“I was walking by the river,” Barrett said,
“When she arrived. I took her hand, no kiss,
A silence for some minutes as we walked.
Then we began to take up point by point,
For she was concentrated on the hope
Of clearing up all doubtful things that we
Might start anew, clear visioned, perfect friends,
More perfect for mistakes and clouds. Her will
Was passionate beyond all other wills,
And when she set her mind upon a course
She could not be diverted, or if so,
Her failure kept her brooding. What with me
She wanted after what had stunned my faith
I knew not, save she loved me. For in truth
I have no money, and no prospects either
To tempt cupidity.”
“Well; first we talked—
You must be patient with me, gentlemen,
You see my nerves—they’re weakened—but I’ll try
To tell you all—well then—a glass of water—
At first we talked but trifles. Silences
Came on us like great calms between the stir
Of ineffectual breezes, like this day
In August growing sultry as the sun
Rose upward. She was striving to break down
The hard corrosion of my thought, and I
Could not surrender. Till at last, I said:
‘That day in Paris when you stood revealed
Can never be forgotten. Once I killed
A love with hatred for a woman who
Betrayed me, as you did. And you can kill
A love with hatred but you kill your soul
While killing love. And so with you I kept
All hatred from my heart, but cannot keep
A poisonous doubt of you from blood and brain.’...
I learned in Paris, (to be clear on this),
That after she had given herself to me
She fell back in the arms of Gregory Wenner.
And here as we were walking I revealed
My agony, my anger, emptied out
My heart of all its bitterness. At last
When she protested it was natural
For her to do what she had done, the act
As natural as breathing, taking food,
Not signifying faithlessness nor love—
Though she admitted had she loved me then
She had not done so—I grew tense with rage,
A serpent which grows stiff and rears its head
To strike its enemy was what I seemed
To myself then, and so I said to her
In voice controlled and low, but deadly clear,
‘What are you but a whore—you are a whore!’
Murderous words no doubt, but do you hear
She justified herself with Gregory Wenner;
Yes, justified herself when she had written
And asked forgiveness—yes, brought me out
To meet her by the river. And for what?
I said you whore, she shook from head to heels,
And toppled, but I caught her in my arms,
And held her up, she paled, head rolled around,
Her eyes set, mouth fell open, all at once
I saw that she was dead, or syncope
Profound had come upon her. Elenor,
What is the matter? Love came back to me,
Love there with Death. I laid her on the ground.
I found her dead.
“If I had any thought
There in that awful moment, it was this:
To run away, escape, could I maintain
An innocent presence there, be clear of fault?
And if I had that thought, as I believe,
I had no other; all my mind’s a blank
Until I find myself at one o’clock
Disrobing in my room, too full of drink,
And trying to remember.
“With the morning
I lay in bed and thought: Did Irma Leese
Know anything of me, or did she know
That Elenor went out to meet a man?
And if she did not know, who could disclose
That I was with her? No one saw us there.
Could I not wait from day to day and see
What turn the news would take? For at the last
I did not kill her. If the inquest showed
Her death was natural, as it was, for all
Of me, why then my secret might be hidden
In Elenor Murray’s grave. And if they found
That I was with her, brought me in the court,
I could make clear my innocence. And thus
I watched the papers, gambled with the chance
Of never being known in this affair.
Does this sound like a coward? Put yourself
In my place in that horror. Think of me
With all these psychic shell shocks—first the war,
Its great emotions, then this Elenor.”
And thus he spoke and twisted hands, and twitched,
And ended suddenly. Then David Borrow,
And Winthrop Marion with the coroner
Shot questions at him till he woke, regained
A memory, concentration: Who are you?
What was your youth? Your love life? What your wife?
Where did you meet this Elenor at the first?
Why did you go to France? In Paris what
Happened to break your balance? Tell us all.
For as they eyed him, he looked down, away,
Stirred restless in the chair. And was it truth
He told of meeting Elenor, her death?
Guilt like a guise was on his face. And one—
This Isaac Newfeldt, juryman, whispered, “Look,
That man is guilty, let us fly the questions
Like arrows at him till we bring him down.”
And as they flew the arrows he came to
And spoke as follows:—
“First, I am a heart
That from my youth has sought for love and hungered.
And Elenor Murray’s heart had hungered too,
Which drew our hearts together, made our love
As it were mystical, more real. I was
A boy who sought for beauty, hope and faith
In woman’s love; at fourteen met a girl
Who carried me to ecstasy till I walked
In dreamland, stepping clouds. She loved me too.
I could not cure my heart, have always felt
A dull pain for that girl. She died, you know.
I found another, rather made myself
Discover my ideal in her, until
My heart was sure she was the one. And then
I woke up from this trance, went to another
Still searching; always searching, reaching now
An early cynicism, how to play with hearts,
Extract their beauty, pass to someone else.
I was a little tired now, seemed to know
There is no wonder woman, just a woman
Somewhere to be a wife. And then I met
The woman whom I married, thought to solve
My problem with the average things of life;
The satisfaction of insistent sex,
A home, a regular program, turn to work,
Forget the dream, the quest. What did I find?
A woman who exhausted me and bored me,
Stirred never a thought, a fancy, brought no friends,
No pleasures or diversions, took from me
All that I had to give of mind and heart,
Purse, or what not. And she was barren too,
And restless; by that restlessness relieved
The boredom of our life; it took her off
In travels here and there. And I was glad
To have her absent, but it still is true
There is a hell in marriage, when it keeps
Delights of freedom off, all other women
Not willing to intrigue, pass distantly
Your married man; but on the other hand
What was my marriage with a wife away
Six months or more of every year? And when
I said to her, divorce me, she would say,
You want your freedom to get married—well,
The other woman shall not have you, if
There is another woman, as I think.
And so the years went by. I’m thirty-five
And meet a woman, play light heartedly,
She is past thirty, understands nor asks
A serious love. It’s summer and we jaunt
About the country, for my wife’s away.
As usual, in the fall returns, and then
My woman says, the holiday is over,
Go back to work, and I’ll go back to work.
I cannot give her up, would still go on
For this delight so sweet to me. By will
I hold her, stir the fire up to inflame
Her hands for me, make love to her in short
And find myself in love, beholding in her
All beauties and all virtues. Well, at first
What did I care what she had been before,
Whose mistress, sweetheart? Now I cared and asked
Fidelity from her, and this she pledged.
And so a settled life seemed come to us,
We had found happiness. But on a day
I caught her in unfaithfulness. A man
She knew before she knew me crossed her path.
Why do they do this, even while their lips
Are wet with kisses given you? I think
A woman may be true in marriage, never
In any free relationship. And then
I left her, killed the love I had with hate.
Hate is an energy with which to save
A heart knocked over by a blow like this.
To forgive this wrong is never to forget,
But always to remember, with increasing
Sorrow and dreams invest the ruined love.
And so I turned to hate, came from the flames
As hard and glittering as crockery ware,
And went my way with gallant gestures, winning
An hour of rapture where it came to me.
And all the time my wife was much away,
Yet left me in this state where I was kept
From serious love if I had found the woman.
A pterodactyl in my life and soul:
Had wings, could fly, but slumbered in the mud.
Was neither bird nor beast; as social being
Was neither bachelor nor married man.

The years went on with work, day after day
Arising to the task, night after night
Returning for the rest with which to rise,
Forever following the mad illusion,
The dream, the expected friend, the great event
Which should change life, and never finding it.
And all the while I see myself consumed,
Sapped somehow by this wife and hating her;
Then fearful for myself for hating her,
Then melting into generosities
For hating her. And so tossed back and forth
Between such passions, also never at peace
From the dream of love, the woman and the mate
I stagger, amble, hurtle through the years,
And reach that summer of two years ago
When life began to change. It was this way:
My wife is home, for a wonder, and my friend,
Most sympathetic, nearest, comes to dine.
He casts his comprehending eyes about,
Takes all things in. As we go down to town,
And afterward at luncheon, when alone
He says to me: she is a worthy woman,
Beautiful, too, there is no other woman
To make you happier, the fault is yours,
At least in part, remove your part of the fault,
To woo her, give yourself, find good in her.
Go take a trip. For neither man nor woman
Yields everything till wooed, tried out, beloved.
Bring all your energies to the trial of her.
She will respond, unfold, repay your work.

He won me with his words. I said to her,
Let’s summer at Lake Placid—so we went.
I tried his plan, did all I could, no use.
The woman is not mine, was never mine,
Was meant for someone else. And in despair,
In wrath as well, I left her and came back
And telephoned a woman that I knew
To dine with me. She came, was glad and gay,
But as she drew her gloves off let me see
A solitaire. What, you? I said to her,
You leave me too? She smiled and answered me;
Marriage may be the horror that you think,
And yet we all must try it once, and Charles
Is nearest my ideal of any man.
I have been very ill since last we met,
Had not survived except for skillful hands,
And Charles was good to me, with heart and purse.
My illness took my savings. I repay
His goodness with my hand. I love him too.
You do not care to lose me. As for that
I know one who will more than take my place;
She is the nurse who nursed me back to health,
I’ll have you meet her, I can get her now.
She rose and telephoned. In half an hour
Elenor Murray joined us, dined with us.
I watched her as she entered, did not see
A single wonder in her, cannot now
Remember how she looked, what dress she wore,
What hat in point of color, anything.
After the dinner I rode home with them,
Saw Elenor at luncheon next day. So
The intimacy began.”
“She was alone,
Unsettled and unhappy, pressed for funds.
She had, it seemed, nursed Janet without pay
Till Charles made good at last the weekly wage;
Since Janet’s illness had no work to do.
