IN PRAISE OF "DUCKINGS"

It was of Duckings, the beautiful timbered farmhouse of which Withyham is justly proud, that Jefferies thus wrote, in his essay on "Buckhurst Park": "Our modern architects try to make their rooms mathematically square, a series of brick boxes, one on the other like pigeon-holes in a bureau, with flat ceilings and right angles in the corners, and are said to go through a profound education before they can produce these wonderful specimens of art. If our old English folk could not get an arched roof, then they loved to have it pointed, with polished timber beams in which the eye rested as in looking upwards through a tree. Their rooms they liked of many shapes, and not at right angles in the corners, nor all on the same dead level of flooring. You had to go up a step into one, and down a step into another, and along a winding passage into a third, so that each part of the house had its individuality. To these houses life fitted itself and grew to them; they were not mere walls, but became part of existence. A man's house was not only his castle, a man's house was himself. He could not tear himself away from his house, it was like tearing up the shrieking mandrake by the root, almost death itself. Now we walk in and out of our brick boxes unconcerned whether we live in this villa or that, here or yonder. Dark beams inlaid in the walls support the gables; heavier timber, placed horizontally, forms, as it were, the foundation of the first floor. This horizontal beam has warped a little in the course of time, the alternate heat and cold of summers and winters that make centuries. Up to this beam the lower wall is built of brick set to curve of the timber, from which circumstance it would appear to be a modern insertion. The beam, we may be sure, was straight originally, and the bricks have been fitted to the curve which it subsequently took. Time, no doubt, ate away the lower work of wood, and necessitated the insertion of new materials. The slight curve of the great beam adds, I think, to the interest of the old place, for it is a curve that has grown and was not premeditated; it has grown like the bough of a tree, not from any set human design. This, too, is the character of the house. It is not large, nor overburdened with gables, not ornamental, nor what is called striking, in any way, but simply an old English house, genuine and true. The warm sunlight falls on the old red tiles, the dark beams look the darker for the glow of light, the shapely cone of the hop-oast rises at the end; there are swallows and flowers, and ricks and horses, and so it is beautiful because it is natural and honest. It is the simplicity that makes it so touching, like the words of an old ballad. Now at Mayfield there is a timber house which is something of a show place, and people go to see it, and which certainly has many more lines in its curves and woodwork, but yet did not appeal to me, because it seemed too purposely ornamental. A house designed to look well, even age has not taken from its artificiality. Neither is there any cone nor cart-horses about. Why, even a tall chanticleer makes a home look homely. I do like to see a tall proud chanticleer strutting in the yard and barely giving way as I advance, almost ready to do battle with a stranger like a mastiff. So I prefer the simple old home by Buckhurst Park."

ASHDOWN FOREST

The forest of which Ashdown Forest was a part extended once in unbroken sombre density from Kent to Hampshire, a distance of 120 miles. It was known to the Romans as Sylva Anderida, giving its name to Anderida (or Pevensey) on the edge of it; to the Saxons it was Andreaswald. Wolves, wild boar and deer then roamed its dark recesses. Our Ashdown Forest—all that now remains of this wild track—was for long a Royal hunting ground. Edward III. granted it to John of Gaunt, who, there's no doubt, often came hither for sport. It is supposed that he built a chapel near Nutley ("Chapel Wood" marks the site) where, on one occasion at least, John Wycliffe the reformer officiated. At Forest Row, as we have seen, the later lords who hunted here built their lodges and kept their retainers. There are no longer any deer in the Forest; the modern sportsman approaches it with a cleek where his forerunner carried a bow. A hundred years ago, in the smuggling days, it was a very dangerous region.

Ashdown Forest, from East Grinstead.

Hartfield, the village next to Withyham in the west, is uninteresting; but it has a graceful church, and at Bolebroke, once the home of the Dalyngruges, whom we met at Bodiam, and later of the Sackvilles, are the remains of a noble brick mansion. The towered gateway still stands, and it is not difficult to reconstruct in the mind's eye the house in its best period. Of old cottage architecture Hartfield also has a pretty example in Lych-Gate Cottage, by the churchyard. "Castle field," north of the village, probably marks the site of an ancient castle, or hunting lodge, of the Barons of Pevensey. That there was good hunting in these parts the name Hartfield itself goes to prove.

OUR JOURNEY'S END

Between Withyham and Hartfield in the north, and Crowborough Beacon and Wych Cross in the south, is some of the finest open country in Sussex, where one may walk for hours and meet no human creature. Here are silent desolate woods—the Five Hundred Acre Wood, under Crowborough, chief of them—and vast wastes of undulating heath, rising here and there to great heights crowned with fir trees, as at Gill's Lap. A few enclosed estates interrupt the forest's open freedom, but nothing can tame it. Sombre dark heather gives the prevailing note, but between Old Lodge and Pippinford Park I once came upon a green and luxuriant valley that would not have been out of place in Tyrol; while there is a field near Chuck Hatch where in April one may see more dancing daffodils than ever Wordsworth did.