The Elizabethan Stage, Vol. 4 - E. K. Chambers

Dances, i. [6], [198];
in masks, i. [149], [195], [199];
after plays, ii. [550];
between acts, ii. [557]; iii. [130];
in nets, iv. [200].
See [Jigs.]
Dancing bears, ii. [449].
Dancing masters, i. [201]; ii. [494].
Dates, styles used for, iii. [355], [362], [390].
Daylight playing, iv. [372].
Days for playing, i. [285], [288], [290], [291], [293], [295], [301], [302], [303], [314], [316]; iv. [200], [205], [303], [307], [312], [331].
‘Dead rent’ of playhouse, ii. [22].
Debts of players, i. [351], [363], [368]; ii. [149], [157], [175], [191], [226], [245], [248].
Declared Accounts, iv. [132].
Decorum, i. [256].
Defences of plays, i. [250–3], [256–60], [262]; iv. [184], [186], [187], [188], [190], [191], [193], [194], [196], [201], [206], [226], [228], [237], [238], [243], [245], [250], [257], [259].
Denmark, players in, ii. [271], [276], [284].
‘Deputations’ of players, i. [336]; ii. [59–60].
Derby’s men, ii. [118–27].
‘Descents’, iii. [77], [108], [132].
Devices in masks, i. [190]; iii. [279];
in tilts, i. [143];
on progress, i. [122–6].
Devil on the stage, i. [256]; iii. [423].
Diagrams of stage, iii. [84].
Dicitori (players), iv. [358], [364].
‘Diet’, i. [51].
Dining in state, i. [15], [34], [46].
Disard, ii. [82].
‘Discoveries’, iii. [28], [81], [96], [111], [133].
Disguising, i. [151].
Disorders at playhouses, i. [264], [266], [283], [287], [291], [293], [297], [298], [304], [317]; ii. [100], [104], [105], [396], [441], [447]; iii. [501]; iv. [244], [274], [277], [278], [279], [280], [282], [297], [310], [318], [321], [341].
Division of companies, i. [293], [332], [341]; ii. [106], [111], [121], [129], [239]; iv. [302], [312], [343].
Domus, ii. [539]; iii. [6–8], [31].
Doors of playhouse, ii. [538];
on stage, iii. [73], [83], [100], [132]; iv. [366].
Double mask, i. [152], [154], [191].
Doubling of parts, i. [371].
Drama. See [Plays].
Dramatists. See [Playwrights].
Drums and trumpets announcing plays, ii. [160], [547]; iv. [199], [203], [219], [228], [291], [316], [320].
Duke of York’s men, ii. [241–4].
Duration of plays, iv. [195], [198], [230], [316].
Duretto, i. [198]; iii. [234]; iv. [59].
Dwarfs at court, i. [48].

Earl Marshal, i. [33].
‘Earnest’, ii. [161].
Earthquake, i. [256], [286–7]; iv. [208].
‘Easer’ to playhouse, ii. [393], [402].
Economics of stage, i. [308], [348–88].
Edge of stage, action on, iii. [29], [90], [107], [154].
Educational value of plays, i. [237–40], [249], [251]; iv. [184], [186], [187], [188], [191], [199].
Εκκύκλημα, iii. [97].
Elector Palatine’s men, ii. [190–2].
‘End’ of stage, iii. [74].
Engelische Comedien und Tragedien, ii. [285].
Enrolled Accounts, iv. [132], [134].
Entrance fees, ii. [531–4], [556]; iii. [501]; iv. [194], [219], [228], [230], [232], [240], [243], [366].
Entrances to stage, iii. [73].
Entremets, i. [152].
Entry of maskers, i. [182].
Epilogue, ii. [547], [550]; iv. [256].
Esquires of Body, i. [46], [50];
of Household, i. [42–4].
Essex’s men, ii. [102].
Ethics of the stage, i. [236–68]; iv. [184–259] (extracts), [267], [269], [273], [279], [281], [284], [291], [294], [295], [300], [303], [307], [317], [318], [321].
Eton, children of, ii. [73].
Evelyn’s men, ii. [117].
Exchequer, i. [5], [31], [54], [60], [62]; iv. [131].
Exchequer court, i. [8].
‘Excursions’, iii. [53].
Execution scenes, iii. [57], [97].
Executions near playhouse, ii. [396].
Exemplifications of patents, i. [305], [355]; ii. [192], [235], [259].
‘Extempore’ plays, ii. [553]; iii. [287], [444–5].
‘Extraordinary’ household officers, i. [46], [49].
Extravagance of plays, i. [252], [255], [263].

