On the subject of Koraga dress, Mr. Ullal Raghvendra Rao informs us that “while the males gird a piece of cloth round their loins, the females cover their waist with leaves of the forest woven together. Various reasons are assigned for this custom. According to a tradition, at the time when the Koragars had reigned, now far distant, one of these ‘blacklegged’ (this is usually the expression by which they are referred to during the night) demanded a girl of high birth in marriage. Being enraged at this, the upper class withheld, after the overthrow of the Koragas, every kind of dress from Koraga women, who, to protect themselves from disgrace, have since had recourse to the leaves of the forest, conceiving in the meantime that god had decreed this kind of covering.” Mr. Walhouse writes[189] further that the Koragas wear an “apron of twigs and leaves over the buttocks. Once this was the only covering allowed them, and a mark of their deep degradation. But now, when no longer compulsory, and of no use, as it is worn over the clothes, the women still retain it, believing its disuse would be unlucky.” “The Koragas,” Mr. H. A. Stuart tells us,[190] “cover the lower part of their body with a black cloth and the upper part with a white one, and their head-dress is a cap made of the areca-nut spathe, like that worn by the Holeyas. Their ornaments consist of brass ear-rings, an iron bracelet, and beads of bone strung on a thread and tied around their waist.” The waist-belt of a Koraga, whom I saw at Udipi, was made of owl bones.
“It may,” Mr. Walhouse states,[191] “be noted that, according to the traditional accounts, when the invading hosts under Habāshika were in their turn overthrown and subjected, they accepted slavery under certain conditions that preserved to them some shadow of right. Whilst it was declared that they should be for ever in a state of servitude, and be allowed a meal daily, but never the means of providing for the next day’s meal. Each slave was ascripted to his master under the following forms, which have come down to our days, and were observed in the purchase or transfer of slaves within living memory. The slave having washed, anointed himself with oil, and put on a new cloth, his future owner took a metal plate, filled it with water, and dropped in a gold coin, which the slave appropriated after drinking up the water. The slave then took some earth from his future master’s estate, and threw it on the spot he chose for his hut, which was given over to him with all the trees thereon. When land was transferred, the slaves went with it, and might also be sold separately. Occasionally they were presented to a temple for the service of the deity. This was done publicly by the master approaching the temple, putting some earth from before its entrance into the slave’s mouth, and declaring that he abjured his rights, and transferred them to the deity within. Rules were laid down, with the Hindoo passion for regulating small matters, not only detailing what work the slaves should do, but what allowances of food they should receive, and what presents on certain festival occasions they should obtain from, or make to the master. On marriages among themselves, they prostrated themselves before the master and obtained his consent, which was accompanied with a small present of money and rice. The marriage over, they again came before the master, who gave them betel nuts, and poured some oil on the bride’s head. On the master’s death, his head slave immediately shaved his hair and moustache. There was also a list of offences for which masters might punish slaves, amongst which the employment of witchcraft, or sending out evil spirits against others, expressly figures; and the punishments with which each offence might be visited are specified, the worst of which are branding and flogging with switches. There was no power of life and death, and in cases of withholding the usual allowance, or of punishments severer than prescribed, slaves might complain to the authorities.”
On the subject of Koraga slavery, Mr. Ullal Raghvendra Rao writes that “although these slaves are in a degraded condition, yet they by no means appear to be dejected or unhappy. A male slave gets three hanis of paddy (unhusked rice) or a hani and a half of rice daily, besides a small quantity of salt. The female slave gets two hanis of paddy, and, if they be man and wife, they can easily sell a portion of the rice to procure other necessaries of life. They are also allowed one cloth each every year, and, besides, when transferred from one master to another, they get a cocoanut, a jack tree (Artocarpus integrifolia), and a piece of land where they can sow ten or twenty seers of rice. The greater number of slaves belong to the Alia Santānam castes (inheritance in the female line), and among these people a male slave is sold for three pagodas (fourteen rupees) and a female slave for five pagoda; whereas the few slaves who belong to the Makkala Santānam castes (inheritance in the male line) fetch five pagodas for the man slave, and three pagodas for the female. This is because the children of the latter go to the husband’s master, while those of the former go to the mother’s master, who has the benefit of the husband’s services also. He has, however, to pay the expenses of their marriage, which amount to a pagoda and a half; and, in like manner, the master of the Makkala Santāna slave pays two pagodas for his marriage, and gets possession of the female slave and her children. The master has the power of hiring out his slave, for whose services he receives annually about a mura of rice, or forty seers. They are also mortgaged for three or four pagodas.”
