The Child Under Eight

by E. R. Murray; Henrietta Brown Smith

In another Kindergarten we find the walls enlivened with Cecil Aldin's fascinating friezes: here is Noah with all the animals walking in cheerful procession, and in the next room is an attractive procession of children with push-carts, hoops and toy motor cars. When we make our visit the day is fine and the room is empty, the children are all outside. The garden is not large, but there is some space, and under the shade of two big trees we find rugs spread, on which the children are sitting, standing, kneeling and lying, according to their occupation. One is building with large blocks, and must stand up to complete her erection; another is lying flat putting together a jigsaw; another, a boy, is threading beads; while another has built railway arches, and with much whistling and the greatest carefulness is guiding his train through the tunnels. The play is almost entirely individual, but very often you hear, "O Miss X, do come and see what I've done!" After about an hour, during which a few of the children have changed their occupations, those who wish to do so join some older children who are playing games involving movement. This may be a traditional game like Looby Loo, or Round and round the Village, or it may be one of the best of the old Kindergarten games. After lunch the washing up is to be done in a beautiful new white sink which is displayed with pride.

Our next visit is to a Free Kindergarten. The rooms are quite as attractive, as rich in charming friezes as in the others, and the furnishing in some ways is much the same. But here we see what we have not seen before, for here is a large room filled with tiny hammock beds. The windows are wide open, but the blinds are down, for the children are having their afternoon sleep.

Here, as in all Free Kindergartens, the children are provided with simple but pretty overalls which the parents are pleased to wash. House shoes are also provided, partly to minimise the noise from active little feet, but principally because the poor little boots are often a painfully inadequate protection from wet pavements. The children are trained to tidy ways and to independence. They cannot read, but by picture cards they recognise their own beds, pegs and other properties. They take out and put away their own things, and give all reasonable help in laying tables and serving food, in washing, dusting and sweeping up crumbs, as is done in any true Kindergarten.

In the garden of this Free Kindergarten there is a large sand-pit, surrounded by a low wooden framework, and having a pole across the middle so that it resembles a cucumber frame and a cover can be thrown over the sand to keep it clean when not in use.

Froebel's own list of playthings contains, besides balls and building blocks, coloured beads, coloured tablets for laying patterns, coloured papers for cutting, folding and plaiting; pencils, paints and brushes; modelling clay and sand; coloured wool for sewing patterns and pictures; and such little sticks and laths as children living in a forest region find for themselves. Considered in themselves, apart from the traditions of formality, these are quite good play material or stimuli, and Froebel meant the time to come "when we shall speak of the doll and the hobby horse as the first plays of the awakening life of the girl and the boy," but he died before he had done so. In the Mother Songs, too, we find quite a good list of toys which are now to be found in most Kindergartens.

Toys for the playground should be provided—a sand-heap, a seesaw, a substantial wheel-barrow, hoops, balls, reins and perhaps skipping-ropes. Something on which the child can balance, logs or planks which they can move about, and a trestle on which these can be supported, are invaluable. It was while an addition was being made to our place that we realised the importance of such things, and, as in Froebel's case, "our teachers were the children themselves." They were so supremely happy running up and down the plank roads laid by the builders for their wheel-barrows, seesawing or balancing and sliding on others, that we could not face the desolation of emptiness which would come when the workmen removed their things. So, for a few pounds, all that the children needed was secured, ordinary planks for seesawing, narrower for balancing and a couple of trestles. One exercise the children had specially enjoyed was jumping up and down on yielding planks, and this the workmen had forbidden because the planks might crack. But a sympathetic foreman told us what was needed: two planks of special springy wood were fastened together by cross pieces at each end, and besides making excellent slides, these made most exciting springboards.

For representations of real life the children require dolls and the simplest of furniture—a bed, which need only be a box, some means of carrying out the doll's washing, her personal requirements as well as her clothes; some little tea-things and pots and pans. A doll's house is not necessary, and can only be used by two or three children, but will be welcomed if provided, and its appointments give practice in dainty handling. Trains and signals of some kind, home-made or otherwise; animals for farm or Zoo; a pair of scales for a shop, and some sort of delivery van, which, of course, may be home-made.

There must also be provision for increase of skill and possibility of creation. If the Kindergarten can afford it, some of the Montessori material may be provided; there is no reason, except expense, why it should not be used if the children like it, and if it does not take up too much room. But it has no creative possibilities, and even at three years old this is required. Scissors are an important tool, and an old book of sample wall-papers is most useful; old match-boxes and used matches, paste and brushes and some old magazines to cut. Blackboard chalks and crayons, paint-boxes with four to six important colours, some Kindergarten folding papers, all these supply colour. Certain toys seem specially suited to give hand control, e.g. a Noah's Ark, where the small animals are to be set out carefully, tops or teetotums and tiddlywinks, at which some little children become proficient. The puzzle interest must not be forgotten, and simple jigsaw pictures give great pleasure. It is interesting to note here that the youngest children fit these puzzles not by the picture but by form, though they know they are making a picture and are pleased when it is finished. The puzzle with six pictures on the sides of cubes is much more difficult than a simple jigsaw.

All sorts of odds and ends come in useful, and especially for the poorer children these should be provided. Any one who remembers the pleasure derived from coloured envelope bands, from transparent paper from crackers, and from certain advertisements, will save these for children to whose homes such treasures never come. A box containing scraps of soft cloth, possibly a bit of velvet, some bits of smooth and shining coloured silk give the pleasure of sense discrimination without the formality of the Montessori graded boxes, and are easier to replace. Some substitute for "mother's button box," a box of shells or coloured seeds, a box of feathers, all these things will be played with, which means observation and discrimination, comparison and contrast, and in addition, where colour is involved, there is aesthetic pleasure, and this also enters into the touching of smooth or soft surfaces. Softness is a joy to children, as is shown in the woolly lambs, etc., provided for babies. A little one of my acquaintance had a bit of blanket which comforted many woes, and when once I offered her a feather boa as a substitute she sobbed out: "It isn't so soft as the blanket!"

In one of Miss McMillan's early books she wrote: "Very early the child begins more or less consciously to exercise the basal sense—the sense of touch. On waking from sleep he puts his tiny hands to grasp something, or turns his head on the firm soft pillow. He touches rather than looks, at first (for his hands and fingers perform a great many movements long before he learns to turn his eyeballs in various directions or follow the passage even of a light), and through touching many things he begins his education. If he is the nursling of wealthy parents, it is possible that his first exercises are rather restricted. He touches silk, ivory, muslin and fine linen. That is all, and that is not much. But the child of the cottager is often better off, for his mother gives him a great variety of objects to keep him quiet. The ridiculous command, 'Do not touch,' cannot be imposed on him while he is screaming in his cradle or protesting in his dinner chair; and so all manner of things—reels, rings, boxes, tins, that is to say a variety of surfaces—is offered to him, to his great delight and advantage. And lest he should not get the full benefit of such privilege he carries everything to his mouth, where the sense of touch is very keen."[17]