A few years ago, another wooden representation of a human being was washed ashore at Calicut. The figure is 11 inches in height. The arms are bent on the chest, and the palms of the hands are placed together as in the act of saluting. A square cavity, closed by a wooden lid, has been cut out of the abdomen, and contains apparently tobacco, ganja (Indian hemp), and hair. An iron bar has been driven from the back of the head through the body, and terminates in the abdominal cavity. A sharp cutting instrument has been driven into the chest and back in twelve places.
A life-size female figure, rudely scratched on a plank of wood, with Arabic inscriptions scrawled on it, and riddled with nails, was washed ashore on the beach at Tellicherry in Malabar. In the same district, a friend once picked up on the shore at Cannanore a wooden figure about 6 inches high, riddled with nails. His wife’s ayah implored him to get rid of it, as it would bring nothing but misfortune. He accordingly made a present of it to a recently married friend, whose subsequent career was characterised by a long series of strokes of bad luck, which his wife attributed entirely to the possession of the dreadful image.
Sometimes, in Malabar, “a mantram is written on the stem of the kaitha plant, on which is also drawn a figure representing the person to be injured. A hole is bored to represent the navel. The mantram is repeated, and at each repetition a certain thorn (kāramullu) is stuck into the limbs of the figure. The name of the person, and of the star under which he was born, are written on a piece of cadjan, which is stuck into the navel. The thorns are removed, and replaced twenty-one times. Two magic circles are drawn below the nipples of the figure. The stem is then hung up in the smoke of the kitchen. A pot of toddy, and some other accessories, are procured, and with them the warlock performs certain rites. He then moves three steps backwards, and shouts aloud thrice, fixing in the thorns again, and thinking all the while of the particular mischief with which he will afflict the person to be injured. When all this has been done, the person whose figure has been drawn on the stem, and pricked with thorns, feels pain.”[25]
The following variant of the above rite has been described[26]:—
“A block of lead is moulded into the effigy of a man about a span in length. The stomach is opened, and the name and star of the intended victim are inscribed along with a charm on a lead plate, and placed therein. The effigy is laid recumbent on a plantain leaf, on which a little water mixed with sandal has first been sprinkled, and the smoke of an extinguished wick is passed thrice over it. Then nine little square pieces of plantain leaf (or leaves of Strychnos Nux-vomica) are placed round the effigy, and in each square some rice-flour, and chouflower petals. Beside the effigy are shells holding toddy and arrack (liquor), a burning lamp, and several little wicks. One of the wicks is lighted, and the flame passed thrice over the collection. Nine wicks are lighted, and put on the nine squares. The charm inscribed on the lead plate is at this stage repeated fervently in an undertone no less than twenty-one times. This preamble, or one closely resembling it, is generally the beginning of the mantravādi’s programme. The rest of it is guided by the special circumstances of each case. Let us suppose that the wizard, having a victim in view, wishes the latter to be afflicted with burning pains and insufferable heat all over his body. The following is the ceremony he would perform. Thinking of the victim, he drives a thorn of Canthium parviflorum into the effigy, and then, folding up the collection detailed above in the plantain leaf, he proceeds to a tank or pool, and immerses himself up to the neck. He places the bundle on the surface of the water—he tells you it will float despite the lead—and, calling for a cock, cuts off its head, permitting the blood and the head to fall on the bundle. He presses the bundle down into the water, and submerges himself at the same time. Coming to the surface, he goes ashore, whistling thrice, and being very careful not to look behind him. Within twenty-one days, the charm will take effect. In order to induce a boil or tumour to appear in a victim’s foot, the mantravādi inscribes a certain charm on a sheet of lead, and stuffs the plate into a frog’s mouth, repeats another charm, and blows into the batrachian’s mouth, which is then stitched up, after which the creature is bound with twenty-one coils of string. The frog is next set down on a plantain leaf, the ritual already described with the squares, toddy, etc., is performed, the frog is wrapped up together with the various substances in the leaf, and buried at some spot where two or more roads meet, and which the victim is likely to pass. Should he cross the fateful spot, he will suddenly become conscious of a feeling in his foot, as though a thorn had pricked him. From that moment dates the beginning of a week of intense agony. His foot swells, fever sets in, he has pains all over his body, and for seven days existence is intolerable. The cherukaladi is another form of odi mantram, and the manner in which it is performed is extremely interesting. The wizard takes three balls of rice, blackens one, reddens another, and passes through the third a young yetah fish (Bagarius yarrellii), after having put down its throat seven green chillies, seven grains of raw rice, and as many of pepper. In the carapace of a crab some toddy, and in the valve of a particular kind of mussel, some arrack is placed. The sorcerer conveys all these things to a hill built by termites (white-ants). The crown of the hill is knocked off, and the substances are thrown in. Walking round the mound thrice, the magician recites a charm, and comes away without looking over his shoulder.[27] Within a very short time, similar effects are produced as those resulting from the previously described form of sorcery.”