I was alone and bored, she came to me
Almost at first as woman never came
To me before, so radiant, sympathetic,
Admiring, so devoted with a heart
That soothed and strove to help me. Strange to say
These manifests of spirit, ministrations
Bespoke the woman who has found a man,
And never knew a man before. She seemed
An old maid jubilant for a man at last,
And truth to tell I took her rapturous ways
With just a little reticence, and shrinking
Of spirit lest her hands would touch too close
My spirit which misvalued hers, withdraw
Itself from hers with hidden smiles that she
Could find so much in me. She did not change,
Retreat, draw in; advanced, poured out, gave more
And wooed me, till I feared if I should take
Her body she would follow me, grow mad
And shameless for her love.”
“But as for that
That next day while at luncheon, frank and bold,
I spoke right out to her and then she shook
From head to foot, and made her knife in hand
Rattle the plate for trembling, turned as pale
As the table linen. Afterward as we met,
Having begun so, I renewed the word,
Half smiling to behold her so perturbed,
And serious, and gradually toning down
Pursuit of her this way, as I perceived
Her interest growing and her clinging ways,
Her ardor, huddling to me, great devotion;
Rapt words of friendship, offers of herself
For me or mine for nothing were we ill
And needed her.”
“These currents flowed along.
Hers plunged and sparkled, mine was slow for thought.
A doubt of her, or fear, till on a night
When nothing had been said of this before,
Quite suddenly when nearing home she shrank,
Involved herself in shrinking in the corner
Of the cab’s seat, and spoke up: ‘Take me now,
I’m yours to-night, will do what you desire,
Whatever you desire.’ I acted then,
Seemed overjoyed, was puzzled just the same,
And almost feared her. As I said before,
I feared she might pursue me, trouble me
After a hold like this,—and yet I said:
‘Go get your satchel, meet me in an hour.’
I let her out, drove to the club, and thought;
Then telephoned her, business had come up,
I could not meet her, but would telephone
To-morrow.”
“And to-morrow when it came
Brought ridicule and taunting from myself:
To have pursued this woman, for two months,
And if half-heartedly, you’ve made her think
Your heart was wholly in it, now she yields,
Bestows herself. You fly, you are a fool;
A village pastor playing Don Juan,
A booby costumed as a gallant—pooh!
Go take your chance. I telephoned her then,
That night she met me.”
“Here was my surprise:
All semblance of the old maid fell away,
Like robes as she disrobed. She brought with her
Accoutrements of slippers, caps of lace,
And oriental perfumes languorous.
The hour had been all heaven had I sensed,
Sensed without thinking consciously a play,
Dramatics, acting, like an old maid who
Resorts to tricks of dress she fancies wins
A gallant of experience, fancies only
And knows not, being fancied so appears
Half ludicrous.”
“But so our woe began.
That morning we had breakfast in our room,
And I was thinking, in an absent way
Responded to her laughter, joyous ways.
For I was thinking of my life again,
Of love that still eluded me, was bored
Because I sat there, did not have the spirit
To share her buoyancy—or was it such?
Did she not ripple merriment to hide
Her disappointment, wake me if she could?
And spite of what I thought of her before
That she had known another man or men,
I thought now I was first. And to let down,
Slope off the event, our parting for the day
Have no abruptness, I invited her
To luncheon, when I left her ’twas to meet
Again at noon. We met and parted then.
So now it seemed a thing achieved. Two weeks
Elapsed before I telephoned her. Then
The story we repeated as before,
Same room and all. But meantime we had sat
Some moments over tea, the orchestra
Played Chopin for her.”
“Then she handed me
A little box, I opened it and found
A locket too ornate, her picture in it,
A little flag.”
“So in that moment there
Love came to me for Elenor Murray. Music,
That poor pathetic locket, and her way
So humble, so devoted, and the thought
Of those months past, wherein she never swerved
From ways of love, in spite of all my moods,
Half-hearted, distant—these combined at once,
And with a flame that rose up silently
Consumed my heart with love.”
“She went away,
And left me hungering, lonely. She returned,
And saw at last dubieties no more,
The answering light for her within my eyes.”
“I must recur a little here to say
That at the first, first meeting it may be,
With Janet, there at tea, she said to me
She had signed for the war, would go to France,
To nurse the soldiers. You cannot remember
What people say at first, before you know,
Have interest in them. Also at that time
I had no interest in the war, believed
The war would end before we took a hand.
The war lay out of me, objectified
Like news of earthquakes in Japan. And then
As time went on she said: ‘I do not know
What day I shall be called, the time’s at hand.’
I loathed the Germans then; but loathed the war,
The hatred, lying, which it bred, the filth
Spewed over Europe, from the war, on us
At last. I loathed it all, and saw
The spirit of the world debauched and fouled
With blood and falsehood.”

“Elenor found in me
Cold water for her zeal, and even asked:
‘Are you pro-German?—no!’ I tried to say
What stirred in me, she did not comprehend,
And went her way with saying: ‘I shall serve,
O, glorious privilege to serve, to give,
And since this love of ours is tragedy,
Cannot be blessed with children, or with home,
It will be better if I die, am swept
Under the tide of war with work.’ This girl
Exhausted me with ardors, spoken faiths,
And zeal which never tired, until at last
I longed for her to go and make an end.
What better way to end it?”
“April came,
One day she telephoned me that to-morrow
She left for France. We met that night and walked
A wind swept boulevard by the lake, and she
Was luminous, a spirit; tucked herself
Under my coat, adored me, said to me:
‘If I survive I shall return to you,
To serve you, help you, be your friend for life,
And sacrifice my womanhood for you.
You cannot marry me, in spite of that
If I can be your comfort, give you peace,
That will be marriage, all that God intends
As marriage for me. You have blessed me, dear,
With hope and happiness. And oh at last
You did behold the war as good, you give me,
You send me to the war. I serve for you,
I serve the country in your name, your love,
So blessed for you, your love.’”
“That night at two
I woke somehow as if an angel stood
Beside the bed in light, beneficence,
And found her head close to my heart—she woke
At once with me, spoke dreamily ‘Dear heart,’
Then turned to sleep again. I loved her then.”
“She left next day. An olden mood came back
Which said, the end has come, and it is best.
I left the city too, breathed freer then,
Sought new companionships. But in three days
My heart was sinking, sickness of the heart,
Nostalgia took me. How to fight it off
Became the daily problem; work, diversions
Seemed best for cures. The malady progressed
Beyond the remedies. My wife came back,
Divined my trouble, laughed. And every day
The papers pounded nerves with battle news;
The bands were playing, soldiers marched the streets.
And taggers on the corner every day
Reminded you of suffering and of want.
And orators were talking where you ate:
Bonds must be bought—war—war was everywhere.
There was no place remote to hide from it,
And rest from its insistence. Then began
Elenor Murray’s letters sent from France,
Which told of what she did, and always said:
‘Would you were with me, serving in the war.
If you could come and serve; they need you, dear;
You could do much.’ Until at last the war
Which had lain out of me, objectified,
Became a part of me, I saw the war,
And felt the war through her, and every tune
And every marching soldier, every word
Spoken by orators said Elenor Murray.
At dining places, theatres, pursued
By this one thought of war and Elenor Murray;
In every drawing room pursued, pursued
In quiet places by the memories.
I had no rest. The war and love of her
Had taken body of me, soul of me,
With madness, ecstasy, and nameless longing,
Hunger and hope, fear and despair—but love
For Elenor Murray with intenser flame
Ran round it all.”
“At last all other things:
Place in the world, my business, and my home,
My wife if she be counted, sunk away
To nothingness. I stood stripped of the past,
Saw nothing but the war and Elenor,
Saw nothing but the day of finding her
In France, and serving there to be with her,
Or near where I could see her, go to her,
Perhaps if she was ill or needed me.
And so I went to France, began to serve,
Went in the ordnance. In that ecstasy
Of war, religion, love, found happiness;
Became a part of the event, and cured
My languors, boredom, longing, in the work;
And saw the war as greatest good, the hand
Of God through all of it to bring the world
Beauty and Freedom, a millennium
Of Peace and Justice.”
“So the days went by
With work and waiting, waiting for the hour
When Elenor should have a furlough, come
To Paris, see me. And she came at last.”
“Before she came she wrote me, told me where
To meet her first. ‘At two o’clock,’ she wrote,
‘Be on the landing back of the piano’
Of a hotel she named. An ominous thought
Passed through my brain, as through a room a bat
Flits in and out. I read the letter over:
How could this letter pass the censor? Escape
The censor’s eye? But eagerness of passion,
And longing, love, submerged such thoughts as these.
I walked the streets and waited, loitered through
The Garden of the Tuilleries, watched the clocks,
The lagging minutes, counted with their strokes.
And then at last the longed for hour arrived.
I reached the landing—what a meeting place!
With pillars, curtains hiding us, a nook
No one could see us in, unless he spied.
And she was here, was standing by the corner
Of the piano, very pale and worn,
Looked down, not at me, pathos over her
Like autumn light. I took her in my arms,
She could not speak, it seemed. I could not speak.
Dumb sobs filled heart and throat of us. And then
I held her from me, looked at her, re-clasped
Her head against my breast, with choking breath
That was half whisper, half a cry, I said,
‘I love you, love you, now at last we’re here
Together, oh, my love!’ She put her lips
Against my throat and kissed it: ‘Oh, my love,
You really love me, now I know and see,
My soul, my dear one,’ Elenor breathed up
The words against my throat.”
“We took a suite:
Soft rugs upon the floor, a bed built up,
And canopied with satin, on the wall
Some battle pictures, one of Bonaparte,
A bottle of crystal water on a stand
And roses in a bowl—the room was sweet
With odors, and so comfortable. Here we stood.
‘It’s Paris, dear,’ she said, ‘we are together;
You’re serving in the war, how glorious!
We love each other, life is good—so good!’
That afternoon we saw the city a little,
So many things occurred to prophesy,
Interpret.”
“And that night we saw the moon,
One star above the Arc de Triomphe, over
The chariot of bronze and leaping horses.
Dined merrily and slept and woke together
Beneath that satin canopy.”
“In brief,
The days went by with laughter and with love.
We watched the Seine from bridges, in a spell
There at Versailles in the Temple of Love
Sat in the fading day.”
