The Elizabethan Stage, Vol. 4 - E. K. Chambers

Imprese, i. [143], [148], [197]; iii. [213], [403]; iv. [57], [231].
Improvisation, ii. [553].
Infamia of players, i. [252], [254]; iv. [195], [199], [215], [217].
‘Ingle’, ii. [550].
Inhibition of plays. See [Restraint].
Inner Temple, i. [214], [221]; iii. [215], [233], [237], [238], [457], [514]; iv. [80], [82], [127].
‘Innovation’, restraint for, ii. [206].
Inns, plays in, i. [283], [284], [304]; ii. [356], [379–83], [527]; iv. [267], [273], [288], [340], [369].
Inter-act dances, ii. [557]; iii. [130];
music, ii. [541], [557]; iii. [125], [130].
Interior action, iii. [63], [70], [119], [133], [152].
Interlude, early use of term, i. [56].
Interlude players of Household, i. [48], [63]; ii. [77–85].
Interludes, setting of, iii. [21–7].
Intermedii, i. [152], [185]; iii. [6], [384]; iv. [356].
Inventories of Admiral’s, ii. [165].
Ireland, players in, i. [341].
Italian plays, ii. [261–5].
Italy, player in, ii. [273].

Jesuit plays, i. [323]; iv. [374], [377], [401].
Jewel House, i. [42], [57], [63].
Jigs, i. [304]; ii. [325], [342], [404], [455], [542], [551]; iii. [496]; iv. [217], [243], [340].
Jugglers, iv. [192], [217], [270].
Justices, control of plays by, i. [271], [274], [276], [279], [285], [299], [306], [337].
‘Juxtaposition’ of backgrounds, iii. [18], [21].

Keepers of Bears, ii. [450–2];
of Dogs, ii. [450–1];
of Council Chamber Door, i. [69].
King of the Bean, i. [19]; iv. [82].
King’s men, ii. [208–20].
King’s Revels (1629–37), iv. [43].
King’s Revels, children of, ii. [64–8].
Kirk of Scotland and plays, ii. [265–8].
Knight Marshal, i. [33].
Knight of Crown, i. [141]; iii. [403].
Knight of Pendragon Castle, iii. [268].
Knights of Body, i. [42–4].
Knights, satirized in plays, iii. [215], [252], [253], [255], [257], [439], [440]; iv. [37], [38].

Labels, for localities, iii. [30], [40], [122], [126], [137], [154];
for play-titles, iii. [20], [41], [126], [137], [154];
for properties, iii. [137].
Ladies at playhouses, ii. [549], [555].
Ladies of Bed Chamber, i. [44], [54];
of Drawing Chamber, i. [54];
of Presence Chamber, i. [45];
of Privy Chamber, i. [44], [54].
Lady Elizabeth’s men, ii. [246–60].
Lady Essex’s men, ii. [103].
Lady Warwick’s men, ii. [99].
Lampo, iv. [365].
Lane’s men, ii. [96].
Lavoltas, i. [198]; iii. [241], [435].
Lawsuits of players, ii. [23], [43], [57], [64], [80], [128], [131], [156], [202], [221], [236–40], [241–3], [383], [387–93], [398–400], [414], [424], [445], [515–17].
Leap-year, in plays, iii. [253], [292], [440]; iv. [21], [29].
Learned counsel, i. [69].
Leicester’s boys, ii. [88].
Leicester’s men, ii. [85–91].
Length of plays, ii. [543], [556].
Lennox’s men, ii. [241].
Lent, restraint in, i. [286], [297], [301], [315]; ii. [141–2], [159–60]; iv. [256], [278], [297], [332], [336], [342].
Liaison, iii. [200].
‘Liberties’, ii. [477–80].
Licences, for plays, by high commission, i. [275];
by local officers, i. [276];
by master of revels, i. [318]; ii. [222]; iii. [276];
by privy council, i. [275];
by secondaries of the compter, i. [275];
by sovereign, i. [275];
by special commission, i. [295], [319];
by Samuel Daniel, ii. [49];
for playhouses, by local officers, i. [276], [279], [299], [306], [337];
by master of revels, i. [288], [295];
by privy council, i. [300];
for playing companies, by lords, i. [266], [270], [274], [276], [279], [286], [294], [299], [304], [310], [335], [337], [354]; ii. [222];
by master of revels, i. [288]; ii. [221];
by privy council, i. [274], [300]; ii. [94], [123];
under signet, i. [306], [338]; ii. [260];
for printing books, by correctors, iii. [162–77], [187–92];
by high commission, iii. [162], [166–8];
by lord chamberlain, iii. [192];
by master of revels, iii. [158], [169], [191], [258];
by privy council, iii. [159–63], [168];
by sovereign, iii. [160];
by Stationers’ company, iii. [162–77], [187–92];
subject to conditions, iii. [169], [188–90].
See [Censorship], [Deputations], [Exemplifications], [Patents], [Restraints].
Liebeskampff, ii. [285].
Lighting of plays, i. [225], [227]; ii. [541], [543], [556]; iv. [372].
Lincoln’s Inn, i. [222]; iii. [260]; iv. [127].
Lincoln’s men, ii. [96].
Lion-baiting, ii. [454].
Lists for tilt, i. [140].
Livery of Household, i. [51], [539];
of players, i. [311], [313]; ii. [82], [86], [105], [107], [211], [229], [239].
Local players, i. [280], [310], [328].
Locality, indicated in dialogue, iii. [41], [127];
change of, iii. [18], [25], [34], [36], [38–9], [43], [102], [121].
See [Edge], [Foreshortening], [Juxtaposition], [Labels], [Multiple], [Split Scenes], [Unity].
Loggia, iii. [25], [32], [36], [43].
Long Parliament, plays suppressed by, i. [306], [387].
Lord Lieutenant, plays licensed by, i. [276].
Lord Mayor’s show, i. [135–8]; iii. [305], [443], [445], [448], [455], [463]; iv. [72].
Lords of Misrule, i. [19], [135]; iv. [55], [71], [80], [200].
Lords of players, i. [266], [270], [274], [276], [279], [286], [294], [299], [304], [310], [335], [337], [354]; ii. [3], [221]; iii. [180], [188]; iv. [205], [210], [230], [237], [263], [264], [268], [293], [298], [316], [319], [320], [324], [326], [328], [334], [337].
Lords’ rooms, ii. [531], [535–7]; iii. [118]; iv. [366].
Lost plays (list), iv. [398–404].
Lotteries, iv. [67], [400].
Lumi artificiali, iv. [355], [363].
Luoghi deputati, iii. [6].
Lutenists, i. [49]; ii. [31], [277].