For the marriages of the Koragas, Mr. Walhouse informs us that “Sunday is an auspicious day, though Monday is for the other slave castes. The bridegroom and bride, after bathing in cold water, sit on a mat in the former’s house, with a handful of rice placed before them. An old man presides, takes a few grains of rice and sprinkles on their heads, as do the others present, first the males and then the females. The bridegroom then presents two silver coins to his wife, and must afterwards give six feasts to the community.” At these feasts every Koraga is said to vie with his neighbour in eating and drinking. “Though amongst the other slave castes divorce is allowed by consent of the community, often simply on grounds of disagreement, and the women may marry again, with the Koragars marriage is indissoluble, but a widow is entitled to re-marriage, and a man may have a second, and even third wife, all living with him.”
Concerning the ceremonies observed on the birth of a child, Mr. Ullal Raghvendra Rao writes that “after a child is born, the mother (as among Hindoos) is unholy, and cannot be touched or approached. The inmates take leave of the koppu for five nights, and depend on the hospitality of their friends, placing the mother under the sole charge of a nurse or midwife. On the sixth night the master of the koppu calls his neighbours, who can hardly refuse to oblige him with their presence. The mother and the child are then given a tepid bath, and this makes them holy. Members of each house bring with them a seer of rice, half a seer of cocoanut oil, and a cocoanut. The woman with the baby is seated on a mat—her neighbour’s presents before her in a flat basket. The oldest man present consults with his comrades as to what name will best suit the child. A black string is then tied round the waist of the baby. The rice, which comes in heaps from the neighbours, is used for dinner on the occasion, and the cocoanuts are split into two pieces, the lower half being given to the mother of the child, and the upper half the owner. This is the custom followed when the baby is a male one; in case of a female child, the owner receives the upper half, leaving the lower half for the mother. Koragars were originally worshippers of the sun, and they are still called after the names of the days of the week—as Aita (a corruption of Aditya, or the sun); Toma (Sōma, or the moon); Angara (Mangala); Gurva (Jupiter); Tanya (Shani, or Saturn); Tukra (Shukra, or Venus). They have no separate temples for their God, but a place beneath a kāsaracana tree (Strychnos Nux-vomica) is consecrated for the worship of the deity which is exclusively their own, and is called Kata. Worship in honour of this deity is usually performed in the months of May, July, or October. Two plantain leaves are placed on the spot, with a heap of boiled rice mixed with turmeric. As is usual in every ceremony observed by a Koragar, the senior in age takes the lead, and prays to the deity to accept the offering and be satisfied. But now they have, by following the example of Bants and Sudras, exchanged their original object of worship for that of Bhutas (demons).”
On the subject of the religion of the Koragas, Mr. Walhouse states that “like all the slave castes and lower races, the Koragars worship Mari Amma, the goddess presiding over small-pox, the most dreadful form of Parvati, the wife of Siva. She is the most popular deity in Canara, represented under the most frightful form, and worshipped with bloody rites. Goats, buffaloes, pigs, fowls, etc., are slaughtered at a single blow by an Asādi, one of the slave tribes from above the ghauts. Although the Koragars, in common with all slaves, are looked upon as excommunicated and unfit to approach any Brahminical temple or deity, they have adopted the popular Hindoo festivals of the Gokalastami or Krishna’s birthday, and the Chowti. In the latter, the preliminaries and prayers must be performed by a virgin.” Concerning these festivals, Mr. Ullal Raghvendra Rao gives the following details. “The Koragars have no fixed feasts exclusively of their own, but for a long time they have been observing those of the Hindus. Of these two are important. One is Gōkula Ashtami, or the birthday of Krishna, and the other is the Chowti or Pooliyar feast. The latter is of greater importance than the former. The former is a holy day of abstinence and temperance, while the latter is associated with feasting and merry-making, and looks more like a gala-day set apart for anything but religious performance. On the Ashtami some cakes of black gram are made in addition to the usual dainties. The services of Bacchus are called in aid, and the master of the koppu invites his relatives and friends. A regular feasting commences, when the master takes the lead, and enjoys the company of his guests by seating himself in their midst. They are made to sit on the floor crosswise with a little space intervening between every guest, who pays strict regard to all the rules of decency and rank. To keep up the distinction of sexes, females are seated in an opposite row. The host calls upon some of his intimates or friends to serve on the occasion. The first dish is curry, the second rice; and cakes and dainties come in next. The butler Koragar serves out to the company the food for the banquet, while the guests eat it heartily. If one of them lets so much as a grain of rice fall on his neighbour’s plate, the whole company ceases eating. The offender is at once brought before the guests, and charged with having spoiled the dinner. He is tried there and then, and sentenced to pay a fine that will cover the expenses of another banquet. In case of resistance to the authority of the tribunal, he is