“Upon the lawn
She took her diary from her bag and read
What she had done in France; years past as well.
Began to tell me of a Simeon Strong
Whom she was pledged to marry years before.
How jealousy of Simeon Strong destroyed
His love, and all because in innocence
She had received some roses from a friend.
That led to other men that she had known
Who wished to marry her, as she said. But most
She talked of Simeon Strong; then of a man
Who had absorbed her life until she went
In training as a nurse, a married man,
Whom she had put away, himself forgetting
A hopeless love he crushed. Until at last
I said, no more, my dear—The past is dead,
What is the past to me? It could not be
That you could live and never meet a man
To love you, whom you loved. And then at last
She put the diary in her bag, we walked
And scanned the village from the heights; the train
Took back for Paris, went to dine, be gay.
This afternoon was the last, this night the last.
To-morrow she was going back to work,
And I was to resume my duties too,
Both hopeful for another meeting soon,
The war’s end, a re-union, some solution
Of what was now a problem hard to bear.”
“We left our dinner early, she was tired,
There in our room again we clung together,
Grieved for the morrow. Sadness fell upon us,
Her eyes were veiled, her voice was low, her speech
Was brief and nebulous. She soon disrobed,
Lay with her hair spread out upon the pillow,
One hand above the coverlet.”
“And soon
Was lying with head turned from me. I sat
And read to man my grief. You see the war
Blew to intenser flame all moods, all love,
All grief at parting, fear, or doubt. At last
As I looked up to see her I could see
Her breast with sleep arise and fall. The silence
Of night was on the city, even her breath
I heard as she was sleeping—for myself
I wondered what I was and why I was,
What world is this and why, and if there be
God who creates us to this life, then why
This agony of living, peace or war;
This agony which grows greater, never less,
And multiplies its sources with the days,
Increases its perplexities with time,
And gives the soul no rest. And why this love,
This woman in my life. The mystery
Of my own torture asked to be explained.
And why I married whom I married, why
She was content to stand far off and watch
My crucifixion. Why?”
“And with these thoughts
Came thought of changing them. A wonder slipped
About her diary in my brain. I paused,
Said to myself, you have no right to spy
Upon such secret records, yet indeed
A devilish sense of curiosity
Came as relaxment to my graver mood,
As one will fetch up laughter to dispel
Thoughts that cannot be quelled or made to take
The form of action, clarity. I arose
Took from her bag the diary, turned to see
What entry she had made when first she came
And gave herself to me. And look! The page
Just opposite from this had words to show
She gave herself to Gregory Wenner just
The week that followed on the week in which
She gave herself to me.”

“A glass of water,
Before I can proceed!”...
“I reeled and struck
The bed post. She awoke. I thought that death
Had come with apoplexy, could not see,
And in a spell vertiginous, with hands
That shook and could not find the post, stood there
Palsied from head to foot. Quick, she divined
The event, the horror anyway, sprang out,
And saw the diary lying at my feet.
Before I gained control of self, could catch
Or hold her hands, she seized it, threw it out
The window on the street, and flung herself
Face down upon the bed.”
“Oh awful hell!
What other entries did I miss, what shames
Recorded since she left me, here in France?
What was she then? A woman of one sin,
Or many sins, her life filled up with treason,
Since I had left her?”
“And now think of me:
This monstrous war had entered me through her,
Its passion, beauty, promise came through her
Into my blood and spirit, swept me forth
From country, life I knew, all settled things.
I had gone mad through her, and from her lips
Had caught the poison of the war, its hate,
Its yellow sentiment, its sickly dreams,
Its lying ideals, and its gilded filth.
And here she lay before me, like a snake
That having struck, by instinct now is limp;
By instinct knows its fangs have done their work,
And merely lies and rests.”
“I went to her,
Pulled down her hands from eyes and shook her hard:
What is this? Tell me all?”
“She only said:
‘You have seen all, know all.’”
“‘You do not mean
That was the first and last with him?’ She said,
‘That is the truth.’ ‘You lie,’ I answered her.
‘You lie and all your course has been a lie:
Your words that asked me to be true to you,
That I could break your heart. The breasts you showed
Flowering because of me, as you declared;
Our intimacy of bodies in the dance
Now first permitted you because of love;
Your plaints for truth and for fidelity,
Your fears, a practiced veteran in the game,
All simulated. And your prayer to God
For me, our love, your protests for the war,
For service, sacrifice, your mother hunger,
Are all elaborate lies, hypocrisies,
Studied in coolest cruelty, and mockery
Of every lovely thing, if there can be
A holy thing in life, as there cannot,
As you have proven it. The diary’s gone—
And let it go—you kept it from my eyes
Which shows that there was more. What are you then,
A whore, that’s all, a masquerading whore,
Not worthy of the hand that plies her trade
In openness, without deceit. For if
This was the first and only time with him
Here is dissimulation month by month
By word of mouth, in letters by the score;
And here your willingness to take my soul
And feed upon it. Knowing that my soul
Through what I thought was love was caught and whirled
To faith in the war, and faith in you as one
Who symbolized the war as good, as means
Of goodness for the world—and this deceit,
Insane, remorseless, conscienceless, is worse
Than what you did with him. I could forgive
Disloyalty like that, but this deceit
Is unforgivable. I go,’ I said.
I turned to leave. She rose up from the bed,
‘Forgive! Forgive!’ she pleaded, ‘I was mad,
Be fair! Be fair! You took me, turned from me,
Seemed not to want me, so I went to him.
I cried the whole day long when first I gave
Myself to you, for thinking you had found
All that you wanted, left me, did not care
To see me any more. I swear to you
I have been faithful to you since that day
When we heard Chopin played, and I could see
You loved me, and I loved you. O be fair!’”...
Then Barrett Bays shook like an animal
That starves and freezes. And the jury looked
And waited till he got control of self
And spoke again his horror and his grief:—
“I left her, went upon the silent streets,
And walked the night through half insane, I think.
Cannot remember what I saw that night,
Have only blurs of buildings, arches, towers,
Remember dawn at last, returning strength,
And taking rolls and coffee, all my spirit
Grown clear and hard as crystal, with a will
As sharp as steel to find reality:
To see life as it is and face its terrors,
And never feel a tremor, bat an eye.
Drink any cup to find the truth, and be
A pioneer in a world made new again,
Stripped of the husks, bring new faith to the world,
Of souls devoted to themselves to make
Souls truer, more developed, wise and fair!
Write down the creed of service, and write in
Self-culture, self-dependence, throw away
The testaments of Jesus, old and new,
Save as they speak and help the river life
To mould our truer beings; the rest discard
Which teaches compensation, to forgive
That you may be forgiven, mercy show
That mercy may be yours, and love your neighbor,
Love so to gain—all balances like this
Of doctrine for the spirit false and vile,
Corrupted with such calculating filth;
And if you’d be the greatest, be the servant—
When one to be the greatest must be great
In self, a light, a harmony in self,
Perfected by the inner law, the works
Done for the sake of beauty, for the self
Without the hope of gain except the soul,
Your one possession, grows a perfect thing
If tended, studied, disciplined. While all
This ethic of the war, the sickly creed
Which Elenor Murray mouthed, but hides the will
Which struggles still, would live, lies to itself,
Lies to its neighbor and the world, and leaves
Our life upon a wall of rotting rock
Of village mortals, patriotism, lies!”
“And as for that, what did I see in Paris
But human nature working in the war
As everywhere it works in peace? Cabals,
And jealousies and hatreds, greed alert;
Ambition, cruelty, strife piled on strife;
No peace in labor that was done for peace;
Hypocrisy elaborate and rampant.
Saw at first hand what coiled about the breast
Of Florence Nightingale when she suffered, strove
In the Crimean War, struck down by envy,
Or nearly so. Oh, is it human nature,
That fights like maggots in the rotting carcass?
Or is it human nature tortured, bound
By artificial doctrines, creeds which all
Pretend belief in, really doubt, resist
And cannot live by?”
“If I had a thought
Of charity toward this woman then
It was that she, a little mind, had tried
To live the faith against her nature, used
A woman’s cunning to get on in life.
For as I said it was her lies that hurt.
And had she lied, had she been living free,
Unshackled of our system, faith and cult,
American or Christian, what you will?
“She was a woman free or bound, but women
Enslave and rule by sex. The female tigers
Howl in the jungle when their dugs are dry
For meat to suckle cubs. And Germany
Of bullet heads and bristling pompadours,
And wives made humble, cowed by basso brutes,
Had women to enslave the brutes with sex,
And make them seek possessions, land and food
For breeding women and for broods.”
“And now
If women make the wars, yet nurse the sick,
The wounded in the wars, when peace results,
What peace will be, except a peace that fools
The gaping idealist, all souls in truth
But souls like mine? A peace that leaves the world
Just where it was with women in command
Who, weak but cunning, clinging to the faith
Of Christ, therefore as organized and made
A part, if not the whole of western culture.
Away with all of this! Blow down the mists,
The rainbows, give us air and cloudless skies.
Give water to our fevered eyes, give strength
To see what is and live it, tear away
These clumsy scaffoldings, by which the mystics,
Ascetics, mad-men all St. Stylites
Would rise above the world of body, brain,
Thirst, hunger, living, nature! Let us free
The soul of man from sophists, logic spinners,
The mad-magicians who would conjure death,
Yet fear him most themselves, the coward hearts
Who mouth eternal bliss, yet cling to earth
And keep away from heaven.”
“For it’s true
Nature, or God, gives birth and also death.
And power has never come to draw the sting
Of death or make it pleasant, creed nor faith
Prevents disease, old age and death at last.
This truth is here and we must face it, or
Lie to ourselves and cloud our brains with lies,
Postponements and illusions, childish hopes!
