Russia

by Donald Mackenzie Wallace

Though a man of education and culture, Victor Alexandr'itch spends his time in almost as indolent a way as the men of the old school. He rises somewhat later, and instead of sitting by the open window and gazing into the courtyard, he turns over the pages of a book or periodical. Instead of dining at midday and supping at nine o'clock, he takes dejeuner at twelve and dines at five. He spends less time in sitting in the verandah and pacing up and down with his hands behind his back, for he can vary the operation of time-killing by occasionally writing a letter, or by standing behind his wife at the piano while she plays selections from Mozart and Beethoven. But these peculiarities are merely variations in detail. If there is any essential difference between the lives of Victor Alexandr'itch and of Ivan Ivan'itch, it is in the fact that the former never goes out into the fields to see how the work is done, and never troubles himself with the state of the weather, the condition of the crops, and cognate subjects. He leaves the management of his estate entirely to his steward, and refers to that personage all peasants who come to him with complaints or petitions. Though he takes a deep interest in the peasant as an impersonal, abstract entity, and loves to contemplate concrete examples of the genus in the works of certain popular authors, he does not like to have any direct relations with peasants in the flesh. If he has to speak with them he always feels awkward, and suffers from the odour of their sheepskins. Ivan Ivan'itch is ever ready to talk with the peasants, and give them sound, practical advice or severe admonitions; and in the old times he was apt, in moments of irritation, to supplement his admonitions by a free use of his fists. Victor Alexandr'itch, on the contrary, never could give any advice except vague commonplace, and as to using his fist, he would have shrunk from that, not only from respect to humanitarian principles, but also from motives which belong to the region of aesthetic sensitiveness.

This difference between the two men has an important influence on their pecuniary affairs. The stewards of both steal from their masters; but that of Ivan Ivan'itch steals with difficulty, and to a very limited extent, whereas that of Victor Alexandr'itch steals regularly and methodically, and counts his gains, not by kopecks, but by roubles. Though the two estates are of about the same size and value, they give a very different revenue. The rough, practical man has a much larger income than his elegant, well-educated neighbour, and at the same time spends very much less. The consequences of this, if not at present visible, must some day become painfully apparent. Ivan Ivan'itch will doubtless leave to his children an unencumbered estate and a certain amount of capital. The children of Victor Alexandr'itch have a different prospect. He has already begun to mortgage his property and to cut down the timber, and he always finds a deficit at the end of the year. What will become of his wife and children when the estate comes to be sold for payment of the mortgage, it is difficult to predict. He thinks very little of that eventuality, and when his thoughts happen to wander in that direction he consoles himself with the thought that before the crash comes he will have inherited a fortune from a rich uncle who has no children.

The proprietors of the old school lead the same uniform, monotonous life year after year, with very little variation. Victor Alexandr'itch, on the contrary, feels the need of a periodical return to "civilised society," and accordingly spends a few weeks every winter in St. Petersburg. During the summer months he has the society of his brother—un homme tout a fait civilise—who possesses an estate a few miles off.

This brother, Vladimir Alexandr'itch, was educated in the School of Law in St. Petersburg, and has since risen rapidly in the service. He holds now a prominent position in one of the Ministries, and has the honourary court title of "Chambellan de sa Majeste." He is a marked man in the higher circles of the Administration, and will, it is thought, some day become Minister. Though an adherent of enlightened views, and a professed "Liberal," he contrives to keep on very good terms with those who imagine themselves to be "Conservatives." In this he is assisted by his soft, oily manner. If you express an opinion to him he will always begin by telling you that you are quite right; and if he ends by showing you that you are quite wrong, he will at least make you feel that your error is not only excusable, but in some way highly creditable to your intellectual acuteness or goodness of heart. In spite of his Liberalism he is a staunch Monarchist, and considers that the time has not yet come for the Emperor to grant a Constitution. He recognises that the present order of things has its defects, but thinks that, on the whole, it acts very well, and would act much better if certain high officials were removed, and more energetic men put in their places. Like all genuine St. Petersburg tchinovniks (officials), he has great faith in the miraculous power of Imperial ukazes and Ministerial circulars, and believes that national progress consists in multiplying these documents, and centralising the Administration, so as to give them more effect. As a supplementary means of progress he highly approves of aesthetic culture, and he can speak with some eloquence of the humanising influence of the fine arts. For his own part he is well acquainted with French and English classics, and particularly admires Macaulay, whom he declares to have been not only a great writer, but also a great statesman. Among writers of fiction he gives the palm to George Eliot, and speaks of the novelists of his own country, and, indeed, of Russian literature as a whole, in the most disparaging terms.

