Nicholas, as his custom was, rose early next morning and went from the dark-panelled room, where he had slept, down towards the chapel. The great green bronze bell hanging in the wooden balcony outside had just begun to ring for matins, and the sound, grave and sonorous, floated out over the valley like a dream. He waited there awhile looking at the blackened Byzantine paintings which covered the roof, till the monks began trooping up the cobbled passage, and with the first of them he went inside the chapel. From the centre of the roof hung a great gilt candelabrum in the form of a crown, and from side to side of the building ran a row of silver lamps—some thirty in number—which had been burning all night, but looked red and dim in the fresh morning light. Set in the gilt altar-screen were the paintings of the Panagia and of Christ, and at the south end—more precious to the faithful than all—the wax relief of the Virgin and Child. The silver panel, behind which it is placed, had been opened, and Nicholas, with the others, made his obeisance before it. The head of the Virgin and the head of the Child are all that can be seen, and these are black with age; the rest is one mass of chased gold. The crown which the Child wears is studded with rubies and emeralds grown dim; His mother's crown is less magnificent; and on the silver rail in front of it hang the offerings of those to whom, in the days of faith, its contemplation had brought healing of many diseases. Over the gate to the altar hung two stoles of red velvet, in which the priest who said the mass would robe himself. A border of gold holly leaves ran down them on each side, and down the middle they were embroidered with floreated and cusped ornaments in red and gold, in the centre of each of which was worked the figure of Christ. On the north wall, by the easternmost of the monks' stalls, hung the picture of the daughter of the Emperor Palæologus. She is dressed in a red cloak with golden eagles embroidered over it; her hair is golden auburn, and she raises a face charmingly childlike and naïve, and holds up hands of prayer to the gracious figure of the Virgin who stands beside her.
Priketes and Germanos were the last to enter, and when the short prayers were said, Nicholas went out with them, and they walked up and down the terrace awhile talking. Some of the elder monks, with their purple cassocks trimmed with fur wrapped closely round them, sat outside the iron-sheeted gate, under the fresco of Adam and Eve being driven out from Paradise, which fills the triangular space above it, watching them with eager attention, for it had become known who Nicholas was and what his errand. On their right rose the enormous mass of the monastery, crowned by an overhanging cliff of gray rock, which the smoke from the chimney had stained in places to a rich vandyke-brown, in the hollow of which, as in the hollow of a sheltering hand, the great pile of buildings stood, seeming rather to have been the core round which the rock rose than to have been built into it. In front the ground fell rapidly away into the valley, but was terraced up into little gardens, full of cypresses and poplars or figs and plane trees; under these stood many little wooden arbors, trellised over with vines, where the brethren spent their tranquil days; and a hundred riotous streams—some conducted down wooden shoots, some straying over the paths—rattled headlong to join the river below. Further down, the hill-side was covered with low-growing scrub, and on the opposite side of the valley, the village of Zachlórou hung on by teeth and nails to the climbing moor. A company of swallows cut curves and circles in the thin morning air, their black backs showing metallic, like oxidized steel in the sunlight, and a great flight of white pigeons clattered out of the rock above and settled in a cloud by the fountain. In one of these little arbors Germanos and Nicholas drank their coffee and smoked a pipe of the monastery tobacco until the latter's horse was brought round. Then, rising,
"We shall meet again," he said, "when the vintage is ripe, or, if we meet not, we shall both be laborers in the treading; you here, I perhaps in the south. So now, father, give me your blessing, for I must go on my way."
[CHAPTER IX]
THE SINGER FROM THE DARKNESS
November went out with a fortnight of cold showers and biting winds, and the woodcock came down in hundreds to the plain of Nauplia. Often when the curtain of cloud which veiled Mount Elias day by day was rent raggedly in two by some blast in the upper air, the higher slope of the mountain, it could be seen, was sprinkled with snow. Then the peak would again wrap itself in folds of tattered vapors as a beggar throws his torn cloak over his shoulder, and perhaps would not peer through the mists again for a couple of days. Down in the plain scudding showers swept across from north to south and east to west, and the earth, still thirsty from the long drought of the summer, drank them in feverishly as a sick man drains the glass by his bedside and turns to sleep again.
Mitsos had many round oaths for this horrible weather, but like a wise lad cursed and had done with it. The bay and the sweet possibilities of the bay were only in the range of thought, but the woodcock were more accessible, and with something of the air of a martyr he would pass a long day on the uplands towards Epidaurus, and come back, after the fall of dark, with a leash of woodcock, and an appetite which bordered on the grotesque, singing and contented. But later in the evening he would be twitched by an eager restlessness, and make many journeys to the door to see if the weather had cleared, or showed signs of clearing, only to be met by a buffeting clap of windy rain in the face, which made him close it again quickly, for where was the use, he argued, of lying rolling and rocking off the white wall if he was to be alone there? Once or twice during this fortnight he had sailed by it, but his wages were only a wetting. Constantine was somewhat puzzled and perplexed at Mitsos' behavior about this time, but he took it all with his habitual serenity of tolerance, and likened him in his own mind to a colt who is just beginning to find out that he is a horse, and, knowing his own strength and learning his needs, whinnies and kicks up his heels. He knew that it would be useless to try to extract unvolunteered information out of Mitsos, and he guessed more nearly to the truth than he knew, that Mitsos' somewhat spasmodic moods were merely the natural results of his budding manhood, and were as inexplicable to him as they were to his father. Meantime, though they had neither heard nor seen anything more of Nicholas, Constantine felt that Mitsos was growing in the way he would have him grow, and was increasing in self-reliance and surefootedness of mind just as he was increasing in bodily strength and stature.
But Mitsos was exercising more self-control than his father gave him credit for. That acquaintance with Suleima, the Greek girl in the harem of the Turk, begun so strangely, had ripened no less strangely. He had sat below the wall night after night and talked to her from his boat, rocking gently in the swell, or standing still and steady in the calm water, till with a sign she motioned him away, seeing some other woman of the harem or one of the servants come out into the garden.