THE MAJOR AND ELENOR MURRAY AT NICE

Elenor Murray and Petain, the major,
The Promenade des Anglais walked at Nice.
A cloud was over him, and in her heart
A growing grief.
He knew her at the hospital,
First saw her face among a little group
Of faces at a grave when rain was falling,
The burial of a nurse, when Elenor’s face
Was bathed in tears and strained with agony.
And after that he saw her in the wards;
Heard soldiers, whom she nursed, say as she passed,
Dear little soul, sweet soul, or take her hand
In gratitude and kiss it.
But as a stream
Flows with clear water even with the filth
Of scum, debris that drifts beside the current
Of crystal water, nor corrupts it, keeps
Its poisoned, heavier medium apart,
So at the hospital where the nurses’ hands
Poured sacrifice, heroic love, the filth
Of envy, anger, malice, plots, intrigue
Kept pace with pure devotion, noble work
For suffering and the cause.

The major helped
To free the rules for Elenor Murray so
She might recuperate at Nice, and said:
“Go and await me, I shall join you there.
For in my trouble I must have a friend,
A woman to assuage me, give me light,
And ever since I saw you by that grave,
And saw you cross yourself, and bow your head
And watched your services along the wards
Among the sick and dying, I have felt
The soul of you, its human tenderness,
Its prodigal power of giving, pouring forth
Itself for others. And you seem a soul
Where nothing of our human frailty
Has come to dim the flame that burns in you,
You are all light, I think.”
And Elenor Murray
Looked down and said: “There is no soul like that.
This hospital, the war itself, reflects
The good and bad together of our souls.
You are a boy—oh such a boy to see
All good in me.”
And Major Petain said:
“At least you have not found dishonor here
As I have found it, for a lust of flesh
A weakness and a trespass.”

This was after
The hospital was noisy with the talk
Of Major Petain and his shame, the hand
Of discipline lay on him.
Elenor Murray
Looked steadily in his eyes, but only said:
“We mortals know each other but a little,
Nor guess each other’s secrets.” And she glanced
A moment at the tragedy that had come
To her at Paris on her furlough there,
And of its train of sorrows, even now
Her broken health and failure in the work
As consequence to that, and how it brought
The breaking of her passionate will and dream
To serve and not to fail—she glanced at this
A moment as she faced him, looked at him.
Then as she turned away: “There is one thing
That I must tell you, it is fitting now,
I love and am beloved. But if you come
To Nice and I can help you, come, if talk
And any poor advice of mine can help.”
So Major Petain, Elenor Murray walked
The Promenade at Nice, arm fast in arm.
And Major Petain to relieve his heart
Told all the tragedy that had come to him:
“Duty to France was first with me where love
Was paramount with you, if I divine
Your heart, America’s, at least a love
Unmixed of other feelings as may be.
What could you find here, if you seek no husband,
Even in seeing France so partially?
What in adventure, lures to bring you here,
Where peril, labor are? You either came
To expiate your soul, or as you say,
To make more worthy of this man beloved
Back in America your love for him.
Dear idealist, I give my faith to you,
And all your words. But as I said ’twas duty,
Then dreams of freedom, Europe’s chains struck off,
The menace of the German crushed to earth
That fired me as a soldier, trained to go
When France should need me. So it is you saw
France go about this business calm and stern,
And patient for the prize, or if ’twere lost
Then brave to meet the future as France met
The arduous years that followed Metz, Sedan.”
“But had I been American to the core,
Would I have put the sweet temptation by?
However flamed with zeal had I said no
When lips like hers were offered? Oh, you see
Whatever sun-light gilds the mountain tops
Rich grass grows in the valleys, herds will feed,
Though rising suns put glories on the heights.
And herds will run and stumble over rocks,
Break fences and encounter beasts of prey
To get the grass that’s sweetest.”
“To begin
I met her there in Paris. In a trice
We loved each other, wrote, made vows, she pledged
The consummation. There was danger here,
Great danger, as you know, for her and me.
And yet it never stopped us, gave us fear.
And then I schemed and got her through the lines,
Took all the chances.”
“Danger was not all:
There was my knowledge of her husband’s love,
His life immaculate, his daily letters.
He put by woman chances that arose
With saying, I am married, am beloved,
I love my wife, all said so earnestly
We could not joke him, though behind his back
Some said: He trusts her, but he’d better watch;
At least no sense of passing good things by.
I sat with him at mess, I saw him read
The letters that she wrote him, face of light
Devouring eyes. The others rallied him;
But I was like a man who knows a plot
To take another’s life, but keeps the secret,
Eats with the victim, does not warn him, makes
Himself thereby a party to the plot.
Or like a man who knows a fellow man
Has some insidious disease beginning,
And hears him speak with unconcern of it,
And does not tell him what to do, you know,
And let him go to death. And just for her,
The rapture of a secret love I choked
All risings of an honest manhood, mercy,
Honor with self and him. Oh, well you know
The isolation, hunger of us soldiers,
I only need to hint of these. But now
I see these well endured for sake of peace
And quiet memory.”
“For here we stood
Just ’round the corner in that long arcade
That runs between our building, next to yours.
And this is what I hear—the husband’s voice,
Which well I knew, the officer’s in command:
‘Why have you brought your wife here?’ asked the officer.
‘Pardon, I have not done so,’ said the husband.
‘You’re adding falsehood to the offense; you know
The rules forbid your wife to pass the lines.’
‘Pardon, I have not brought her,’ he exclaimed
In passionate earnestness.
“Well, there we stood.
My sweetheart, but his wife, was turned to snow,
As white and cold. I got in readiness
To kill the husband. How could we escape?
I thought the husband had been sent away;
Her coming had been timed with his departure,
Arriving afterward, and we had failed.
But as for that, before our feet could stir,
The officer said, ‘Come now, I’ll prove your lie,’
And in a twinkling, taking a dozen steps
They turned into the arcade, there they were,
The officer was shaking him and saying,
‘You lie! You lie!’
“All happened in a moment,
The humbled, ruined fellow saw the truth,
And blew his brains out on the very spot!
And made a wonder, gossip for you girls—
And here I am.”
So Major Petain finished.
Then Elenor Murray said: “Let’s watch the sea.”
And as they sat in silence, as he turned
To look upon her face, he saw the tears,
Hanging like dew drops on her lashes, drip
And course her cheeks. “My friend, you weep for me,”
The major said at last, “my gratitude
For tears like these.” “I weep,” said Elenor Murray,
“For you, but for myself. What can I say?
Nothing, my friend, your soul must find its way.
Only this word: I’ll go to mass with you,
I’ll sit beside you, pray with you, for you,
And do you pray for me.”
And then she paused.
The long wash of the sea filled in the silence.
And then she said again, “I’ll go with you,
Where we may pray, each for the other pray.
I have a sorrow, too, as deep as yours.”

