Ships & Ways of Other Days

by E. Keble Chatterton

We find mention also of the halyards—one on each side of the mast is shown in the Greek vase designs—which supported the yard to the top of the mast, the sail being reefed by means of brailing lines. The same word that we have just mentioned, for “drawing up” or “furling” sails, was also employed for drawing up the cables. And here again there is a further connection. The plural kaloi is used to mean (1) cables, (2) reefing ropes (i.e. brails), or even reefs as opposed to the sheets (podes) and braces (huperai). Euripides employs the expression kalōs exienai, meaning to “let out the reefs.” And (3) kaloi also means not merely generally a rope, but also a sounding line, which again is evidence that these ancient seamen found the depth of water as the modern sailor feels his way through shoal seas. The word just given for sheets was applied to the lower corners of the sail—clews as we nowadays call them—and thus naturally the ropes attached to the foot (or lowest part) were also called podes. The braces were called huperai, obviously because they were in fact the upper ropes.

As we have just seen from Antipater and Leonidas, the mariner used cables and hawsers for securing his ship, these being sent out from both bow and stern. Instead of anchors the early Greeks used heavy stones for the bow cables, whilst other hawsers were run out from the stern to the shore and hitched on to a big boulder or rock. If the former, then there was a hole therein. An endless rope was rove through this perforated stone, so that thus the ship could be hauled ashore for disembarking, or when wishing to go aboard again, sufficient slack of course having been left at the bow cables. A long pole was used for shoving off, while a ladder, which is seen more than once in Greek vase illustrations, was carried at the stern for convenience in descending to the land from the high-pointed sterns.

There were two sailing seasons. The first was after the rising of the Pleiads, in spring; the second was between midsummer and autumn. When, after the setting of the Pleiads, the ship was hauled up into winter quarters on land, she was supported by props to keep her upright, and then a stone fence was put round her. This afforded her protection against wind and weather. The cheimaros, or plug, was then taken out from the bottom so as to let out all the bilge-water. The ship’s gear, the sails, steering oars, and tiller were then stored at home till the time came once more for the sailors to “stretch” their forestays.

About the year 700 B.C. the Greek warships were manned by fifty rowers; hence these craft were called pentekontoroi. With the existence of a forecastle and a raised horned poop, one can understand perfectly well how easy was the transition which caused an upper deck to be added about this century. This gave to the ship greater power, because it allowed two banks of oarsmen, one on each deck. As far as possible these rowers were covered in to avoid the attacks of the enemy. Such shallow-draught vessels as the war-galleys could not possibly be good as sailing craft. They must be looked upon as essentially rowing vessels which occasionally set canvas when cruising and a fair wind was blowing.

The pentekontoroi were single-banked, and for a long time the Greek fleets consisted solely of this type. But then came the additional deck just spoken of which gave two banks, and subsequently the trireme succeeded the bireme. The trireme was very popular till after the close of the Peloponnesian War, when the quadrireme was introduced from Carthage. Dr. Oskar Seyffert[6] asserts that before the close of the fourth century B.C. quinquiremes and even six-banked craft, and (later still) even sixteen-banked vessels are supposed by some writers to have been in vogue. But as to the latter this seems highly improbable.

And before we proceed any further, let us endeavour to get a clear idea as to the nature of a trireme. This species of ship had been invented by those great seamen who hailed from the port of Sidon. About the year 700 B.C. this type was adopted by the Greeks, and then began to supersede all other existing types of war-vessels. Themistocles in 483 B.C. inaugurated the excellent practice of maintaining a large permanent navy. As a commencement he built a hundred triremes, and these were used at the battle of Salamis. In the Greek word trieres there is nothing to signify that it was necessarily three-banked, and it is well to realise this fact from the start. The word just means “triple-arranged,” neither more nor less. It is when we come to the question as to the details of this triple arrangement that we find a divergence of theory. It will, therefore, be best if we state first the prevailing theory of the trireme’s arrangement, and then pass on to give what is the more modern and the more plausible interpretation.

Cast of a Relief in Athens.

Showing the disposition of rowers in a trireme.

The most general idea, then, is that the trireme was fitted with three tiers of oarsmen. In this case the thalamitai were those who sat and worked on the lowest tier; the zugitai, those who sat on the beams; whilst the thranitai were the men who sat on the highest tier. (Homer refers to the seven-foot bench, or thrēnus, which was the seat of the helmsman or the rowers). Each oarsman, it is thought, sat below and slightly to the rear of the oarsman above him, so that these three sections of men formed an oblique line. This economised space and facilitated their movements. A variation of this same theory suggests that the thalamitai sat close to the vessel’s side, the zugitai who were higher up being distant from the side the breadth of one thwart, whilst the thranitai, higher still, were the breadth of two thwarts away. The oar of each rower would pass over the head of the rower below.