Fairies in shows, i. [124]; iii. [401–2]; iv. [63].
Family of Love, iii. [440], [441]; iv. [11], [16], [29].
‘Fee lists’, i. [29].
Fees of household, i. [29], [50];
of players, ii. [78], [83].
Fencing, i. [289], [305], [361]; ii. [343], [380], [382], [404], [410], [413–14], [470], [499], [500], [529]; iv. [54], [79], [121], [205], [206], [270], [277], [283], [289], [293], [294], [324], [337].
Ferrara, plays at, iii. [4], [8].
Finance of masks, i. [207–12].
Finance of stage. See [Boxholders], [Entrance fees], [Fees of players], [Gallery takings], [Gatherers], [Gratuity], [Henslowe], [Highway], [Hospitals,] [Housekeepers], [Pensions], [Poor], [Profits], [Rewards], [Sharers], [Stock], [Takings].
Fines of players, ii. [256].
Finestre (windows), iv. [360].
Fireworks, i. [123], [139]; ii. [455]; iv. [72], [73], [74], [88], [121], [122], [124], [127].
Flags on playhouses, ii. [546]; iv. [219].
Folgore (lightning), iv. [365].
Folk-survivals in masks, i. [150].
Fools, at court, i. [48], [53];
on stage, ii. [327], [339].
See [Clowns].
Foreshortening of space, iii. [25], [33], [37], [38], [41], [43], [50], [99], [117], [137], [150].
Forgeries, i. [59]; ii. [79], [108], [159], [195], [207], [211], [229], [480], [496], [508], [510], [515]; iii. [247], [252], [266–7], [274], [292], [421], [423], [425], [426], [428], [434], [459], [490], [512]; iv. [1], [68], [136–41].
Fortune playhouse, ii. [435–43].
France, players in, ii. [292–4].
Free list, i. [361], [374]; ii. [387], [406].
French players in England, iii. [19].
Front curtains, i. [231]; iii. [10], [21], [30], [44], [79].