THE CONVENT

Elenor Murray stole away from Nice
Before her furlough ended, tense to see
Something of Italy, and planned to go
To Genoa, explore the ancient town
Of Christopher Columbus, if she might
Elude the regulation, as she did,
In leaving Nice for Italy. But for her
Always the dream, and always the defeat
Of what she dreamed.
She found herself in Florence
And saw the city. But the weariness
Of labor and her illness came again
At intervals, and on such days she lay
And heard the hours toll, wished for death and wept,
Being alone and sorrowful.
On a morning
She rose and looked for galleries, came at last
Into the Via Gino Capponi
And saw a little church and entered in,
And saw amid the darkness of the church
A woman kneeling, knelt beside the woman,
And put her hand upon the woman’s forehead
To find that it was wrinkled, strange to say
A scar upon the forehead, like a cross....
Elenor Murray rose and walked away,
Sobs gathering in her throat, her body weak,
And reeled against the wall, for so it seemed,
Against which hung thick curtains, velvet, red,
A little grimed and worn. And as she leaned
Against the curtains, clung to them, she felt
A giving, parted them, and found a door,
Pushed on the door which yielded, opened it
And saw a yard before her.
It was walled.
A garden of old urns and ancient growths,
Some flowering plants around the wall.
Before her
And in the garden’s center stood a statue,
With outstretched arms, the Virgin without the child.
And suddenly on Elenor Murray came
Great sorrow like a madness, seeing there
The pitying Virgin, stretching arms to her.
And so she ran along the pebbly walk,
Fell fainting at the Virgin’s feet and lay
Unconscious in the garden.
When she woke
Two nuns were standing by, and one was dressed
In purest white, and held within her hands
A tray of gold, and on the tray of gold
There was a glass of wine, and in a cup
Some broth of beef, and on a plate of gold
A wafer.