But lie most childish is the Christian myth
Of Adam’s fall, by which disease and death
Entered the world, until the Savior came
And conquered death. He did? But people die,
Some millions slaughtered in the war! They live
In heaven, say your Elenor Murrays, well,
Who knows this? If you know it, why drop tears
For people better off? How ludicrous
The patch-work is! I leave it, turn again
To what man in this world can do with life
Made free of superstition, rules and faiths,
That make him lie to self and to his fellows.”...
And Barrett Bays, now warmed up to his work,
Grown calmer, stronger, mind returned, that found
Full courage for the thought, the word to say it
Recurred to Elenor Murray, analyzed:—
And now a final word: “This Elenor Murray,
What was she, just a woman, a little life
Swept in the war and broken? If no more,
She is not worth these words: She is the symbol
Of our America, perhaps this world
This side of India, of America
At least she is the symbol. What was she?
A restlessness, a hunger, and a zeal;
A hope for goodness, and a tenderness;
A love, a sorrow, and a venturing will;
A dreamer fooled but dreaming still, a vision
That followed lures that fled her, generous, loving,
But also avid and insatiable;
An egoism chained and starved too long
That breaks away and runs; a cruelty,
A wilfulness, a dealer in false weights,
And measures of herself, her duty, others,
A lust, a slick hypocrisy and a faith
Faithless and hollow. But at last I say
She taught me, saved me for myself, and turned
My steps upon the path of making self
As much as I can make myself—my thanks
To Elenor Murray!”
“For that day I saw
The war for what it was, and saw myself
An artificial factor, working there
Because of Elenor Murray—what a fool!
I was not really needed, like too many
Was just pretending, though I did not know
That I was just pretending, saw myself
Swept in this mad procession by a woman;
And through myself I saw the howling mob
Back in America that shouted hate,
In God’s name, all the carriers of flags,
The superheated patriots who did nothing,
Gave nothing but the clapping of their hands,
And shouts for freedom of the seas. The souls
Who hated freedom on the sea or earth,
Had, as the vile majority, set up
Intolerable tyrannies in America,
America that launched herself without
A God or faith, but in the name of man
And for humanity, so long accursed
By Gods and priests—the vile majority!
Which in the war, and through the war went on
With other tyrannies as to meat and drink,
Thought, speech, the mind in living—here was I
One of the vile majority through a woman—
And serving in the war because of her,
And meretricious sentiments of her.
You see I had the madness of the world,
Was just as crazy as America.
And like America must wake from madness
And suffer, and regret, and build again.
My soul was soiled, you see. And now I saw
How she had pressed her lips against my soul
And sapped my spirit in the name of beauty
She simulated; for a loyalty
Her lips averred; how as a courtesan
She had made soft my tissues, like an apple
Handled too much; how vision of me went
Into her life sucked forth; how never a word
Which ever came from her interpreted
In terms of worth the war; how she had coiled
Her serpent loins about me; how she draped
Herself in ardors borrowed; how my arms
Were mottled from the needle’s scar where she
Had shot the opiates of her lying soul;
How asking truth, she was herself untrue;
How she, adventuress in the war, had sought
From lust grown stale, renewal of herself.
And then at last I saw her scullery brows
Fail out and fade beside the Republic’s face,
And leave me free upon the hills, who saw,
Strong, seeking cleanliness in truth, her hand
Which sought the cup worn smooth by leper lips
Dipped in the fountain where the thirst of many
Passionate pilgrims had been quenched,
Not lifted up by me, nor yet befriended
By the cleaner cup I offered. Now you think
That I am hard. Philosophy is hard,
And I philosophize, admit as well
That I have failed, am full of faults myself,
All faults, we’ll say, but one, I trust and pray
The fault of falsehood and hypocrisy.”...
“I gave my work in Paris up—that day
Made ready to return, but with this thought
To use my wisdom for the war, do work
For America that had no touch of her,
No flavor of her nature, far removed
From the symphony of sex, be masculine,
Alone, and self-sufficient, needing nothing,
No hand, no kiss, no mate, pure thought alone
Directed to this work. I found the work
And gave it all my energy.”
“From then
I wrote her nothing, though she wrote to me
These more than hundred letters—here they are!
Since you have mine brought to you from New York
All written before she went to France, I think
You should have hers to make the woman out
And read her as she wrote herself to me.
The rest is brief. She cabled when she sailed,
And wrote me from New York. While at LeRoy
With Irma Leese she wrote me. Then that day
She telephoned me when she motored here
With Irma Leese, and said: ‘Forgive, forgive,
O see me, come to me, or let me come
To you, you cannot crush me out. These months
Of silence, what are they? Eternity
Makes nothing of these months. I love you, never
In all eternity shall cease to love you,
Love makes you mine, and you must come to me
Now or hereafter.’”
“And you see at last
My soul was clear again, as clean and cold
As our March days, as clear too, and the war
Stood off envisioned for the thing it was.
Peace now had come, which helped our eyes to see
What dread event the war was. So to see
This woman with these eyes of mine, made true
And unpersuadable of her plaints and ways
I gave consent and went.”
“Arriving first,
I walked along the river till she came.
And as I saw her, I looked through the tricks
Of dress she played to win me, I could see
How she arrayed herself before the mirror,
Adjusting this or that to make herself
Victorious in the meeting. But my eyes
Were wizard eyes for her, and this she knew,
Began at first to writhe, change color, flap
Her nervous hands in gestures half controlled.
I only said, ‘Good morning,’ took her hand,
She tried to kiss me, but I drew away.
‘I have been true,’ she said, ‘I love you, dear,
If I was false and did not love you, why
Would I pursue you, write you, all against
Your coldness and your silence? O believe me,
The war and you have changed me. I have served,
Served hard among the sufferers in the war,
Sustained by love for you. I come to you
And give my life to you, take it and use,
Keep me your secret joy. I do not dream
Of winning you in marriage. Here and now
I humble self to you, ask nothing of you,
Except your kindness, love again, if love
Can come again to you—O this must be!
It is my due who love you, with my soul,
My body.’”
“‘No,’ I said, ‘I can forgive
All things but lying and hypocrisy.’...
How could I trust her? She had kept from me
The diary, threw it from the window, what
Was life of her in France? Should I expunge
This Gregory Wenner, what was life of her
In France, I ask. And so I said to her:
‘I have no confidence in you’—O well
I told the jury all. But quick at once
She showed to me, that if I could forgive
Her course of lying, she was changed to me,
The war had changed her, she was hard and wild,
Schooled in the ways of soldiers, and in war.
That beauty of her womanhood was gone,
Transmuted into waywardness, distaste
For simple ways, for quiet, loveliness.
The adventuress in her was magnified,
Cleared up and set, she had become a shrike,
A spar hawk, and I loathed her for these ways
Which she revealed, dropping her gentleness
When it had failed her. Yes, I saw in her
The war at last; its lying and its hate,
Its special pleading, and its double dealing,
Its lust, its greed, its covert purposes,
Its passion out of hell which obelised
Such noble things in man. Its crooked uses
Of lofty spirits, flaming fires of youth,
Young dreamers, lovers. And at last she said,
As I have told the jury, what she did
Was natural, and I cursed her. Then she shook,
Turned pale, and reeled, I caught her, held her up,
She died right in my arms! And this is all;
Except that had I killed her and should spend
My days in prison for it, I am free,
My spirit being free.”
“Who was this woman?
This Elenor Murray was America;
Corrupt, deceived, deceiving, self-deceived,
Half-disciplined, half-lettered, crude and smart,
Enslaved yet wanting freedom, brave and coarse,
Cowardly, shabby, hypocritical,
Generous, loving, noble, full of prayer,
Scorning, embracing rituals, recreant
To Christ so much professed; adventuresome;
Curious, mediocre, venal, hungry
For money, place, experience, restless, no
Repose, restraint; before the world made up
To act and sport ideals, go abroad
To bring the world its freedom, having choked
Freedom at home—the girl was this because
These things were bred in her, she breathed them in
Here where she lived and grew.”
Then Barrett Bays stepped down
And said, “If this is all, I’d like to go.”
Then David Borrow whispered in the ear
Of Merival, and Merival conferred
With Ritter and Llewellyn George and said:
“We may need you again, a deputy
Will take you to my house, and for the time
Keep you in custody.”
The deputy
Came in and led him from the jury room.

ELENOR MURRAY

Coroner Merival took the hundred letters
Which Elenor Murray wrote to Barrett Bays,
Found some of them unopened, as he said,
And read them to the jury. Day by day
She made a record of her life, and wrote
Her life out hour by hour, that he might know.
The hundredth letter was the last she wrote.
And this the Coroner found unopened, cut
The envelope and read it in these words:
“You see I am at Nice. If you have read
The other letters that I wrote you since
Our parting there in Paris, you will know
About my illness; but I write you now
Some other details.”
“I went back to work
So troubled and depressed about you, dear,
About myself as well. I thought of you,
Your suffering and doubt, perhaps your hate.
And since you do not write me, not a line
Have written since we parted, it may be
Hatred has entered you to make distrust
Less hard to bear. But in no waking hour,
And in no hour of sleep when I have dreamed,
Have you been from my mind. I love you, dear,
Shall always love you, all eternity
Cannot exhaust my love, no change shall come
To change my love. And yet to love you so,
And have no recompense but silence, thoughts
Of your contempt for me, make exquisite
The suffering of my spirit. Could I sing
My sorrow would enchant the world, or write,
I might regain your love with beauty born
Out of this agony.”
“When I returned
I had three typhoid cases given me.
And with that passion which you see in me
I gave myself to save them, took this love
Which fills my heart for you and nursed them with it;
Said to myself to keep me on my feet
When I was staggering from fatigue, ‘Give now
Out of this love, it may be God’s own gift
With which you may restore these boys to health.
What matter if he love you not.’ And so
For twelve hours day by day I waged with death
A slowly winning battle.”
“As they rallied,
But when my strength was almost spent—what comes?
This Miriam Fay writes odiously to me.