‘Gag’, i. [322].
Galleries, of stage, ii. [534]; iii. [45], [90–8], [119];
of auditorium, ii. [514], [530–4], [555].
Gallery takings, i. [355]; ii. [131], [139], [182], [239], [245], [249], [256], [388], [393], [412].
Galliards, i. [6], [198]; iii. [234], [239], [241], [278], [280], [282], [378], [380], [383], [385], [390], [435]; iv. [56], [57], [59], [115], [217].
Garden scenes, iii. [55].
Garderoba, i. [55].
Garter, i. [20], [139]; ii. [61], [160].
Gatherers, i. [356], [371]; ii. [150], [174], [187], [389], [392], [393], [406], [445], [538].
‘Gatheryngs’, ii. [532]; iii. [504].
Gelosi, ii. [262–3].
Geneva, history of plays at, i. [245].
Gentlemen of Chapel, ii. [24–30]; iv. [150];
of Privy Chamber, i. [43], [50].
Gentlemen Ushers of Chamber, i. [44–5], [50], [108], [205], [226].
Germany, players in, i. [342–7]; ii. [272–92].
‘Gests’ of progresses, i. [108]; iv. [117], [120], [126].
‘Get-penny’, i. [373].
‘Ghost-names’, ii. [108], [312], [319]; iii. [495].
Gifts in mask, i. [150], [160], [168], [196]; iii. [278], [279], [282], [375], [435], [468];
on progress, i. [113], [116], [125].
Globe playhouse, ii. [414–34].
‘Good’ and ‘bad’ Shakespearian quartos, iii. [185].
Gowry Day, i. [21].
Grades in household, i. [42].
Gradi (tiers of seats), iv. [355], [358].
Graphic dances, i. [199].
‘Gratuity’ to players, i. [339].
Gray’s Inn, i. [214], [222]; iii. [233], [239], [320–1], [348]; iv. [56], [59], [82], [109], [127], [143], [162].
Great Chamber, i. [13], [216].
Green Cloth, board of, i. [35].
Groom Porter of Chamber, i. [45], [100].
Grooms of Chamber, i. [45], [50], [208], [311], [358];
of Privy Chamber, i. [43], [50];
of Revels, i. [93], [100];
of Stole, i. [53].
Grooms, in playhouses. See [Attendants].
Groundlings, ii. [527]; iv. [366].
Guard Chamber, i. [13].
Guilds and plays, i. [289], [296].
Gunpowder Day, i. [21]; iii. [367].

Hall officers, i. [34], [226].
‘Hall’ or ‘room’, for masks, ii. [189];
for interludes, iii. [23], [27].
Hall scenes, iii. [63], [86].
Hallowmas, i. [21]; iv. [237].
Halls of palaces, i. [13], [15], [202], [216].
Hangings, iii. [78], [111], [133], [501]; iv. [367], [370].
Harbingers, i. [46], [108].
Harlots in playhouses, i. [255], [264]; ii. [549]; iv. [203], [209], [211], [218], [223].
‘Heavens’, ii. [544–6], [555]; iii. [30], [75–7], [108], [133], [501].
‘Hell’, ii. [528]; iii. [30], [501].
Hell-mouth, i. [232]; ii. [528]; iii. [72], [90].
Henchmen, i. [45].
Henslowe’s companies, finance of, ii. [94], [121], [123], [139–43], [148], [156–7], [159–64], [174], [181–5], [189], [225–8], [245], [248–50], [254–7].
Hercules, Labours of, i. [152], [246]; ii. [90].
Hereditary household officers, i. [32].
Hertford’s men, ii. [116].
Hesse-Cassel, players at court of, ii. [277–83].
High Commission, i. [275–6]; iii. [162], [166–8], [171–2]; iv. [265], [303].
Highway rates on playhouses, i. [317]; iv. [344].
Hireling players, i. [362], [370]; ii. [184], [250]; iv. [204].
Hiring of playhouses, i. [369]; ii. [448], [516].
Hissing, ii. [549].
Hobby-horses, i. [232]; iii. [475]; iv. [91], [217].
Hock Tuesday play, i. [123].
‘Honour’ in dance, i. [198]; iii. [241].
Hope playhouse, ii. [448–71].
Horse and ape baited, ii. [454–7].
Horse, performing, ii. [383]; iii. [279].
Hospitals, subsidies by players to, iv. [272], [275].
Hosteria (inn), iv. [360].
Hôtel de Bourgogne, staging at, iii. [15–19].
Hour of performances, i. [289], [313]; ii. [543], [556]; iv. [262], [288], [300], [316].
Household, i. [30–70].
Household accounts, iv. [131].
‘Housekeepers’, i. [356], [368]; ii. [417], [425], [442], [510].
‘Houses’ for plays, i. [78], [229]; iii. [21], [42].
Howard’s men, ii. [134–86].
Humanism and the stage, i. [237], [250].
Hunsdon’s men, ii. [192–208].
Hunt in plays, i. [232].
Hunting, i. [7], [11], [13], [17], [21], [22].
‘Hut’, ii. [544–6]; iii. [78].