They seemed, all four, more like unauthorized intruders on the brilliant scene than its laborious organizers. The entertainment, escaping from their control, had speedily reverted to its true purpose of feeding and amusing a crowd of bored and restless people; and the little group recognized the fact, and joked over it in their different ways. But Mlle. Davril was happy at the sale of tickets, which must have been immense to judge from the crowd (spying about the entrance, she had seen furious fine ladies turn away ticketless); and Adele Anthony was exhilarated by the nearness of people she did not know, or wish to know, but with whose names and private histories she was minutely and passionately familiar.
“That’s the old Duchesse de Murols with Mrs. Talkett—there, she’s put her at the Beausite’s table! Well, of all places! Ah, but you’re all too young to know about Beausite’s early history. And now, of course, it makes no earthly difference to anybody. But there must be times when Mme. Beausite remembers, and grins. Now that she’s begun to rouge again she looks twenty years younger than the Duchess.——Ah,” she broke off, abruptly signing to Campton.
He followed her glance to a table at which Julia Brant was seating herself with the Tranlay ladies and George. Mayhew joined them, nobly deferential, and the elder ladies lent him their intensest attention, isolating George with the young girl.
“H’m,” Adele murmured, “not such a bad thing! They say the girl will have half of old Montlhéry’s money—he’s her mother’s uncle. And she’s heaps handsomer than the other—not that that seems to count any more!”
Campton shrugged the subject away. Yes; it would be a good thing if George could be drawn from what his mother (with a retrospective pinching of the lips) called his “wretched infatuation.” But the idea that the boy might be coaxed into a marriage—and a rich marriage—by the Brants, was even more distasteful to Campton. If he really loved Madge Talkett better stick to her than let himself be cajoled away for such reasons.
As the second part of the programme began, Campton and Boylston slipped out together. Campton was oppressed and disturbed. “It’s queer,” he said, taking Boylston’s arm to steer him through the dense darkness of the streets; “all these people who’ve forgotten the war have suddenly made me remember it.”
Boylston laughed. “Yes, I know.” He seemed preoccupied and communicative, and the painter fancied he was going to lead the talk, as usual, to Preparedness and America’s intervention; but after a pause he said: “You haven’t been much at the office lately——”
“No,” Campton interrupted. “I’ve shirked abominably since George got back. But now that he’s gone to the Brants’ you’ll see——”
“Oh, I didn’t mean it as a reproach, sir! How could you think it? We’re running smoothly enough, as far as organization goes. That’s not what bothers me——”