She has heard something of our love, or sensed
Some dereliction, since she learned that I
Had not been to confessional. Anyway
She writes me, writes our head-nurse. All at once
A cloud of vile suspicion, like a dust
Blown from an alley takes my breath away,
And blinds my eyes. With all these things piled up,
My labors and my sorrow, your neglect,
My fears of a dishonorable discharge
From service, which I love, I faint, collapse,
Have streptococcus of the throat, and lie
Two weeks in fever, sleepless, and with thoughts
Of you, and what may happen, my disgrace.
But suffering brought me friends, the officers
Perhaps had heard the scandal, but they knew
My heart was in the work. The major who
Was the attending doctor of these boys
I broke myself with nursing, cared for me,
And cheered me with his praise. And so it was
Your little soldier, still I call myself,
Your little soldier, though you own me not,
Turned failure into victory, won by pain
Befriending hands. The major kept me here
And intercepted my discharge, procured
My furlough here in Nice.”
“I rose from bed,
Went back to work, in nine days failed again,
This time with influenza; for three weeks
Was ill enough to die, for all the while
My fever raged, my heart was hurting too,
Because of you. When I got up again
I looked a ghost, was weaker than a child,
At last came here to Nice.”

“This is the hundredth
Letter that I’ve written since we parted.
My heart is tired, dear, I shall write no more.
You shall have silence for your silence, yet
When I am silent, trust me none the less,
Believe I love you. If you say that I
Have hidden secrets, have not told you all,
The diary flung away to keep my life
Beyond your eye’s inspection, still I say
Where is your right to know what lips I’ve kissed,
What hopes or dreams I cherished in the past
Before I knew you. If you still accuse
My spirit of deceit, hypocrisy
In lifting up my flower of love to you
Fresh, as it seemed, with morning dew, not tears,
I have my own defense for that, you’ll see.
Or lastly, if your love is turned to gall
Because, as you discovered, body of love
Was given to Gregory Wenner, after you
Had come to me in love and chosen me
As servant of you in the war, I write
To clear myself to you respecting that,
And re-insist ’twas body of love alone,
Not love I gave, and what I gave was given
Because you won me, left me, did not claim
As wholly yours what you had won. But now,
As I have hope of life beyond the grave,
As I love God, though serving Him but ill,
I say to you, I have been wholly yours
In spirit and in body since the day
I gave to you the locket, sat with you
And heard the waltz of Chopin, six days after
I went with Gregory Wenner. I explain
Why I did this, shall mention it no more;
You must be satisfied or go your way
In bitterness and hatred.”
“But first, my love,
As spirits equal and with equal rights,
Or privilege of equal wrongs, have I
Demanded former purity of you?
I have repelled revealments of your past;
Have never questioned of your marriage, asked,
Which might be juster, rights withdrawn from her;
May rightly think, since you and she have life
In one abode together, that you live
As marriage warrants. And above it all
Have I not written you to go your way,
Find pleasures where you could, have only begged
That you keep out of love, continue to give
Your love to me? And why? Be cynical,
And think I gave you freedom as a gallant
That I might with a quiet conscience take
Such freedom for myself. It is not true:
I’ve learned the human body, know the male,
And know his life is motile, does not rest,
And wait, as woman’s does, cannot do so.
So understanding have put down distaste,
That you should fare in freedom, in my heart
Have wished that love or ideals might sustain
Your spirit; but if not, my heart is filled
With happiness, if you love me. Take these thoughts
And with them solve your sorrow for my past,
Your loathing of it, if you feel that way
However bad it be, whatever sins
Imagination in you stirred depicts
As being in my past.”
“Men have been known
Whom women made fifth husbands, more than that.
Not my case, I’ll say that, and if you face
Reality, and put all passion love
Where nature puts it by the side of love
Which custom favors, you have only left
The matter of the truth to grasp, believe,
See clearly and accept: Do I swear true
I love you, and since loving you am faithful,
Cannot be otherwise, nor wish to be?”
“Dear, listen and be fair. You did not love me
When first I came to you. You did not ask,
Because of love, a faithfulness; in truth
You did not ask a faithfulness at all.
But then and theretofore you treated me
As woman to be won, a happiness
To be achieved and put aside. Be fair,
This was your mood. But if you loved me then,
Or soon thereafter loved me, as I know,
What should I do? I loved you, am a woman.
At last behold your love, am lifted, thrilled.
See what I thought was love before was nothing;
Know I was never loved before you loved me;
And know as well I never loved before;
Know all the former raptures of my heart
As buds in March closed hard and scentless, never
The June before for my heart! O, my love,
What should I do when this most priceless gift
Was held up like a crown within your hands
To place upon my brows—what should I do?
Take you aside and say, here is the truth,
Here’s Gregory Wenner—what’s the good of that?
How had it benefited you or me,
Increased your love, or founded it upon
A surer rock than beauty? Hideous truth!
Useless too often, childish in such case.
You would have suffered, turned from me, and lost
The rapture which I gave you, and if rapture
Be not a prize, where in this world so much
Of ugliness and agony prevails,
I do not know our life.”
“But just suppose
I gave you rapture, beauty—you concede
I gave you these, that’s why you suffer so:
You choose to think them spurious since you found
I knew this Gregory Wenner, are they so?
They are as real in spite of Gregory Wenner
As if my lips had been a cradled child’s.
But just suppose, as I began to say,
You never had discovered Gregory Wenner,
And had the rapture, beauty which you had,
How stands the case? Was I not justified
In hiding Gregory Wenner to preserve
The beauty and the rapture which you craved?
Dear, it was love of beauty which impelled
What you have called deceit, it was my woman’s
Passionate hope to give the man she loved
The beauty which he saw in her that inspired
My acting, as you phrase it, an elaborate
Hypocrisy, an ugly word from you!...
But listen, dear, how spirit works in love:
When you beheld me pure, I would be pure;
As virginal, I would be virginal;
As innocent, I would be innocent;
As truthful, constant, so I would be these
Though to be truthful, constant when I loved you
Came to me like my breath, as natural.
So I would be all things to you for love,
Fill full your dreams, your vision of my soul
For now and future days, but make myself
In days before I knew you what you thought,
Believed and cherished. Hence if you combine
The thought that what I was did not concern you,
With fear that if you knew, your heart would change;
And with these join that passionate zeal of love
To be your lover, wholly beautiful,
You have the exposition of my soul
In its elaborate deceit,—your words.”
“Some fifty years ago a man and woman
Are talking in a room, say certain things,
We were not there! We two are with each other
Somewhere, and fifty years from now, we two
Will look to after souls who were not there
Like figures in a crystal globe; I mean
To lift to light the wounds of brooding love,
And show you that the world contains events
Of which we live in ignorance, if we know
They hurt us with their mystery, coming near
In our soul’s cycle, somehow. But the dead,
And what they lived, what are they?—what the things
Of our dead selves to selves who are alive,
And live the hour that’s given us?”
“What’s your past
To me, beloved, if your soul and body
Are mine to-day, not only mine, but made
By living more my own, more rich for me,
More truly harmonized with me? Believe me
You are my highest hope made real at last,
The climax of my love life, I accept
Whatever passed in rooms in years gone by;
Whatever contacts, raptures, pains or hopes
As schooling of your soul to make it precious,
And for my worship, my advancement, kneel
And thank the God of mysteries and wisdom
Who made you for me, let me find you, love you!”
“Now of myself a word. In years to come
These words I write will seem all truth to you,
Their prism colors, violet and red,
Will fade away and leave them in the light
Arranged and reasonable and wholly true.
Then you will read the words: I found you, dear,
After a life of pain; and you will see
My spirit like a blossom that you watch
From budding to unfolding, knowing thus
How it matured from day to day. I say
My life has been all pain, I see at first
A father and a mother linked in strife.
Am thrown upon my girlhood’s strength to teach,
Earn money for my schooling, would know French;
I studied Greek a little, gave it up,
Distractions, duties, came too fast for me.
I longed to sing, took lessons, lack of money
Ended the lessons. But above it all
My heart was like an altar lit with flame,
Aspired to heaven, asked for sacrifice,
For incense to be bright, more beautiful
For beauty’s sake. And in my soul’s despair,
And just to use this vital flame, I turned
To God, the church. You must be stone to hear
Such words as these and not relent, an image
Of basalt which I pray to not to see
And not to hear! But listen! look at me,
Did I become a drifter, wholly fail?
Did I become a common woman, turn
To common life and ways? Can you dispute
My eyes were fixed upon a lovelier life,
Have never gaze withdrawn from loveliness?
Did I give up, or break, turn to the flesh,
Pleasures, the solace of the senses—No!
Where some take drink to ease their hurts and dull
Their disappointments, I renewed my will
To sacrifice and service, work, who saw
These things in essence may be drink as well,
And bring the end, oblivion while you live,
But bring supremacy instead of failure,
Collapse, disgust and fears. Think what you will
Of me for Gregory Wenner, and imagine
The worst you may, I stand here as I am,
With my life proven! And to end the pain
I went to nurse the soldiers in the war
With thoughts that if I died in service, good!
Not that I gladly give up life, I love it.
But life must be surrendered; let it be
In service, as some end it up in drink,
Or opium or lust. Beloved heart,
I know my will is stronger than my vision,
That passion masters judgment; that my love
For love and life and beauty are too much
For gifts like mine; I know that I am dumb,
Songless, without articulate words—but still
My very dumbness is a kind of speech
Which some day will flood down your deafened rocks,
And sweep my meaning over you.”
“Well, now
Why did I turn to Gregory from you?
I did not love you or I had not done it.
You did not love me or I had not done it.
I loved him once, he had been good to me.
He was an old familiar friend and touch....
Farewell, if it must be, but save me grief,
The greatest agony: Be brave and strong,
Be all that God requires your soul to be,
O, give me not this cup of poison—this:
That I have been your cause of bitterness;
Have stopped your growth and introverted you,
Given you eyes that see but lies and lust
In human nature, evil in the world—
Eyes that God meant to see the good and strive
For goodness. If I drove you from the war,
Made you distrust its purpose and its faith,
Triumphant over selfishness and wrong,
Oh, leave me with the hope that peace will come,
And vision once again to bless your life.
