"Eustace, you talk like a child. Come in! Prompt obedience, if you please."
He did not move.
"Very well: I shall carry you in by force." I added, and made a few steps towards him. But I was soon convinced of the futility of pursuing a boy through a tangle of asphalt paths, and went in instead, to call Mr. Sandbach and Leyland to my aid.
When I returned with them he was worse than ever. He would not even answer us when we spoke, but began singing and chattering to himself in a most alarming way.
"It's a case for the doctor now," said Mr. Sandbach, gravely tapping his forehead.
He had stopped his running and was singing, first low, then loud—singing five-finger exercises, scales, hymn tunes, scraps of Wagner—anything that came into his head. His voice—a very untuneful voice—grew stronger and stronger, and he ended with a tremendous shout which boomed like a gun among the mountains, and awoke everyone who was still sleeping in the hotel. My poor wife and the two girls appeared at their respective windows, and the American ladies were heard violently ringing their bell.
"Eustace," we all cried, "stop! stop, dear boy, and come into the house."
He shook his head, and started off again—talking this time. Never have I listened to such an extraordinary speech. At any other time it would have been ludicrous, for here was a boy, with no sense of beauty and a puerile command of words, attempting to tackle themes which the greatest poets have found almost beyond their power. Eustace Robinson, aged fourteen, was standing in his nightshirt saluting, praising, and blessing, the great forces and manifestations of Nature.
He spoke first of night and the stars and planets above his head, of the swarms of fire-flies below him, of the invisible sea below the fire-flies, of the great rocks covered with anemones and shells that were slumbering in the invisible sea. He spoke of the rivers and water-falls, of the ripening bunches of grapes, of the smoking cone of Vesuvius and the hidden fire-channels that made the smoke, of the myriads of lizards who were lying curled up in the crannies of the sultry earth, of the showers of white rose-leaves that were tangled in his hair. And then he spoke of the rain and the wind by which all things are changed, of the air through which all things live, and of the woods in which all things can be hidden.
Of course, it was all absurdly high fainting: yet I could have kicked Leyland for audibly observing that it was 'a diabolical caricature of all that was most holy and beautiful in life.'