Melons are cultivated on a great scale in the country about Lisieux. They grow here in the natural soil, occupying whole fields of considerable size, and apparently without requiring any extraordinary pains.--As we approached the city, the meadows, through which we passed, were mostly occupied as extensive bleaching-grounds. Lisieux is an industrious manufacturing town. Its ten thousand inhabitants find their chief employment in the making of the ordinary woollen cloths, worn by the peasantry of Normandy and of Lower Brittany. Linen and flannels are also manufactured here, though on a comparatively trifling scale. For trade of this description, Lisieux is well situated upon the banks of the Touques, a small river, which, almost immediately under the walls of the town, receives the waters of a yet smaller stream, the Orbec. A project is in agitation, and it is said that it may be carried into effect at an inconsiderable expence, of making the Touques navigable to Lisieux. At present, it is so no farther than the the little town of the same name as the river; and even this derives no great advantage from the navigation; for, however near its situation is to the mouth of the stream, it is approachable only by vessels of less than one hundred tons burthen.--It was at Touques that Henry Vth landed in France, in the spring of 1417, when the monarch, flushed with a degree of success as extraordinary as it was unexpected, quitted England with the determination of returning no more till the whole kingdom of France should be subjugated.

The greater part of the houses in Lisieux are built of wood; and many of them are old, and most of them are mean; yet, on the whole, it is picturesque and handsome. Its streets are spacious, and contain several large buildings: it is surrounded with pleasant boulevards; and its situation, like that of most other Norman towns, is delightful.--In consequence of the revolution, the city has lost the privilege of being an episcopal see. Even when Napoléon, by virtue of the concordat of 1801, restored the Gallican church to its obedience to the the supreme Pontiff, the see of Lisieux was suppressed. The six suffragan bishops of ancient Normandy were at that time reduced to four, conformably to the number of the departments of the province; and Lisieux and Avranches merged in the more important dioceses of Bayeux and Coutances.

The cathedral, now the parish church of St. Peter, derived, however, one advantage from the revolution. Another church, dedicated to St. Germain, which had previously stood immediately before it, so as almost to block up the approach, was taken down, and the west front of the cathedral was made to open upon a spacious square.--Solid, simple grandeur are the characters of this front, which, notwithstanding some slight anomalies, is, upon the whole, a noble specimen of early pointed architecture.--It is divided into three equal compartments, the lateral ones rising into short square towers of similar height. The southern tower is surmounted by a lofty stone spire, probably of a date posterior to the part below. The spire of the opposite tower fell in 1553, at which time much injury was done to the building, and particularly to the central door-way, which, even to the present day, has never been repaired.--Contrary to the usual elevation of French cathedrals, the great window over the principal entrance is not circular, but pointed: it is divided into three compartments by broad mullions, enriched with many mouldings. The compartments end in acute pointed arches.--In the north tower, the whole of the space from the basement story is occupied by only two tiers of windows. Each tier contains two windows, extremely narrow, considering their height; and yet, narrow as they are, each of them is parted by a circular mullion or central pillar. You will better understand how high they must be, when told that, in the southern tower, the space of the upper row is divided into three distinct tiers; and still the windows do not appear disproportionately short. They also are double, and the interior arches are pointed; but the arches, within which they are placed, are circular. In this circumstance lies the principal anomaly in the front of the cathedral; but there is no appearance of any disparity in point of dates; for the circular arches are supported on the same slender mullions, with rude foliaged capitals, of great projection, which are the most distinguishing characteristics of this style of architecture.