Behold me as America, taught but half,
Wayward and thoughtless, fighting for a chance;
Denied its ordered youth, thrown into life
But half prepared, so seeking to emerge
Out of a tangled blood, and out of the earth
A creature of the earth that strives to win
A soul, a voice. Behold me thus—forgive!
Take from my life the beauty that you found,
Nothing can kill that beauty if you press
Its blossom to your heart, and with it rise
To nobleness, to duty, give your life
To our America.”

“The Lord bless you,
And make his face to shine upon you, and
Be gracious to you. The Lord lift up his countenance
Upon you, give you peace, both now and ever
More. Amen!”
————
So Elenor’s letters ended
The evidence. The afternoon was spent.
The inquest was adjourned till ten o’clock
Next morning. They arose and left the room....
And Merival half-ill went home. Next day
He lounged with books and had the doctor in,
And read his mail, more letters, articles
About the inquest, Elenor. And from France
A little package came. And here at last
Is Elenor Murray’s diary! Merival turns
And finds the entries true to Barrett Bays;
Some word, a letter too from France which says:
The sender learned the name by tracing out
A number in the diary, heard the news
Of Elenor Murray from the paper at home
In Illinois. And of the diary this:
He got it from a poilu who was struck
By this same diary on the cheek. A slap
That stung him, since the diary had been thrown
By Elenor Murray from the second story.
This poilu, being tipsy, raved and thought
Some challenger had struck him. Roaring so
He’s taken in. Some weeks elapse, he meets
Our soldiers from the States, and shows the diary,
And tells the story, has the diary read
By this American, gives up the diary
For certain drinks. And this American
Has sent it to the coroner.
A letter
To Merival from an old maiden aunt,
Who’s given her life to teaching, pensioned now
And visiting at Madison, Wisconsin.
Aunt Cynthia writes to Merival and says:
“I know you are fatigued, a little tired
With troubles of the lower plane of life.
Quit thinking of the war and Elenor Murray.
Each soul should use its own divinity
By mastering nature outward and within.
Do this by work or worship, Soul’s control,
Philosophy, by one or more or all.
Above them all be free. This is religion,
And all of it. Books, temples, dogmas, rituals
Or forms are details only. By these means
Find God within you, prove that you and God
Are one, not several, justify the ways
Of God to man, to speak the western way.
I wish you could be here while I am here
With Arielle, she is a soul, a woman.
You need a woman in your life, my dear—
I met her in Calcutta five years since,
She and her husband toured the world—and now
She is a widow these two years. I started
Arielle in the wisdom of the East.
That avid mind of hers devours all things.
She is an adept, but she thinks her sense
Of fun and human nature as the source
Of laughter and of tears keep her from being
A mystic, though she uses Hindu thought
And practice for her soul.”
“I’d like to send
Some pictures of her, if she’d let me do it:
Arielle with her dogs upon the lawn,
Her arms about their necks. Or Arielle
About her flowers. I’ve another one,
Arielle on her favorite horse: another,
Arielle by her window, hand extended,
The very soul of rhythm; and another,
Arielle laughing like a rising sun,
No one can laugh as she does. For you see
Her outward soul is love, her inward soul
Is wisdom and that makes her what she is:
A Robin Goodfellow, a Puck, a girl,
A prankish wit, a spirit of bright tears,
A queenly woman, clothed in majesty,
A rapture and a solace, comrade, friend,
A lover of old women such as I;
A mother to young children, for she keeps
A brood of orphans in her little town.
She is a will as disciplined as steel,
Has suffered and grown wise. Her tenderness
Is hidden under words so brief and pure
You cannot sense the tenderness in all
Until you read them over many times.
She is a lady bountiful, who gives
As prodigally as nature, and she asks
No gifts from you, but gets them anyway,
Because all spirits pour themselves to her.
If I were taking for America
A symbol, it would be my Arielle
And not your Elenor Murray.”
“Here’s her life!
Her father died when she was just a child,
Leaving a modest fortune to a widow,
Arielle’s mother, also other children.
After a time the mother went to England
And settled down in Sussex. There the mother
Was married to a scoundrel, mad-man, genius,
Who tyrannized the household, whipped the children.
So Arielle at fourteen ran away.
She pined for her Wisconsin and America.
She went to Madison, or near the place,
And taught school in the country, much the same
As Elenor Murray did.
“Now here is something:
Behold our world, humanity, the groups
Of people into states, communities,
Full up of powers and virtues, aid and light—
Friends, helpers, understanders of the soul.
It may be just the status of enlightment,
But I think there are brothers of the light,
And powers around us; for if Elenor Murray
Half-fails, is broken, here is Arielle
Who with the surer instinct finds the springs
Of health and life. And so, I say, if I
Had daughters, and were dying, leaving them,
I should not fear; for I should know the world
Would care for them and give them everything
They had the strength to take.”
“Here’s Arielle.
She teaches school and studies—O that wag—
She posts herself in Shakespeare, forms a class
Of women thrice her age and teaches them,
Adds that way to her earnings. Just in time—
Such things are always opportune, a man
Comes by and sees her spirit, says to her
You may read Plato, and she reads and passes
To Kant and Schopenhauer. So it goes
Until by twenty all her brain is seething
With knowledge and with dreams. She is beloved
By all the people of the country-side,
Besought and honored—yet she keeps to self,
Has hardly means enough, since now she sends
Some help to mother who has been despoiled,
Abandoned by the mad-man.”
“Then one spring
A paper in Milwaukee gives a prize,
A trip to Europe, to the one who gets
The most subscriptions in a given time—
And Arielle who has so many friends—
Achievement brings achievement, friends bring friends—
Finds rallying support and wins the prize.
Is off to Europe where she meets the man
She married when returned.”
“He is a youth
Of beauty and of promise, yet a soul
Who riots in the sunlight, honey of life.
And gets his wings gummed in the poisonous sweet.
And Arielle one morning wakes to find
A horror on her hands: her husband’s found
Dead in a house of ill-fame. She is calm
Out of that rhythm, sense of beauty which
Makes her a power, all her deeds a song.
She lays the body under the dancing muses
There in the wondrous library and flings
A purple robe across it, kneels and lays
Her sunny head against it, says a prayer.
She had been constant, loyal even to dreams,
To this wild youth, whose errant ways she knew.
Now don’t you see the contrast? I refrain
From judging Elenor Murray, but I say
One thing is beautiful and one is not.
And Arielle is beautiful as a spirit,
And Elenor is somewhat beautiful,
But streaked and mottled, too. Say what you will
Of freedom, nature, body’s rights, no less
Honor and constancy are beautiful,
And truth most beautiful. And Arielle
Could kneel beside the body of her dead,
Who had neglected her so constantly,
And say a prayer of thankfulness that she
Had honored him throughout those seven years
Of married life—she prayed so—why, she says
That prayer was worth a thousand stolen raptures
Offered her in the years of life between.”
“Now here she was at thirty
Left to a mansion there in Madison.
Her husband lived there; it was life, you know,
For her to meet one of her neighborhood
In Europe, though a stranger until then.
And here is Arielle in her mansion, priestess
Amid her treasures, beauties, for this man
Has left her many thousands, and she lives
Among her books and flowers, rides and walks,
And frolics with her dogs, and entertains.”...
And as the Coroner folded the letter out
A letter from this Arielle fell, which read:
“We have an aunt in common, Cynthia.
I know her better than you do, I think,
And love her better too. You men go off
With wandering and business, leave these aunts,
And precious kindred to be found by souls
Who are more kindred, maybe. I have heard
Most everything about you, of your youth
Your schooling, shall I say your sorrow too?
Admire your life, have studied Elenor,
As I have had the chance or got the word.
And what your aunt writes in advice I like,
Approve of and commend to you. You see
I leap right over social rules to write,
And speak my mind. So many friends I’ve made
By searching out and asking. Why delay?
Time slips away like moving clouds, but Life
Says to the wise make haste. Is there a soul
You’d like to know? Then signal it. I light
From every peak a beacon fire, my peaks
Are new found heights of vision, reaching them
I either see a beacon light, or flash
A beacon light. And thus it was I found
Your Cynthia and mine, and now I write.
I have a book to send you, show that way
How much I value your good citizenship,
Your work as coroner. I had the thought
Of coroners as something like horse doctors—
Your aunt says you’re as polished as a surgeon.
When I was ripe for Shakespeare some one brought
His books to me; when I was ripe for Kant,
I found him through a friend. I know about you,
I sense you too, and I believe you need
The spiritual uplifting of the Gita.
You haven’t read it, have you? No! you haven’t.
I wish that Elenor Murray might have read it.
I grieve about that girl, you can’t imagine
How much I grieve. Nov write me, coroner,
What is your final judgment of the girl.”

“I have so many friends who love me, always
New friends come by to give me wisdom—you
Can teach me, I believe, a man like you
So versed in life. You must have learned new things
Exploring in the life of Elenor Murray.
I was about to write you several times.
I loved that girl from all I heard of her.
She must have had some faculty or fault
That thwarted her, and left her, so to speak,
Just looking into promised lands, but never
Possessing or enjoying them—poor girl!
And here she flung her spirit in the war
And wrecked herself—it makes me sorrowful.
I went to Europe through a prize I won,
And saw the notable places—but this girl
Who hungered just as much as I, saw nothing
Or little, gave her time to labor, nursing—
It is most pitiful, if you’ll believe me
I’ve wept about your Eleanor. Write me now
What is your final judgment of the girl?”...
So Merival read these letters, fell asleep.
Next day was weaker, had a fever too,
And took to bed at last. He had to fight
Six weeks or more for life. When he was up
And strong enough he called the jury in
And at his house they talked the case and supped.

