yields to none. He does not glow with the splendor of beauty, but he dares flatter himself that his soul is worthy of love. He does not talk big nor swell himself with boasting, but simply, openly, honestly acts and speaks."

But all his wooing came to naught; another man wedded the fair Cunigunde, and the coming storm of Romish wrath left Hutten no opportunity to turn his attention elsewhere.

The old Pope was now dead, and one of the famous family of Medici, in Florence, had succeeded him as Leo the Tenth. Leo was kindly disposed toward the Humanist studies, and Hutten, as poet of the Humanists, addressed to him directly a remarkable appeal, which made the turning-point in his life, for it placed him openly among those who resisted the Pope.

Recounting to the new Pope Leo all the usurpations which in his judgment had been made, one by one, by his predecessors—all the robberies, impositions, and abuses of the Papacy, from the time of Constantine down—he appeals to Leo, as a wise man and a scholar, to restore stolen power and property, to correct all abuses, to abandon all temporal power, and become once more the simple Bishop of Rome. "For there can never be peace between the robber and the robbed till the stolen goods are returned."

Now, for the first time, the work of Luther came to Hutten's attention. The disturbances at Wittenberg were in the beginning treated by all as a mere squabble of the monks. To Leo the Tenth this discussion had no further interest than this: "Brother Martin," being a scholar, was most probably right. To Hutten, who cared nothing for doctrinal points, it had no significance; the more monkish strifes the better—"the sooner would the enemies eat each other up."

But now Hutten came to recognize in Luther the apostle of freedom of thought, and in that struggle of the Reformation he found a nobler cause than that of the Humanists—in Luther a greater than Reuchlin. And Hutten never did things by halves. He entered into the warfare heart and soul. In 1520 he published his "Roman Trinity," his gage of battle against Rome.

He now, like Luther, began to draw his inspiration, as well as his language, not from the classics, but from the New Testament. A new motto he took for himself, one which was henceforth ever on his lips, and which appears again and again in his later writings: "Jacta est alea" ("the die is cast"); or, in the stronger German, in which he more often gave it, "Ich hab's gewagt" ("I have dared it").