The date of the building establishes the fact of the pointed arch being in use, not only as an occasional variation, but in the entire construction of churches upon a grand scale, as early as the eleventh century.--Sammarthanus tells us that Bishop Herbert, who died in 1049, began to build this church, but did not live to see it completed; and Ordericus Vitalis expressly adds, that Hugh, the successor to Herbert, upon his death-bed, in 1077, while retracing his past life, made use of these words:--"Ecclesiam Sancti Petri, principis apostolorum, quam venerabilis Herbertus, praedecessor meus, coepit, perfeci, studiosè adornavi, honorificè dedicavi, et cultoribus necessariisque divino servitio vasis aliisque apparatibus copiosè ditavi."--Language of this kind appears too explicit to leave room for ambiguity, but an opinion has still prevailed, founded probably upon the style of the architecture, that the cathedral was not finished till near the expiration of the thirteenth century. Admitting, however, such to be the fact, I do not see how it will materially help those who favor the opinion; for the building is far from being, as commonly happens in great churches, a medley of incongruous parts; but it is upon one fixed plan; and, as it was begun, so it was ended.--The exterior of the extremity of the south transept is a still more complete example of the early pointed style than the west front: this style, which was the most chaste, and, if I may be allowed to use the expression, the most severe of all, scarcely any where displays itself to greater advantage. The central window is composed of five lancet divisions, supported upon slender pillars: massy buttresses of several splays bound it on either side.

The same character of uniformity extends over the interior of the building. On each side of the nave is a side-aisle; and, beyond the aisles, chapels. The pillars of the nave are cylindrical, solid, and plain. Their bases end with foliage at each corner, and foliage is also sculptured upon the capitals. The arches which they support are acute.--The triforium is similar in plan to the part below; but the capitals of the columns are considerably more enriched, with an obvious imitation of the antique model, and every arch encircles two smaller ones. In the clerestory the windows are modern.--The transepts appear the oldest parts of the cathedral, as is not unfrequently the case; whether they were really built before the rest, or that, from being less used in the services of the church, they were less commonly the objects of subsequent alterations. They are large; and each of them has an aisle on the eastern side. The architecture of the choir resembles that of the nave, except that the five pillars, which form the apsis, are slender and the intervening arches more narrow and more acute.--The Lady-Chapel, which is long and narrow, was built towards the middle of the fifteenth century, by Peter Cauchon, thirty-sixth bishop of Lisieux, who, for his steady attachment to the Anglo-Norman cause, was translated to this see, in 1429, when Beauvais, of which he had previously been bishop, fell into the hands of the French. He was selected, in 1431, for the invidious office of presiding at the trial of the Maid of Orléans. Repentance followed; and, as an atonement for his unrighteous conduct, according to Ducarel, he erected this chapel, and therein founded a high mass to the Holy Virgin, which was duly sung by the choristers, in order, as is expressed in his endowment-charter, to expiate the false judgment which he pronounced[[64]].--The two windows by the side of the altar in this chapel have been painted of a crimson color, to add to the effect produced upon entering the church; and, seen as they are, through the long perspective of the nave and the distant arches of the choir, the glowing tint is by no means unpleasing.--The central tower is open within the church to a considerable height: it is supported by four arches of unusual boldness, above which runs a row of small arches, of the same character as the rest of the building; and, still higher, on each side, are two lancet-windows.--The vaulting of the roof is very plain, with bosses slightly pendant and carved.

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At the extremity of the north transept is an ancient stone sarcophagus, so built into the wall, that it appears to have been incorporated with the edifice, at the period when it was raised. The style of the medallions which adorn it will be best understood by consulting the annexed sketch, which is very faithful, though taken under every possible disadvantage. The transept is now used as a school; and the little filthy imps, who are there taught to drawl out their catechisms, continued swarming round the feverish artist, during the progress of the drawing. The character of the heads, the crowns, and the disposition of the foliage, may be considered as indicating that it is a production, at least of the Carlovingian period, if it be not indeed of earlier date. I believe it is traditionally supposed to have been the tomb of a saint, perhaps St. Candidus; but I am not quite certain whether I am accurate in the recollection of the name.--Above are two armed statues, probably of the twelfth or thirteenth centuries. These have been engraved by Willemin, in his useful work, Les Monumens Français, under the title of Two Armed Warriors, in the Nave of the Cathedral at Lisieux; and both are there figured as if in all respects perfect, and with a great many details which do not exist, and never could have existed, though at the same time the draftsman has omitted the animals at the feet of the statues, one of which is yet nearly entire.--This may be reckoned among the innumerable proofs of the disregard of accuracy which pervades the works of French antiquaries. A French designer never scruples to sacrifice accuracy to what he considers effect.--Willemin describes the monuments as being in the nave of the church. I suspect that he has availed himself of the unpublished collection of Gaignat, in this and many other instances. It is evident that originally the statues were recumbent; but I cannot ascertain when they changed their position.--No other tombs now exist in the cathedral: the brazen monument raised to Hannuier, an Englishman, the marble that commemorated the bishop, William d'Estouteville, founder of the Collège de Lisieux at Paris, that of Peter Cauchon in the Lady-Chapel, and all the rest, were destroyed during the revolution.

