Ships & Ways of Other Days

by E. Keble Chatterton

It is an exhortation, at the return of spring, to refit the ships which had been laid up since the winter, tethered to the “soaked cables.” It is an invitation to get the ships properly afloat, to step the masts and set up the forestay in all readiness for getting under way for the sailing season.

Or again, listen to Leonidas of Tarentum in a similar theme.

“Now is the season of sailing,” he says, “for already the chattering swallow is come and the pleasant west wind; the meadows flower, and the sea, tossed up with waves and rough blasts, has sunk to silence. Weigh thine anchors and unloose thine hawsers, O mariner, and sail with all thy canvas set: this I, Priapus of the harbour, bid thee, O man, that thou mayest sail forth to all thy trafficking.”[4]

“Mine be a mattress on the poop,” sings[5] Antiphilus with no less ecstasy of the life on board a Grecian ship, “mine be a mattress on the poop, and the awnings over it sounding with the blows of the spray, and the fire forcing its way out of the hearth-stones, and a pot upon them with empty turmoil of bubbles; and let me see the boy dressing the meat, and my table be a ship’s plank covered with a cloth; and a game of pitch-and-toss, and the boatswain’s whistle: the other day I had such fortune, for I love common life.”

Three thousand years, indeed, before the birth of our Lord there were ships sailing the Ægean Sea, but it was only the progress of time and experience which made these craft and their crews’ ability anything more than primitive. As you look through the poems of Homer you find various significant references to craft, and he speaks of the “red-cheeked” ships, referring to the vermilion-coloured bows, where a face was frequently painted, red being the conventional colour in those early times for flesh. The same idea is still seen in the Chinese junks and the Portuguese fishing craft.

“Mine be a mattress on the poop.”

The earliest Grecian ships were crescent-shaped, and the stern so resembled the horn of a cow that it was called the korumba or point. There is a reference in the Iliad to the high-pointed sterns of ships. From Homer, too, we know that the timber employed in shipbuilding consisted of oak, pine, fir, alder, poplar, and white poplar; that the masts and oars were of fir, that the woodwork of the hull was erected on shipbuilders’ stocks. The word used for the latter was druochoi—meaning the props on which the keel (tropis) was laid. The hull was secured by treenails and dowel-joints, the planking being laid over the ribs. Further, we know also that the ship of Homer had either twenty or fifty oarsmen.

The pre-Homeric Greeks did not use thole-pins, but the oars were fastened to the gunwale by means of leathered hoops. It was not till a later date that the pins already mentioned came into use. It is noticeable, too, that Homer uses the word kleides in referring to the thwarts on which the rowers sat. For the singular of this word means a hook or clasp, and is used in this sense for the thwart or rowing bench which locked the sides of the ship together. Zuga is also used in the Odyssey to signify the same thing. In attempting to piece together these fragmentary details of the Homeric ship, we must bear in mind that below the zuga or rowing thwarts the hold was undecked, but that fore and aft there ran the half-decks—ikria, Homer calls them. The forecastle formed at once a cabin and a look-out post, and helped to keep the forward end protected when butting into a sea. Right aft, of course, sat the helmsman, or kubernetes, and it is supposed that a bench here stretched across the poop on which, as he sat on deck, he could rest his feet and work the oieion or handle of the rudder. A Greek ship usually had two pedalia or steering oars, one being placed on either quarter. These were joined together across the ship by means of cross-bars (zeuglai), to which the tiller or handle was attached. Finally, over the poop rose the tail-piece which is so noticeable in some of the vase-illustrations of Grecian ships, and had its counterpart in the lotus-bud seen in the ships of the Egyptians.

Homer speaks of “stepping the mast” (histos), and apparently the step was affixed as low as possible, its heel being supported by a prop and capable of being easily lowered before the galley went into battle under oar-propulsion alone. The forestays, which just now we saw Antipater urging the sailors to stretch, were two in number. The Homeric word for these is protonoi, though the word was used by Euripides in speaking of the braces which controlled the yards. On the yard which stretched at right angles across the mast both merchantmen and warships set the squaresail, and the use by Homer of the word meruomai for drawing up or furling sails is sufficiently indicative that the ancient Greek sailors stowed sail not by lowering it on deck as in a modern fore-and-after, but after the fashion of a modern full-rigged ship.