THE JURY DELIBERATES

The jurymen are seated here and there
In Merival’s great library. They smoke,
And drink a little beer or Scotch. Arise
At times to read the evidence taken down,
And typed for reference. Before them lie
Elenor Murray’s letters, all the letters
Written to Merival—there’s Alma Bell’s,
And Miriam Fay’s, letters anonymous.
The article of Roberts in the Dawn,
That one of Demos, Hogos; a daily file
Of Lowell’s Times—Lowell has festered now
Some weeks, a felon-finger in a stall.
And where is Barrett Bays? In Kankakee
Where Elenor Murray’s ancestor was kept.
The strain and shame had broken him; a fear
Fell on him of a consequence when the coroner
Still kept him with a deputy. He grew wild,
Attacked the deputy, began to wander
And show some several selves. A multiple
Spirit of devils had him. Dr. Burke
Went over him and found him mad.
And now
The jury meet amid a rapid shift
Of changes, mist and cloud. The man is sick
Who administers the country. Has come back
To laud the pact of peace; his auditors
Turn silently away, whole states assemble
To hear and turn away, sometimes to heckle.
And if a mattoid emperor caused the war,
And Elenor Murrays put the emperor down,
The emperor, could he laugh at all, can laugh
To see a country, bent to spend its last
Dollar, its blood to the last drop, having spent
Enough of these, go mad as Barrett Bays.
And like a headless man, seen in a dream,
Go capering in an ecstasy of doubt,
Regret and disillusion. He can laugh
To see the pact, which took the great estate,
Once his and God’s, and wrapt it as with snakes
That stung and sucked, rejected in the land
That sent these Elenor Murrays to make free
The world from despotism. See that very land
Crop despotisms—so the jury sees
Convened to end the case of Elenor Murray....
And Rev. Maiworm, juryman, gives his thought
To conquest of the world for Christ, and says
The churches must unite to free the world
From war and sin. Result? Why less and less
Homes like the Murray home, where husband, wife,
Live in dissension. More and more of schools
For Elenor Murrays. Happy marriages
Will be the rule, our Elenors will find
Good husbands, quiet hearths, a competence.
And Isaac Newfeldt said: “You talk pish-posh.
You go about at snipping withered leaves,
And picking blasted petals—take the root,
Get at the soil—you cannot end these wars
Until you solve the feeding problem. Quit
Relying on your magic to make bread
With five loaves broken, raise a bigger crop
Of wheat, and get it to the mouths of men.
And as for sin—what is it?—All of sin
Lies in the customs, comes from how you view
The bread and butter matter; all your gods
And sons of God are guardians of the status
Of business and of money; sin a thing
Which contradicts, or threatens banks and wharves.
And as for that your churches now control
As much as human nature can digest
A dominance like that. And what’s the state
Of things in Christendom? Why, wars, and want
And many Elenor Murrays. Tyrannies
Are like as pea and pea; you shall not drink,
Or read, or talk, or trade, are from one pod.
What would I do? Why, socialize the world,
Then leave men free to live or die, let nature
Go decimating as she will, and weed
The worthless with disease or alcohol—
You won’t see much of that, however, if
You socialize the world.”
And David Barrow
Spoke up and said: “No ism is enough.
The question is, Is life worth living, good
Or bad? If bad, I think that Elenor Murray had
As good a life as any. Here we’ve sat
These weeks and heard these stories—nothing new;
And as to waste, our time is wasted here,
If there were better things to do; and yet
Perhaps there is no better. I’ve enjoyed
This work, association. Well, you’re told
To judge not, and that means to judge not man;
You are not told to judge not God. And so
I judge Him. And again your Elenor Murrays,
Your human being cannot will his way,
But God’s omnipotent, and where He fails
He should be censured. Why does He allow
A world like this, and suffer earthquakes, storms,
The sinking of Titanics, cancers? Why
Suffer these wars, this war?—Talk of the riffles
That flowed from Elenor Murray—here’s a wave
Of tidal power, stirred by a greedy coot
Who called himself an emperor! And look
Our land, America, is ruined, slopped
For good, or for our lives with filth and stench;
So that to live here takes what strength you have,
None left for living, as a man should live.
And this America once free and fair
Is now the hatefulest, commonest group of men,
Women and children in the Occident.
What’s life here now? Why, boredom, nothing else....
Why pity Elenor Murray? Gottlieb Gerald
Told of her home life; it was good enough,
Average American, or better. Schools
She had in plenty, what would she have done
With courses to the end in music, art?
She was not happy. Elenor had a brain,
And brains and happiness are at enmity.
And if the world goes on some thousand years,
The race as much advanced beyond us now
In feeling, thought, as we are now beyond
Pinthecanthropus, say, why, all will see
What I see now;—’twere better if the race
Had never risen. All analogies
Of nature show that death of man is death.
He plants his seed and dies, the resurrection
Is not the man, but is the child that grows
From sperm he sows. The grain of wheat that sprouts
Is not the stalk that bore it. Now suppose
We get the secret in a thousand years,
Can prove that death’s the end, analogies
Put by with amber, frogs’ legs—tell me then
What opiate will still the shrieks of men?
But some of us know now, and I am one.
There is no heaven for me; and as for those
Who make a heaven to get out of this—
You gentlemen who call life good, the world
The work of God’s perfection; yet invent
A heaven to rest in from this world of woe—
You do not wish to go there; and resort
To cures and Christian Science to stay here!
Which shows you are not sure. And thus we have
Your Christian saying at heart that life is bad,
And heaven is good, but not so good and sure
That you will hurry to it. Why, I’ll prove
The Christian pessimist, as well as I.
He says life is so bad it has no meaning,
Unless there be a future; and I say
Life’s bad, and if no future, then is worse.
And as it has no future, is a hell.
This girl was soaked in opiates to the last.
Religion, love for Barrett Bays, believed
That God is love. Love is a word to me
That has no meaning but in terms of man.
And if a man cause war, or suffer war,
When he could stop it, do we say he loves?
Why call God love who can prevent a war?
To chasten us, to better, purge our sins?
Well, if it be then we are bettered, purged
When William Hohenzollern goes to war
And makes the whole world crazy.”
“Understand
I do not mock, I pity man and life.
No man has sat here who has suffered more,
Seeing the life of Elenor Murray, through
Her life beholding life, our country’s life.
I pity man and life. I curse the scheme
Which wakes the senseless clay to lips that bleed,
And eyes that weep, and hearts that agonize,
Then in an instant make them clay again!
And for it all no reason, that the reason
Can bring to light to stand the light.”

“And yet
I’d make life better, food and shelter better
And wider happiness, and fuller love.
We’re travelers on a ship that has no bourne
But rocks, for us. On such a ship ’twere wise
To have the daily comforts, foolish course
To neither eat, nor sleep, keep warm, nor sing.
But only walk the rainy deck and wait.
The little opiates of happiness
Would make the sailing better, though we know
The trip is nowhere and the rocks will sink
The portless steamer.”
“Is it portless?” asked
Llewellyn George, “you’re leaping to a thought,
And overlook a world of intimations,
And hints of truth. I grant you take this race
That lives to-day, and make the world a boat
There is no port for us as human lives
In this our life. But look, you see the race
Has climbed, a mountain trail, and looks below
From certain heights to-day at man the beast.
We scan a half a million years of man
From caves to temples, gestures, beacon fires
To wireless. Call that mechanical,
And power developed over tools. But here
Is mystery beyond these.—What of powers,
Devotions, aspirations, sacred flame
Which masters nature, worships life, defies
Death to obstruct it, hungers for the right,
The truth, hates wrong, and by that passion wills
All art, all beauty, goodness, and creates
Those living waters of increasing life
By which man lives, and has to-day the means
Of fuller living. Here’s a realm of richness,
Beyond and separate from material things,
Your aeroplanes or conquests. Now I put
This question to you, David Barrow, what
But God who is and has some end for life,
And gives it meaning, though we see it not—
What is it in the heart of man which lifts,
Sustains him to the truth, the harmony,
The beauty say of loyalty, or truth
Or art, or science? lighting lamps for men
To walk by, men who hate the lamps, the hand
That lights? What is this spirit, but the spirit
Of Something which moves through us, to an end,
And by its constancy in man made constant
Proclaims an end? There’s Bruno, Socrates,
There’s Washington who might have lost his life,
Why do these men cling to the vision, hope?
When neither poverty, nor jeers, nor flames,
Nor cups of poison stay? Who say thereby
That death is nothing, but this life of ours,
Which can be shaped to truth and harmony,
And rising flame of spirit, giving light,
Is everything worth while, must be lived so
And if not lived so, then there’s death indeed,
By turning from the voice that says that man
Must still aspire. And why aspire if death
Ends us, the scheme? And all this realm of spirit,
Of love for truth and beauty, is the play
Of shadows on the tomb?”
“Now take this girl:
She knew before she sailed to France, this man,
This Barrett Bays was mad about her—knew
She could stay here and have him, live with him,
And thus achieve a happiness. And she knew
To leave him was to make a chance to lose him.
But then you say she knew he’d tire of her,
And left for France. And still that happiness
Before he tired would be hers. You see
This spirit I’d delineate working here:
To sacrifice and by the sacrifice
Rise to a bigger spirit, make it truer;
Then bring that truer spirit to her love
For Barrett Bays, and not just loll and slop
In love to-day. Why does she wish to give
A finer spirit to this Barrett Bays?
And to that end take life in hand? It’s this:
My Something, God at work. You say it’s woman
In sublimate of passion—call it that.
Why sublimate a passion? All her life
This girl aspires—you think to win a man?
But win a man with what? With finest self
Make this her contribution to these riches,
Which Bruno and the others filled so full.
You see this Something going on, but races
Come up, express themselves and pass away;
But yet this Something manifests itself
Through souls like Elenor Murray’s—fills her life
With fuller meanings, maybe at the last
This Something will reveal itself so clear
That men like David Barrow can perceive.