The diocese of Lisieux was a more modern establishment than any other in Normandy. Even those who are most desirous to honor it by antiquity, do not venture to date its foundation higher than the middle of the sixth century. Ordericus Vitalis, a monk of the province, suggests with some reason that we ought not to be hasty in forming our judgment upon these subjects; for that, owing to the destruction caused by the Norman pirates and the abominable negligence (damnabilis negligentia) of those to whom the care of the records of religious houses had subsequently been intrusted, many documents had been irretrievably lost.--The see of Lisieux was also peculiarly unfortunate, in having twice been in a state of anarchy, and on each occasion for a period of more than a century. The series of its prelates is interrupted from the year 670 to 853, and again from 876 to 990.

It is rather extraordinary, that no one of the Lexovian bishops was ever admitted by the church into the catalogue of her saints. Many of them were prelates of unquestionable merit. Freculfus, in the ninth century, was a patron of literature, and himself an author; Hugh of Eu, grandson of Richard, Duke of Normandy, was one of the most illustrious ecclesiastics of his day; Gilbert is described by Ordericus Vitalis as having been a man of exemplary charity, and deeply versed in all sciences, though it is admitted that he was somewhat too much addicted to worldly pleasures, and not averse from gambling; and Arnulf, whose letters and epigrams are preserved among the manuscripts of the Vatican, was a prelate who would have done honor to St. Peter's chair.--All these were bishops of Lisieux, during the ages when canonization was not altogether so unfrequent as in our days. Arnulf particularly distinguished himself by taking a leading part in the principal transactions of the times. He accompanied the crusaders to the holy land in 1147; five years subsequently he officiated at the marriage of Henry Plantagenet with Eleanor of Guyenne, the repudiated wife of Louis le Jeune, which was performed in his cathedral; he assisted at the coronation of the same king, by whom he was shortly afterwards employed in a mission of great importance at Rome; and he interposed to settle the differences between that sovereign and Thomas à Becket; and though he espoused the part of the prelate, he had the good fortune to retain the favor of the monarch. A life thus eventful ended with the conviction that all was vanity!--Arnulf, disgusted with sublunary honors, abdicated his see and retired to a monastery at Paris, where he died.--One of the immediate successors of this prelate, William of Rupierre, was the ambassador of Richard Coeur-de-Lion to the Pope; and he pleaded the cause of his sovereign against Walter, Archbishop of Rouen, on the occasion of the differences that originated from the building of Château Gaillard. He also resisted the power usurped by King John within the city and liberties of Lisieux, and finally obtained a sentence from the Norman court of exchequer, whereby the privileges of the dukes of the province were restricted to what was called the Placitum Spathæ, consisting of the right of billetting soldiers, of coining money, and of hearing and determining in cases of appeal. The decision is honorable both to the independence of the court, and the vigor of the prelate.--In times nearer to our own, a bishop of Lisieux, Jean Hennuyer, obtained a very different distinction. Authors are strangely at variance whether this prelate is to be regarded as the protector or the persecutor of the protestants. All agree that his church suffered materially from the excesses of the Huguenots, in 1562, and that, on the following year, he received public thanks from the Cardinal of Bourbon, for the firmness with which he had opposed them; but the point at issue is, whether, after the massacre of St. Bartholomew, ten years subsequently, he withstood the sanguinary orders from the court to put the Huguenots to the sword, or whether he endeavored, as far as lay in his power, to forward the pious labor of extirpating the heretics, but was himself effectually resisted by the king's own lieutenant.--Sammarthanus tells us that the first of these traditions rests solely upon the authority of Anthony Mallet[[65]] but it obtained general credence till within the last three years, when a very well-informed writer, in the Mercure de France, and subsequently in the article Hennuyer in the Bibliographie Universelle, espoused, and has apparently established, the opposite opinion.