excommunicated and abandoned by his wife, children and relatives. No one dare touch or speak to him. A plea of poverty of course receives a kind consideration. The offender is made to pay a small sum as a fine, which is paid for him by a well-to-do Koragar. To crown the feast, a large quantity of toddy finds its way into the midst of the company. A small piece of dry areca leaf sewed together covers the head of a Koragar, and forms for him his hat. This hat he uses as a cup, which contains a pretty large quantity of liquid. A sufficient quantity is poured into their cup, and if, in pouring, a drop finds its way to the ground, the butler is sure to undergo the same penalty that attaches itself to any irregularity in the dinner as described above. After the banquet, some male members of the group join in a dance to the pipe and drum, while others are stimulated by the intoxicating drink into frisking and jumping about. To turn to the other festival. The inmates of the house are required to fast the previous night—one and all of them—and on the previous day flesh or drink is not allowed. The next morning before sunrise, a virgin bathes, and smears cowdung over a part of the house. The place having been consecrated, a new basket, specially made for the occasion, is placed on that spot. It contains a handful of beaten rice, two plantains, and two pieces of sugar-cane. The basket is then said to contain the god of the day, whom the sugar-cane represents, and the spot is too holy to be approached by man or woman. A common belief which they hold, that the prayers made by a virgin are duly responded to on account of her virgin purity, does not admit of the worship being conducted by any one else. The girl adorns the basket with flowers of the forest, and prays for the choicest blessings on the inmates of the house all the year round.
A Koraga woman, when found guilty of adultery, is said to be treated in the following extraordinary way. If her paramour is of low caste similar to herself, he has to marry her. But, in order to purify her for the ceremony, he has to build a hut, and put the woman inside. It is then set on fire, and the woman escapes as best she can to another place where the same performance is gone through, and so on until she has been burnt out seven times. She is then considered once more an honest woman, and fit to be again married. According to Mr. Walhouse, “a row of seven small huts is built on a river-bank, set fire to, and the offender made to run over the burning sticks and ashes as a penance.” A similar form of ordeal has been described as occurring among the Bākutas of South Canara by Mr. Stuart. “When a man is excommunicated, he must perform a ceremony called yēlu halli sudodu, which means burning seven villages, in order to re-enter the caste. For this ceremony, seven small booths are built, and bundles of grass are piled against them. The excommunicated man has then to pass through these huts one after the other, and, as he does so, the headman sets fire to the grass” (cf. Koyi). It is suggested by Mr. R. E. Enthoven that the idea seems to be “a rapid representation of seven existences, the outcast regaining his status after seven generations have passed without further transgression. The parallel suggested is the law of Manu that seven generations are necessary to efface a lapse from the law of endogamous marriage.”
Of death ceremonies Mr. Walhouse tells us that “on death the bodies of all the slave castes used to be burnt, except in cases of death from small-pox. This may have been to obviate the pollution of the soil by their carcases when their degradation was deepest, but now, and from long past, burial is universal. The master’s permission is still asked, and, after burial, four balls of cooked rice are placed on the grave, possibly a trace of the ancient notion of supplying food to the ghost of the deceased.” A handful is said[192] to be “removed from the grave on the sixteenth day after burial, and buried in a pit. A stone is erected over it, on which some rice and toddy are placed as a last offering to the departed soul which is then asked to join its ancestors.”
“It may,” Mr. Walhouse writes, “be noted that the Koragars alone of all the slave or other castes eat the flesh of alligators (crocodiles), and they share with one or two other divisions of the slaves a curious scruple or prejudice against carrying any four-legged animal, dead or alive. This extends to anything with four legs, such as chairs, tables, cots, etc., which they cannot be prevailed upon to lift unless one leg be removed. As they work as coolies, this sometimes produces inconvenience. A somewhat similar scruple obtains among the Bygas of Central India, whose women are not allowed to sit or lie on any four-legged bed or stool.” Like the Koragas, the Bākudas of South Canara “will not carry a bedstead unless the legs are first taken off, and it is said that this objection rests upon a supposed resemblance between the four-legged cot and the four-legged ox.”[193]
Of the language spoken by the Koragars, Mr. Ullal Raghvendra Rao states that “it is a common belief that the Koragar has a peculiar dialect generally spoken by him at his koppu. He may be induced to give an account of his feasts, his gods, his family, but a word about his dialect will frighten him out of his wits. Generally polite and well-behaved, he becomes impolite and unmannerly when questioned about his dialect.” “All the Hindoos,” Mr. Walhouse writes, “believe that the Koragars have a language of their own, understood only by themselves, but it seems doubtful whether this is anything more than an idiom, or slang.” A vocabulary of the Koraga dialect is contained in the South Canara Manual (1895).