[802] Archiv, xiv. 124.
[803] Cohn, lviii; R. P. Wülcker in Sh.-Jahrbuch, xiv. 360.
[804] Mentzel, 53.
[805] Henslowe Papers, 63.
[806] Bolte, 35.
[807] This might be Heywood’s King Edward IV.
[808] F. von Hurter, Gesch. Kaiser Ferdinands II, v. 395.
[809] The Proud Woman of Antwerp might be the lost piece by Day and Haughton.
[810] Meissner, 74, and in Sh.-Jahrbuch, xix. 128; cf. pp. 284–6. The text of Nobody and Somebody is printed from a manuscript at Rein by F. Bischoff in Mittheilungen des hist. Vereins für Steiermark, xlvii. 127. I think it is just possible that the companies of 1608 and 1617 may have been Spencer’s. There seem to have been Saxoni, as well as Angli, playing. These do not seem to have constituted a distinct company, and are perhaps more likely to have been with Spencer than with Green. Spencer, as well as Green, was in relations with the imperial court in 1617; cf. p. 290. But I think that the evidence of the Rein manuscript is fairly decisive in favour of Green.
[811] This may have been Green himself. A drawing of a red-haired actor, in the traditional get-up of Nobody, is on the Rein manuscript.