[547] Cf. ch. vi on the motion deasil round the sacred object. It is curious that the modern round dances go withershins round a room. Grimm, i. 52, quotes Gregory the Great, Dial. iii. 28 on a Lombard sacrifice, ‘caput caprae, hoc ei, per circuitum currentes, carmine nefando dedicantes.’
[548] At Bradford-on-Avon, Wilts (which preserves its Anglo-Saxon church), and at South Petherton, Somerset, in both cases on Shrove Tuesday (Mrs. Gomme, ii. 230); cf. Vaux, 18. The church at Painswick, Gloucester, is danced round on wake-day (F. L. viii. 392). There is a group of games, in which the players wind and unwind in spirals round a centre. Such are Eller Tree, Wind up the Bush Faggot, and Bulliheisle. These Mrs. Gomme regards as survivals of the ritual dance round a sacred tree. Some obscure references in the rhymes used to ‘dumplings’ and ‘a bundle of rags’ perhaps connect themselves with the cereal cake and the rags hung on the tree for luck. In Cornwall such a game is played under the name of ‘Snail’s Creep’ at certain village feasts in June, and directed by young men with leafy branches.
[549] Du Méril, La Com. 72; Haddon, 346; Grove, 50, 81; Haigh, 14; N. W. Thomas, La Danse totémique en Europe, in Actes d. Cong. intern. d. Trad. pop. (1900).
[550] Plot, Hist. of Staffs. (1686); F. L. iv. 172; vii. 382 (with cuts of properties); Ditchfield, 139.
[551] The O. H. G. hîleih, originally meaning ‘sex-dance,’ comes to be ‘wedding.’ The root hi, like wini (cf. p. 170), has a sexual connotation (Pearson, ii. 132; Kögel, i. 1. 10).
[552] Coussemaker, Chants populaires des Flamands de France, 100:
‘In den hemel is eenen dans:
Alleluia.
Daer dansen all’ de maegdekens:
Benedicamus Domino,