And the other nun was dressed
In purest white, but over her shoulders lay
A cape of blue, blue as the sky of Florence
Above the garden wall.
Then as she saw
The nuns before her, in the interval
Of gathering thought, re-limning life again
From wonder if she had not died, and these
Were guides or ministrants of another world,
The nun with cape of blue to Elenor
Said: “Drink this wine, this broth;” and Elenor
Drank and arose, being lifted up by them,
And taken through the convent door and given
A little room as white and clean as light,
And a bed of snowy linen.
Then they said:
“This is the Convent where we send up prayers,
Prayers for the souls who do not pray for self—
Rest, child, and be at peace; and if there be
Friends you would tell that you are here, then we
Will send the word for you, sleep now and rest.”
And listening to their voices Elenor slept.
And when she woke a nurse was at her side,
And food was served her, broths and fruit. Each day
A doctor came to tell her all was well,
And health would soon return.
So for a month
Elenor Murray lay and heard the bells,
And breathed the fragrance of the flowering city
That floated through her window, in the stillness
Of the convent dreamed, and said to self: This place
Is good to die in, who is there to tell
That I am here? There was no one. To them
She gave her name, but said: “Till I am well
Let me remain, and if I die, some place
Must be for me for burial, put me there.
And if I live to go again to France
And join my unit, let me have a writing
That I did not desert, was stricken here
And could not leave. For while I stole away
From Nice to get a glimpse of Italy,
I might have done so in my furlough time,
And not stayed over it.” And to Elenor
The nuns said: “We will help you, but for now
Rest and put by anxieties.”
On a day
Elenor Murray made confessional.
And to the nuns told bit by bit her life,
Her childhood, schooling, travels, work in the war,
What fate had followed her, what sufferings.
And Sister Mary, she who saw her first,
And held the tray of gold with wine and broth,
Sat often with her, read to her, and said:
“Letters will go ahead of you to clear
Your absence over time—be not afraid,
All will be well.”

And so when Elenor Murray
Arose to leave she found all things prepared:
A cab to take her to the train, compartments
Reserved for her from place to place, her fare
And tickets paid for, till at last she came
To Brest and joined her unit, in three days
Looked at the rolling waters as the ship
Drove to America—such a coming home!
To what and whom?
————
Loveridge Chase returned and brought the letters
To Coroner Merival from New York. That day
The chemical analysis was finished, showed
No ricin and no poison. Elenor Murray
Died how? What were the circumstances? Then
When Coroner Merival broke the seals of wax,
And cut the twine that bound the package, found
The man was Barrett Bays who wrote the letters—
There were a hundred—then he cast about
To lay his hands on Barrett Bays, and found
That Barrett Bays lived in Chicago, taught,
Was a professor, aged some forty years.
Why did this Barrett Bays emerge not, speak,
Come forward? Was it simply to conceal
A passion written in these letters here
For his sake or his wife’s? Or was it guilt
For some complicity in Elenor’s death?
And on this day the coroner had a letter
From Margery Camp which said: “Where’s Barrett Bays?
Why have you not arrested him? He knows
Something, perhaps about the death of Elenor.”
So Coroner Merival sent process forth
To bring in Barrett Bays, non est inventus.
He had not visited his place of teaching,
Been seen in haunts accustomed for some days—
Not since the death of Elenor Murray, none
Knew where to find him, and none seemed to know
What lay between this man and Elenor Murray.
This was the more suspicious. Then the Times
Made headlines of the letters, published some
Wherein this Barrett Bays had written Elenor:
“You are my hope in life, my morning star,
My love at last, my all.” From coast to coast
The word was flashed about this Barrett Bays;
And Mrs. Bays at Martha’s Vineyard read,
Turned up her nose, continued on the round
Of gaieties, but to a chum relieved
Her loathing with these words: “Another woman,
He’s soiled himself at last.”
And Barrett Bays,
Who roughed it in the Adirondacks, hoped
The inquest’s end would leave him undisclosed
In Elenor Murray’s life, though wracked with fear
About the letters in the vault, some day
To be unearthed, or taken, it might be,
By Margery Camp for uses sinister—
He reading that the letters had been given
To Coroner Merival, and seeing his name
Printed in every sheet, saw no escape
In any nook of earth, returned and walked
In Merival’s office: trembling, white as snow.
So Barrett Bays was sworn, before the jury
Sat and replied to questions, said he knew
Elenor Murray in the fall before
She went to France, saw much of her for weeks;
Had written her these letters before she left.
Had followed her in the war, and gone to France,
Had seen her for some days in Paris when
She had a furlough. Had come back and parted
With Elenor Murray, broken with her, found
A cause for crushing out his love for her.
Came back to win forgetfulness, had written
No word to her since leaving Paris—let
Her letters lie unanswered; brought her letters,
And gave them to the coroner. Then he told
Of the day before her death, and how she came
By motor to Chicago with her aunt,
Named Irma Leese, and telephoned him, begged
An hour for talk. “Come meet me by the river,”
She had said. And so went to meet her. Then he told
Why he relented, after he had left her
In Paris with no word beside this one:
“This is the end.” Now he was curious
To know what she would say, what could be said
Beyond what she had written—so he went
Out of a curious but hardened heart.

BARRETT BAYS