As on the night when the jewel-casket had been brought, so now, at midnight, there came a knocking at the door. Baptiste, properly instructed, opened. Mademoiselle Scuderi's blood ran cold when she heard the heavy tread of the guard party which had brought Brusson stationing themselves about the passages.

At length the door opened, Desgrais came in, and after him, Olivier Brusson, without irons, and respectably dressed.

"Here is Brusson, Mademoiselle," said Desgrais, bowing courteously; he then departed at once.

Brusson sank down on both knees before Mademoiselle Scuderi. The pure, clear expression of a most truthful soul beamed from his face, though it was drawn and distorted by terror and bitter pain. The longer she looked at him, the more vivid became a remembrance of some well-loved person--she could not say whom. When the first feeling of shuddering left her, she forgot that Cardillac's murderer was kneeling before her, and, speaking in the pleasant tone of quiet goodwill which was natural to her, said--

"Now, Brusson, what have you to say to me?"

He--still on his knees--sighed deeply, from profound sorrow, and then said--

"Oh, Mademoiselle, you whom I so honour and worship, is there no trace of recollection of me left in your mind?"

She, still looking at him attentively, answered that she had certainly traced in his face a likeness to some one whom she had held in affection, and it was to this that he owed it that she had overcome her profound horror of a murderer so far as to be able to listen to him quietly. Brusson, much pained by her words, rose quickly, and stepped backwards a pace, with his gloomy glance fixed on the ground. Then, in a hollow voice, he said--

"Have you quite forgotten Anne Guiot? Her son, Olivier, the boy whom you used to dandle on your knee, is he who is now before you."

"Oh! For the love of all the Saints!" she cried, as, covering her face with both hands, she sank back in her chair. She had reason for being thus horrified. Anne Guiot, the daughter of a citizen who had fallen into poverty, had lived with Mademoiselle Scuderi from her childhood; she had brought her up like a daughter, with all affection and care. When she grew up, a handsome, well-conducted young man, named Claude Brusson, fell in love with her. Being a first-rate workman at his trade of a watchmaker, sure to make a capital living in Paris, and Anne being very fond of him, Mademoiselle Scuderi saw no reason to object to their marrying. They set up house accordingly, lived a most quiet and happy domestic life, and the bond between them was knitted more closely still by the birth of a most beautiful boy, the image of his pretty mother.