[812] Mentzel, 54, 55, 56, 58.
[813] Archiv, xiv. 125; xv. 215. Herz, 41, ascribes to them anonymous appearances at Ulm, Nördlingen, and Augsburg. John Price, afterwards well known as a musician at Dresden and Stuttgart, is said to be recorded at Stuttgart in 1609 (Cohn, cxxxviii), and may have been with the Hessian company.
[814] Cohn, lix; Duncker, 272.
[815] Meissner, 46; Duncker, 272. Herz, 41, ascribes to them anonymous appearances at the wedding of the Margrave John George, brother of the Elector of Brandenburg, and the Princess Christina of Saxony at Jägerndorf in July, and at Nuremberg and Ulm in November.
[816] Cohn, lix, without reference. Herz, 41, adds an anonymous performance of The Merchant of Venice at the Court of Margrave Christian of Brandenburg at Halle.
[817] Archiv, xiv. 126.
[818] Duncker, 273.
[819] Archiv, xiii. 319. If this is the company which, according to Alvensleben, Allgemeine Theaterchronik (1832), No. 158, played Daniel, The Chaste Susanna, and The Two Judges in Israel at Ulm in 1602, the identification with the company found at Nördlingen and Rothenburg is assisted.
[820] Cohn, lxxvii, from Erhard Cellius, Eques Auratus Anglo-Wirtembergicus (1605); cf. Rye, cvii.
[821] Archiv, xi. 625; xiii. 70. They also played Daniel in the Lions’ Den, Susanna (? by Henry Julius of Brunswick or another version), The Prodigal Son, A Disobedient Merchant’s Son (? The London Prodigal), Charles Duke of Burgundy, Annabella a Duke’s Daughter of Ferrara (? Marston’s Parasitaster), Botzarius an Ancient Roman, and Vincentius Ladislaus (? by Henry Julius of Brunswick). Three of these plays (Romeo and Juliet, The Prodigal Son, and Annabella) are in the repertories of John Green; cf. p. 285.