In the Barn
By BURGES JOHNSON
The moment we had entered the barn, I regretted the rash good nature which prompted me to consent to the plans of those vivacious young students. Miss Anstell and Miss Royce and one or two others, often leaders in student mischief, I suspect, were the first to enter, and they amused themselves by hiding in the darkness and greeting the rest of our party as we entered with sundry shrieks and moans such as are commonly attributed to ghosts. My wife and I brought up the rear, carrying the two farm lanterns. She had selected the place after an amused consideration of the question, and I confess I hardly approved her judgment. But she is native to this part of the country, and she had assured us that there were some vague traditions hanging about the building that made it most suitable for our purposes.
It was a musty old place, without even as much tidiness as is usually found in barns, and there was a dank smell about it, as though generations of haymows had decayed there. There were holes in the floor, and in the dusk of early evening it was necessary for us to pick our way with the greatest care. It occurred to me then, in a premonitory sort of way, that if some young woman student sprained her ankle in this absurd environment, I should be most embarrassed to explain it. Apparently it was a hay barn, whose vague dimensions were lost in shadow. Rafters crossed its width about twenty feet above our heads, and here and there a few boards lay across the rafters, furnishing foothold for anyone who might wish to operate the ancient pulley that was doubtless once used for lifting bales. The northern half of the floor was covered with hay to a depth of two or three feet. How long it had actually been there I cannot imagine. It was extremely dusty, and I feared a recurrence of my old enemy, hay fever; but it was too late to offer objection on such grounds, and my wife and I followed our chattering guides, who disposed themselves here and there on this ancient bed of hay, and insisted that we should find places in the center of their circle.
At my suggestion, the two farm lanterns had been left at a suitable distance, in fact, quite at the other side of the barn, and our only light came from the rapidly falling twilight of outdoors, which found its way through a little window and sundry cracks high in the eaves above the rafters.
There was something about the place, now that we were settled and no longer occupied with adjustments of comfort, that subdued our spirits, and it was with much less hilarity that the young people united in demanding a story. I looked across at my wife, whose face was faintly visible within the circle. I thought that even in the half-light I glimpsed the same expression of amused incredulity which she had worn earlier in the day when I had yielded to the importunities of a deputation of my students for this ghost-story party on the eve of a holiday.
“There is no reason,” I thought to myself, repeating the phrases I had used then—“there is no reason why I should not tell a ghost story. True, I had never done so before, but the literary attainments which have enabled me to perfect my recent treatise upon the 'Disuse of the Comma' are quite equal to impromptu experimentation in the field of psychic phenomena.” I was aware that the young people themselves hardly expected serious acquiescence, and that, too, stimulated me. I cleared my throat in a prefatory manner, and silence fell upon the group. A light breeze had risen outside, and the timbers of the barn creaked persistently. From the shadows almost directly overhead there came a faint clanking. It was evidently caused by the rusty pulley-wheel which I had observed there as we entered. An iron hook at the end of an ancient rope still depended from it, and swung in the lightly stirring air several feet above our heads, directly over the center of our circle.
Some curious combination of influences—perhaps the atmosphere of the place, added to the stimulation of the faintly discernible faces around me, and my impulse to prove my own ability in this untried field of narration—gave me a sudden sense of being inspired. I found myself voicing fancies as though they were facts, and readily including imaginary names and data which certainly were not in any way premeditated.