A grāndha (palm-leaf book), describing how an enemy may be struck down, gives the following details. The head of a fowl with dark-coloured flesh is cut off. The head is then split open, and a piece of cadjan (palm-leaf), on which are written the name of the person to be injured, and the name of the star under which he was born, is stuck in the split head, which is then sewn up and the tongue stitched to the beak. The head is then inserted into a certain fruit, which is tied up with a withe of a creeper, and deposited under the enemy’s gateway.
In Malabar, a wooden figure is sometimes made, and a tuft of a woman’s hair tied on its head. It is fixed to a tree, and nails are driven into the neck and breast, to inflict hurt on an enemy. Sometimes a live frog or lizard is buried within a cocoanut shell, after nails have been stuck into its eyes and stomach. The deaths of the animal and the person are supposed to take place simultaneously.[28] When a Tamil woman of the Parivāram caste who commits adultery outside the caste is punished with excommunication, a mud image representing her is made, two thorns are poked into its eyes, and it is thrown away outside the village.[29] At Bangalore in the Mysore province, a monthly festival is held in honour of Gurumurthi Swāmi, at which women disturbed by the spirits of drowned persons become possessed. The sufferer is dragged by the hair of the head to a tree, to which a lock of the hair is nailed. She flings herself about in a frenzy, and throws herself on the ground, leaving the lock of hair torn out by the roots fastened to the tree by the nail. Eventually the spirit goes up the tree, and the woman recovers.[30] In the Madura district, women possessed by devils may be seen at the great temple at Madura every Navarātri, waiting for release.
“There are many professional exorcists, who are often the pūjāris (priests) at the shrine of the local goddess. At dead of night they question the evil spirit, and ask him who he is, why he has come there, and what he wants to induce him to go away. He answers through the mouth of the woman, who works herself up into a frenzy, and throws herself about wildly. If he will not answer, the woman is whipped with the rattan which the exorcist carries, or with a bunch of margosa (Melia Azadirachta) twigs. When he replies, his requests for offerings of certain kinds are complied with. When he is satisfied, and agrees to leave, a stone is placed on the woman’s head, and she is let go, and dashes off into darkness. The place at which the stone drops to the ground is supposed to be the place where the evil spirit is content to remain, and, to keep him there, a lock of the woman’s hair is nailed with an iron nail to the nearest tree.”[31]
Sometimes a sorcerer makes an evil spirit take a vow that it will not trouble any one in the future, and, in return, offers to it the blood of fowls, a goat, etc. He then orders the spirit to climb a tree, and drives three large iron nails into the trunk thereof. As iron is disliked by evil spirits, the result is to confine the spirit in the tree, for it cannot descend beyond the nails. In the Telugu country, when a person is supposed to be possessed by a devil, it is often the practice to take him to some special tree, which is believed to be a favourite residence of demons, and drive a nail into the trunk. If the devil has any proper feeling, he thereupon leaves the man or woman, and takes up his abode in the tree. This ceremony is performed with certain religious rites, and involves considerable expenditure. Sometimes, devil drivers are called in, who “seat the woman in a fog of resin smoke, and work upon or beat her until she declares the supposed desires of the devil in the way of sacrifice; and, when these have been complied with, one of her hairs is put in a bottle, formally shown to the village goddess, and buried in the jungle, while iron nails are driven into the threshold of the woman’s house to prevent the devil’s return.”[32]
At the first menstrual ceremonies of a Pulaya girl in the Cochin State, she stands on the morning of the seventh day before some Parayas, who play on their flute and drum, to cast out the demons, if any, from her body. If she is possessed by them, she leaps with frantic movements. In this case, the demon is transferred to a tree by driving a nail into the trunk, after offerings have been made.[33] When an Oddē (Telugu navvy) girl reaches puberty, she is confined in a special hut, in which a piece of iron, and other things, are placed, to keep off evil spirits. In some castes, when a woman is in labour, an iron sickle is kept on the cot for a similar purpose. After delivery, she keeps iron in some form, e.g., a small crowbar, knife, or nails, in the room, and takes it about with her when she goes out. At a Nāyar funeral in Malabar, the chief mourner holds in his hand, or tucks into his waist-cloth, a piece of iron, generally a long key.[34] At a marriage among the Mūsu Kammas in the Telugu country, an iron ring is tied to the milk-post. For curing sprains, it is said to be a common practice to keep near the patient a sickle, an iron measure, or any article of iron which is at hand. A ceremony, called Dwāra Pratishta, is performed by Lingāyats when the door-frame of a new house is set up, and an iron nail is driven into the frame, to prevent devils or evil spirits from entering the house. A former Rāja of Vizianagram would not allow the employment of iron in the construction of buildings in his territory, because it would inevitably be followed by smallpox or other epidemic.[35]