A CHRISTMAS STORY

By WALLACE IRWIN

When Aunt Elizabeth asked me to spend Christmas with her at Seven Oaks she appended a peculiar request to her letter. “Like a good fellow,” she wrote, “won't you drop off at Perkinsville, Ohio, on your way, and take a look at Gauntmoor Castle? They say it's a wonderful old pile; and its history is in many ways connected with that of our own family. As long as you're the last of the Geoffray Pierreponts, such things ought to interest you.” Like her auburn namesake who bossed the Thames of yore, sweet, red-haired, romantic autocrat, Aunt Elizabeth! Her wishes were commands.

“What the deuce is Aunt Elizabeth up to now?” I asked Tim Cole, my law partner, whom I found in my rooms smoking my tobacco. “Why should I be inspecting Gauntmoor Castle—and what is a castle named Gauntmoor doing in Perkinsville, Ohio, anyway? Perkinsville sounds like the Middle West, and Gauntmoor sounds like the Middle Ages.”

“Right in both analyses,” said the pipe-poaching Tim. “Castle Gauntmoor is from the Middle Ages, and we all know about where in Ohio Perkinsville is. But is it possible that you, twenty-seven years old and a college graduate, haven't heard of Thaddeus Hobson, the Marvelous Millionaire?” I shook my head. “The papers have been full of Hobson in the past two or three years,” said Tim. “It was in 1898, I think, that Fate jumped Thaddeus Hobson to the golden Olympus. He was first head salesman in the village hardware store, then he formulated so successful a scheme to clean up the Tin Plate Combine that he put away a fabulous number of millions in a year, and subsequently went to England. Finally he set his heart on Norman architecture. After a search he found the ancient Castle Gauntmoor still habitable and for sale. He thrilled the British comic papers by his offer to buy the castle and move it to America. Hobson saw the property, telegraphed to London, and closed the deal in two hours. And an army of laborers at once began taking the Gauntmoor to pieces, stone by stone.

“Transporting that relic to America involved a cost in labor and ingenuity comparable with nothing that has yet happened. Moving the Great Pyramid would be a lighter job, perhaps. Thousands of tons of scarred and medieval granite were carried to the railroads, freighted to the sea, and dragged across the Atlantic in whopping big lighters chartered for the job. And the next the newspapers knew, the monster was set up in Perkinsville, Ohio.”

“But why did he do it?” I asked.

“Who knows?” said Tim. “Ingrowing sentiment—unlimited capital—wanted to do something for the Home Town, probably; wanted to beautify the village that gave him his start—and didn't know how to go at it. Well, so long!” he called out, as I seized my hat and streaked for the train.

It was dinner time when the train pulled in at Perkinsville. The town was as undistinguished as I expected. I was too hungry to care about castles at the moment, so I took the 'bus for the Commercial Hotel, an establishment that seemed to live up to its name, both in sentiment and in accommodation. The landlord, Mr. Spike, referred bitterly to the castle, which, he explained, was, by its dominating presence, “spoilin' the prosperous appearance of Perkinsville.” Dinner over, he led me to a side porch.

“How does Perkinsville look with that—with that curio squattin' on top of it?” asked Mr. Spike sternly, as he pointed over the local livery stable, over Smith Brothers' Plow Works, over Odd Fellows' Hall, and up, up to the bleak hills beyond, where, poised like a stony coronet on a giant's brow, rose the great Norman towers and frowning buttresses of Gauntmoor Castle. I rubbed my eyes. No, it couldn't be real—it must be a wizard's work!