And Love, this spirit, twin of Death, you see
Love slays this girl, but Love remains to slay,
Lift up, drive on and slay. I call Death twin
Of Love, and why? Because two things alone
Make what we are and live, first Love the flame,
And Death the cap that snuffs it. Is it bread
That keeps us dancing, skating like these bugs
That play criss-cross on evening waters?—no!
It’s bread to get more life to give more love,
Bring to some heart a fuller life, receive
A fuller life for having given life.
This force of love may look demonical.
It tears, destroys, and crushes, chokes and kills,
Is always stretching hands to Death its twin.
And yet it is creation and creates,
Feeds roses, jonquils, columbines, gardenias,
As well as thistles, cockle burrs and thorns.
This is the force to which the girl’s alert,
And sensitive, is shaken by its power,
Driven, uplifted, purified; a doll
Of paper dancing on magnetic plates;
And by that passion lusts for Death himself,
For union with another, sacrifice,
Beauty, and she aspires and toils, and turns
To God, the symptom always of this nature.
My fellow-jurymen, you’ll never see,
Or learn so well about another soul
That had this Love force deeper in her flesh,
Her spirit, suffered more. Why do we suffer?
What is this love force? ’Tis the child of blood
Of madness, as this Elenor is the seed
Of that old grandma, who was mad, and cousin
Of Taylor who did murder. What is this
But human spirit flamed and subtleized
Until it is a poison and a food;
A madness but a clearest sanity;
A vision and a blindness, all as if
When nature goes so far, refines so much
Her balance has been broken, if the Something
Makes not a genius or a giant soul.
And so we suffer. But why do we suffer?
Well, not as Barrow said, that life is bad;
A failure and a fraud. Not suffering
That points to dust, defeat, is painfulest;
But suffering that points to skies and realms
Above us, whence we came, or where we go,
That suffering is most poignant, as it is
Significant as well, and rapturous too.
The pain that thrills us for the singing Flame
Of Love, the force creative, that’s the pain!
And those must suffer most to whom the sounds
Of music or of words, or scents, or scenes
Recall lost realms. No soul can understand
Music or words in whom there is not stirred
A recollection—that is genius too:
A memory, and reliving hours we lived
Before we looked upon this world of man.”...
Then Winthrop Marion said: “I like your talk,
Llewellyn George, but still what killed the girl?
What was the cause of death of Elenor Murray?
She died from syncope, that’s clear enough.
The doctors tell us that in syncope
The victim should be laid down, not held up.
And Barrett Bays, the bungler, held her up
When she was stricken—like the man, I think!
Well, Coroner, suppose we make a verdict,
And say we find that had this Barrett Bays
Sustained this Elenor Murray in the war,
And in her life, with friendship, and with faith
She had not died. Suppose we further find
That when he took her, held her in his arms
When she had syncope, he was dull or crazed,
And missed a chance to save her. We could find
That had he laid her down when she was stricken
She might have lived—I knew that much myself.
And we could find that had he never driven
This woman from his arms, but kept her there,
Before said day of August 7th, no doubt
She had not died on August 7th. In short,
He held her up, and should have laid her down,
And drove her from him when she needed arms
To hold her up. And so we find her death
Was due to Barrett Bays—we censure him,
Would hold him to the courts—that cannot be—
And so we hold him up for memory
Contemptuous, and say his bitter words
Brought on the syncope, so long prepared
By what he did. We write his course unfeeling,
Weak, selfish, petty, flowing from the craze
Of sexual jealousy, made worse by war,
And universal madness, erethism
Of hellish war. And, gentlemen, one thing:
Paul Robert’s article in the Dawn suggests
Some things I credit, knowing them. We get
Our notions of uncleanness from the Jews,
The Pentateuch. There are no women here,
And I can talk;—you know the ancient Jews
Deemed sex unclean, and only to be touched
At sufferance of Jehovah; birth unclean,
A mother needing purification after
Her hour of giving birth. You know their laws
Concerning adultery. Well, they’ve tainted us
In spite of Greece. Now look at Elenor Murray:
What if she went with Gregory Wenner. Hell!
Did that contaminate her, change her flesh,
Or change her spirit? All this evidence
Shows that it did not. But it changed this man,
Because his mind was slime where snakes could breed.
But now what do we see? That woman is
Essential genius, man just mechanism
Of conscious thought and strength. This Elenor
Is wiser, being nature, than this man,
And lives a life that puts this Barrett Bays
To shame and laughter. Look at her: She’s brave,
Devoted, loyal, true and dutiful,
She’s will to life, and through it senses God,
And seeks to serve the cosmic soul. I think
This jury should start now to raise a fund
To erect a statue of her in the park
To keep her name and labors fresh in mind
To those who shall come after.”
“And I’ll sign
A verdict in these words, but understand
Such things are Coram non judice; still
We can chip in our money, start the fund
To build this monument.”
Ritter interrupted.
The banker said: “I’ll start it with a hundred,”
And so the fund was started.
Marion
Resumed to speak of riffles: “In Chicago
There’s less than half the people speaking English,
The rest is Babel: Germans, Russians, Poles
And all the tongues, much rippling going on,
And if we couldn’t trace the riffles out
From Elenor Murray, We must give this up.
One thing is sure: Look out for England, if
America shall grow a separate soul.
You may have congresses, and presidents,
These states, but if America is a realm.
Of tribute as to thought, America
Is just a province. And it’s past the time
When we should be ourselves, we’ve wasted time,
And grafted alien things upon our bole.
A Domesday of the minds that think and know
In our America would give us hope,
We have them in abundance. What I hate
Is that crude Demos which shouts down the minds,
Outvotes them, takes these silly lies that move
The populace and makes them into laws,
And makes a village of a great republic.”
And Merival listened as the jurymen
Philosophied the case of Elenor Murray,
And life at large. And having listened spoke:
“I like the words Llewellyn George has said.
Love is a sea which wrecks and sinks our craft,
But re-creates the hands that build again;
And like a tidal wave which sponges out
An island or a city, lifts and leaves
Fresh seeds and forms of beauty on the peaks.
The whinchat in the mud upon its claws,
Storm driven from its course to sea, brings life
Of animal and plant to virgin shores,
And islands strange and new. These happenings
Of Elenor Murray carry beauty forth,
Unhurt amid the storm-cloud, darkness, fire,
To lives and eras. And our country too,
So ruined and so weltering, like a ball
Of mud made in a missile by a god
May bear, no less, a pearl at core, a truth,
A liberty, a genius, beauty,—thrown
In mischief by the god, and staining walls
Of this our temple; in a day to be
Dried up, cracks open, and the pearl appears
To be set in a precious time beyond
Our time and vision. This is what I mean:
Call Elenor egoist, and make her work,
And life the means of rich return to her
In exaltation, pride;—a missile of mud,
It carries still the pearl of her, the seed
Of finer spirits. We must open eyes
To see inside the mud-ball. If it be
We conquered slavery of the negro through,
Because of economic forces, yet
We conquered it. Trade, cotton, were the mud
Upon the whinchat’s claws containing seeds
Of liberties to be, and carried forth
In mid seas of the future to sunny isles,
More blest than ours. And as for this, you know
The English blotted slavery from their books
And left their books unbalanced in point of cash,
But balanced richly in a manhood gain.
I warn you, David Barrow, pessimist,
Against a general slur on life and man.
Deride the Christian ethic, if you choose,
You must retain its word of benevolence;
Or better, you must honor man, whose heart
Leaps up to its benevolence, from whose heart
The Christian doctrine of benevolence
Did issue to this world. If Christian doctrine
Be man-made, not a miracle, as it is
All man-made, still it’s out of generous fire
Of human spirit; that’s the thing divine....
Now how is Elenor Murray wonderful
To me viewed through this mass of evidence?
Why, as the soul maternal, out of which
All goodness, beauty, and benevolence,
All aspiration, sacrifice, all death
For truth and liberty blesses life of us.
This soul maternal, passion to create
New life and guide it into happiness,
Is Mother Mary of all tenderness,
All charity, all vision, rises up
From its obscurity and primal force
Of romance, passion and the child, to realms,
Democracies, republics; never flags
To make them brighter, freer, so to spread
Its ecstasy to all, and take in turn
Redoubled ecstasy! The tragedy
Is that this Elenor for her mother gift
Is cursed and tortured, sent a wanderer;
And in her death must find much clinging mud
Around the pearl of her. If that be mud,
Which we have heard, around her, is it mud
That weights the soul of America, the pure
Dream of our founders? Larger Athens, where
All things should be heard gladly and considered,
And men should grow, be forced to grow, because
Not driven or restrained by usages,
Or laws of mad majorities, but left
At their own peril to work out their lives....
Well, gentlemen, I’ll tell you what I’ve learned.
What is a man or woman but a sperm
Accreted into largeness? Still a sperm
In likeness, being brain and spinal cord,
Fed by the glands, the thyroid and the rest,
Whose secrets we are ignorant of. We know
That when they fail our minds fail. But the glands
Are visible and clear: but in us whirl
Emotions; fear, disgust, murder or wrath,
Traced back to animals as moods of flight
Repulsion, curiosity, all the rest.
Now what are these but levers of our machine?
Elenor Murray teaches this to me:
Build up a science of these levers, learn
To handle fear, disgust, anger, wonder.
They teach us physiology; who teaches
The use of instincts and emotions, powers?
All learning may be that, but what is that?
Why just a spread of food, where after nibbling
You learn what you can eat, and what is good
For you to eat. You’ll see a different world
When this philosophy of levers rules.”...
Then Merival tacked round and said: “I’ll show
The riffles in my life from Elenor Murray:
The politicians give me notice now
I cannot be the coroner again.
I didn’t want to be, but I had planned
To go to Congress, and they say to that
We do not want you. So my circle turns,
And riffles back to breeding better hogs,
And finer cattle. Here’s the verdict, sign
Your names, and I’ll return it to the clerk.