Machines, i. [179], [184], [232], [233]; iii. [77], [97], [282], [376], [378–9], [383], [386]; iv. [370], [371].
Maids of Honour, i. [45]; iii. [514]; iv. [114], [352].
‘Maisons’, iii. [16].
Managers of companies, i. [352]; ii. [219], [238–9].
Manuscript plays (list), iv. [404–6].
Manuscripts used by players, iii. [193–7]; iv. [4], [32], [43], [45].
Maps and plans of London, ii. [353–5], [376–9], [433].
Marprelate controversy, i. [261], [294]; ii. [18], [110], [412]; iii. [450]; iv. [229–33].
Mascarade, i. [176].
‘Mask’, etymology of, i. [153].
Masks, i. [75], [76], [78], [79], [86], [100], [149–212]; iii. [500];
characters in, i. [158], [192];
inserted in plays, i. [186–90].
See [Alphabetical], [Antimask], [Assaults], [Banquets], [Books], [Commoning], [Devices], [Double Mask], [Entry], [Finance], [Folk-survivals], [Gifts,] [Hall], [Honour], [Patterns], [Perspective], [Proscenium], [Revels], [Scenes], [Spectators], [Taking out], [Torch-bearers], [Truchmen].
‘Masque’, so spelt by Jonson, i. [176].
Master of Ceremonies, i. [53];
of Horse, i. [34], [67], [100], [107], [209];
of Paris Garden, ii. [450–3];
of Posts, i. [48], [62], [69];
of Requests, i. [48], [69];
of Robes, i. [52].
Master of Revels, i. [71–105], [282], [288], [295], [299], [300], [303], [305], [318–22]; iv. [135–41], [272], [285], [293], [305], [308–9], [325], [338], [340], [342], [343];
fees of, i. [319]; ii. [184];
play-texts altered by, i. [320];
supposed players of, i. [318]; ii. [223].
See [Licences].
Masters of Chapel, ii. [23], [27];
of Eton, ii. [73];
of Merchant Taylors, ii. [75];
of Paul’s, ii. [8], [21];
of Westminster, ii. [69];
of Windsor Chapel, ii. [61].
Masters of companies, i. [379], [386]; iv. [371].
Masterships in Household, i. [34].
Matachines, iii. [280], [382]; iv. [162].
Mat-layer, i. [182], [208]; iii. [262].
May games, i. [4], [6], [20], [120], [135], [303]; iii. [268], [391]; iv. [44], [77], [94], [113], [115], [200], [231–3], [247], [311], [338].
Mayors, control of plays by. See [Justices], [Restraint].
Measures, i. [198]; iii. [234], [239], [241], [278], [280], [282], [375], [378], [383], [385], [386], [434]; iv. [56], [57], [59].
Men companies, list of, ii. [77].
Merchant Taylors, i. [296]; ii. [72], [75], [213]; iii. [394], [493]; iv. [309];
children of, ii. [75].
‘Merriments’, ii. [325]; iv. [24].
Messalina engraving, ii. [519].
Messengers of Chamber, i. [45], [69]; ii. [114]; iii. [444].
‘Mewing’, ii. [549]; iv. [369].
Middle Temple, i. [222]; iii. [260]; iv. [111], [127].
Midsummer bonfires, i. [20];
watch, i. [4], [135]; iv. [81].
Mimorum aedes, ii. [538].
Minstrels, i. [48]; iv. [337].
‘Momer’, ii. [324], [332].
Momeries, i. [152].
‘Monarke’ at Revels office, i. [87].
‘Morals’ written for printing, iii. [179].
Morascos, i. [198]; iv. [59].
Moresche, i. [195]; iii. [6]; iv. [356].
Morley’s men, ii. [113], [120], [124], [192].
Morris dance, i. [4], [124], [126], [135], [151], [156], [195], [262]; ii. [326]; iii. [362], [391], [453], [513]; iv. [77], [78], [96], [200], [217], [231], [311], [367].
Mother of the Maids, i. [45], [54]; iv. [67].
Motions, i. [281]; iii. [373]; iv. [271];
in masks, iii. [382], [387].
‘Mouth’, officers for, i. [46].
‘Multiple’ staging, iii. [18], [21], [25], [43].
Mumming, i. [150–1].
Music, ii. [541], [556].
Music house, i. [225]; ii. [542], [557]; iii. [139].
Music room, iii. [96], [120].
Music tree, ii. [557]; iii. [137].
Musicians at court, i. [48], [63];
in masks, i. [201].