“A figure representing the enemy to be destroyed is drawn on a small plate of metal (gold by preference), and to it some mystic diagrams are added. It is then addressed with a statement that bodily injury, or the death of the person, shall take place at a certain time. This little sheet is wrapped up in another metal sheet or leaf (of gold if possible), and buried in some place which the person to be injured or destroyed is in the habit of passing. Should he pass over the place, it is supposed that the charm will take effect at the time named.”
One favourite tantra of the South Indian sorcerer is said[19] to consist of “what is popularly known in Tamil as pavai, that is to say, a doll made of some plastic substance, such as clay or wheat-flour. A crude representation of the intended victim is obtained by moulding a quantity of the material, and a nail or pin is driven into it at a spot corresponding to the limb or organ that is intended to be affected.[20] For instance, if there is to be paralysis of the right arm, the pin is stuck into the right arm of the image; if madness is to result, it is driven into the head, and so on, appropriate mantras being chanted over the image, which is buried at midnight in a neighbouring cremation ground. So long as the pavai is underground, the victim will grow from bad to worse, and may finally succumb, if steps are not taken in time. Sometimes, instead of a doll being used, the corpse of a child recently buried is dug out of the ground, and re-interred after being similarly treated. The only remedy consists in another sorcerer being called in for the purpose of digging out the pavai. Various are the methods he adopts for discovering the place where the doll is buried, one of them being very similar to what is known as crystal-gazing. A small quantity of a specially prepared thick black fluid is placed on the palm of a third person, and the magician professes to find out every circumstance connected with the case of his client’s mental or physical condition by attentively looking at it. The place of the doll’s burial is spotted with remarkable precision, the nail or pin extracted, and the patient is restored to his normal condition as by a miracle.”
The following form of sorcery resorted to in Malabar in compassing the discomfiture of an enemy is recorded by Mr Walhouse.[21]
“Make an image of wax in the form of your enemy; take it in your right hand at night, and hold your chain of beads in your left hand. Then burn the image with due rites, and it shall slay your enemy in a fortnight. Or a figure representing an enemy, with his name and date of his birth inscribed on it, is carved out of Strychnos Nux-vomica wood. A mantram is recited, a fowl offered up, and the figure buried in glowing rice-husk embers. Or, again, some earth from a spot where an enemy has urinated, saliva expectorated by him, and a small tuft of hair, are placed inside a tender cocoanut, and enclosed in a piece of Strychnos Nux-vomica. The cocoanut is pierced with twenty-one nails and buried, and a fowl sacrificed.”
A police inspector, when visiting a village a few years ago, was told by one of the villagers that a man was going to bury two wax dolls, in order to cause his death. The inspector accordingly went to the house of the suspected enemy, where he found the two dolls, and some books on witchcraft.
Figure Washed Ashore at Calicut.
To face p. 249.
The Native servant of a friend in Madras found buried in a corner of his master’s garden the image of a human figure, which had been deposited there by an enemy who wished to injure him. The figure was made of flour, mixed with “walking foot earth,” i.e., earth from the ground, which the servant had walked over. Nails, fourteen in number, had been driven into the head, neck, and each shoulder, elbow, wrist, hip, knee, and ankle. Buried with the figure were fourteen eggs, limes, and balls of camphor, and a scrap of paper bearing the age of the servant, and the names of his father and mother. A Muhammadan fortune-teller advised the servant to burn the image, so at midnight he made an offering of a sheep, camphor, betel nuts, and cocoanuts, and performed the cremation ceremony.
In 1903, a life-size nude female human figure with feet everted and directed backwards, carved out of the soft wood of Alstonia scholaris, was washed ashore at Calicut in Malabar. Long nails had been driven in all over the head, body, and limbs, and a large square hole cut out above the navel. Inscriptions in Arabic characters were scrawled over it. By a coincidence, the corpse of a man was washed ashore close to the figure. Possibly it represented the figure of a woman who was possessed by an evil spirit, which was attached to it by a nail between the legs before it was cast into the sea, and was made on the Laccadive islands,[22] some of the residents on which are notorious necromancers. It has been suggested[23] that the figure may represent some notorious witch; that the nails were driven into it, and the mutilation made in order to injure her, and the spells added to destroy her magical powers; finally, that the image was cast into the sea as a means of getting rid of the sorceress. There is a tradition that the goddess Bhagavati, who is worshipped at Kodungallur in Malabar, was rescued by a fisherman when she was shut up in a jar, and thrown into the sea by a great magician. The Lingadars of the Kistna district are said[24] to have made a specialty of bottling evil spirits, and casting the bottles away in some place where no one is likely to come across them, and liberate them.