A very different estimate of Russian literature is held by Alexander Ivan'itch N——, formerly arbiter in peasant affairs, and afterwards justice of the peace. Discussions on this subject often take place between the two. The admirer of Macaulay declares that Russia has, properly speaking, no literature whatever, and that the works which bear the names of Russian authors are nothing but a feeble echo of the literature of Western Europe. "Imitators," he is wont to say, "skilful imitators, we have produced in abundance. But where is there a man of original genius? What is our famous poet Zhukofski? A translator. What is Pushkin? A clever pupil of the romantic school. What is Lermontoff? A feeble imitator of Byron. What is Gogol?"

At this point Alexander Ivan'itch invariable intervenes. He is ready to sacrifice all the pseudo-classic and romantic poetry, and, in fact, the whole of Russian literature anterior to about the year 1840, but he will not allow anything disrespectful to be said of Gogol, who about that time founded the Russian realistic school. "Gogol," he holds, "was a great and original genius. Gogol not only created a new kind of literature; he at the same time transformed the reading public, and inaugurated a new era in the intellectual development of the nation. By his humorous, satirical sketches he swept away the metaphysical dreaming and foolish romantic affectation then in fashion, and taught men to see their country as it was, in all its hideous ugliness. With his help the young generation perceived the rottenness of the Administration, and the meanness, stupidity, dishonesty, and worthlessness of the landed proprietors, whom he made the special butt of his ridicule. The recognition of defects produced a desire for reform. From laughing at the proprietors there was but one step to despising them, and when we learned to despise the proprietors we naturally came to sympathise with the serfs. Thus the Emancipation was prepared by the literature; and when the great question had to be solved, it was the literature that discovered a satisfactory solution."

This is a subject on which Alexander Ivan'itch feels very strongly, and on which he always speaks with warmth. He knows a good deal regarding the intellectual movement which began about 1840, and culminated in the great reforms of the sixties. As a University student he troubled himself very little with serious academic work, but he read with intense interest all the leading periodicals, and adopted the doctrine of Belinski that art should not be cultivated for its own sake, but should be made subservient to social progress. This belief was confirmed by a perusal of some of George Sand's earlier works, which were for him a kind of revelation. Social questions engrossed his thoughts, and all other subjects seemed puny by comparison. When the Emancipation question was raised he saw an opportunity of applying some of his theories, and threw himself enthusiastically into the new movement as an ardent abolitionist. When the law was passed he helped to put it into execution by serving for three years as an Arbiter of the Peace. Now he is an old man, but he has preserved some of his youthful enthusiasm, attends regularly the annual assemblies of the Zemstvo, and takes a lively interest in all public affairs.

As an ardent partisan of local self-government he habitually scoffs at the centralised bureaucracy, which he proclaims to be the great bane of his unhappy country. "These tchinovniks," he is wont to say in moments of excitement, "who live in St. Petersburg and govern the Empire, know about as much of Russia as they do of China. They live in a world of official documents, and are hopelessly ignorant of the real wants and interests of the people. So long as all the required formalities are duly observed they are perfectly satisfied. The people may be allowed to die of starvation if only the fact do not appear in the official reports. Powerless to do any good themselves, they are powerful enough to prevent others from working for the public good, and are extremely jealous of all private initiative. How have they acted, for instance, towards the Zemstvo? The Zemstvo is really a good institution, and might have done great things if it had been left alone, but as soon as it began to show a little independent energy the officials at once clipped its wings and then strangled it. Towards the Press they have acted in the same way. They are afraid of the Press, because they fear above all things a healthy public opinion, which the Press alone can create. Everything that disturbs the habitual routine alarms them. Russia cannot make any real progress so long as she is ruled by these cursed tchinovniks."

Scarcely less pernicious than the tchinovnik, in the eyes of our would-be reformer, is the baritch—that is to say, the pampered, capricious, spoiled child of mature years, whose life is spent in elegant indolence and fine talking. Our friend Victor Alexandr'itch is commonly selected as a representative of this type. "Look at him!" exclaims Alexander Ivan'itch. "What a useless, contemptible member of society! In spite of his generous aspirations he never succeeds in doing anything useful to himself or to others. When the peasant question was raised and there was work to be done, he went abroad and talked liberalism in Paris and Baden-Baden. Though he reads, or at least professes to read, books on agriculture, and is always ready to discourse on the best means of preventing the exhaustion of the soil, he knows less of farming than a peasant-boy of twelve, and when he goes into the fields he can hardly distinguish rye from oats. Instead of babbling about German and Italian music, he would do well to learn a little about practical farming, and look after his estate."

Whilst Alexander Ivan'itch thus censures his neighbours, he is himself not without detractors. Some staid old proprietors regard him as a dangerous man, and quote expressions of his which seem to indicate that his notions of property are somewhat loose. Many consider that his liberalism is of a very violent kind, and that he has strong republican sympathies. In his decisions as Justice he often leaned, it is said, to the side of the peasants against the proprietors. Then he was always trying to induce the peasants of the neighbouring villages to found schools, and he had wonderful ideas about the best method of teaching children. These and similar facts make many people believe that he has very advanced ideas, and one old gentleman habitually calls him—half in joke and half in earnest—"our friend the communist."