"Minute. Minute, my child." He waved her aside with the air of one who pays five hundred a year for independence and freedom. The girl turned to go. "Uh—young lady! Young lady!" She looked at him. "Tell the housekeeper two pillows, please. Two pillows on my bed. Be sure."
"Yes, sir. Two pillows. Yes, sir. I'll be sure."
GIGOLO
In the first place, gigolo is slang. In the second place (with no desire to appear patronizing, but one's French conversation class does not include the argot), it is French slang. In the third place, the gig is pronounced zhig, and the whole is not a respectable word. Finally, it is a term of utter contempt.
A gigolo, generally speaking, is a man who lives off women's money. In the mad year 1922 A. W., a gigolo, definitely speaking, designated one of those incredible and pathetic male creatures, born of the war, who, for ten francs or more or even less, would dance with any woman wishing to dance on the crowded floors of public tea rooms, dinner or supper rooms in the cafés, hotels, and restaurants of France. Lean, sallow, handsome, expert, and unwholesome, one saw them everywhere, their slim waists and sleek heads in juxtaposition to plump, respectable American matrons and slender, respectable American flappers. For that matter, feminine respectability of almost every nationality (except the French) yielded itself to the skilful guidance of the genus gigolo in the tango or fox-trot. Naturally, no decent French girl would have been allowed for a single moment to dance with a gigolo. But America, touring Europe like mad after years of enforced absence, outnumbered all other nations atravel ten to one.
By no feat of fancy could one imagine Gideon Gory, of the Winnebago, Wisconsin, Gorys, employed daily and nightly as a gigolo in the gilt and marble restaurants that try to outsparkle the Mediterranean along the Promenade des Anglais in Nice. Gideon Gory, of Winnebago, Wisconsin! Why any one knows that the Gorys were to Winnebago what the Romanoffs were to Russia—royal, remote, omnipotent. Yet the Romanoffs went in the cataclysm, and so, too, did the Gorys. To appreciate the depths to which the boy Gideon had fallen one must have known the Gorys in their glory. It happened something like this:
The Gorys lived for years in the great, ugly, sprawling, luxurious old frame house on Cass Street. It was high up on the bluff overlooking the Fox River and, incidentally, the huge pulp and paper mills across the river in which the Gory money had been made. The Gorys were so rich and influential (for Winnebago, Wisconsin) that they didn't bother to tear down the old frame house and build a stone one, or to cover its faded front with cosmetics of stucco. In most things the Gorys led where Winnebago could not follow. They disdained to follow where Winnebago led. The Gorys had an automobile when those vehicles were entered from the rear and when Winnebago roads were a wallow of mud in the spring and fall and a snow-lined trench in the winter. The family was of the town, and yet apart from it. The Gorys knew about golf, and played it in far foreign playgrounds when the rest of us thought of it, if we thought of it at all, as something vaguely Scotch, like haggis. They had oriental rugs and hardwood floors when the town still stepped on carpets; and by the time the rest of the town had caught up on rugs the Gorys had gone back to carpets, neutral tinted. They had fireplaces in bedrooms, and used them, like characters in an English novel. Old Madame Gory had a slim patent leather foot, with a buckle, and carried a sunshade when she visited the flowers in the garden. Old Gideon was rumoured to have wine with his dinner. Gideon Junior (father of Giddy) smoked cigarettes with his monogram on them. Shroeder's grocery ordered endive for them, all blanched and delicate in a wicker basket from France or Belgium, when we had just become accustomed to head-lettuce.
Every prosperous small American town has its Gory family. Every small town newspaper relishes the savoury tid-bits that fall from the rich table of the family life. Thus you saw that Mr. and Mrs. Gideon Gory, Jr., have returned from California where Mr. Gory had gone for the polo. Mr. and Mrs. Gideon Gory, Jr., announce the birth, in New York, of a son, Gideon III (our, in a manner of speaking, hero). Mr. and Mrs. Gideon Gory, Jr., and son Gideon III, left to-day for England and the continent. It is understood that Gideon III will be placed at school in England. Mr. and Mrs. Gideon Gory, accompanied by Madame Gory, have gone to Chicago for a week of the grand opera.
Born of all this, you would have thought that young Giddy would grow up a somewhat objectionable young man; and so, in fact, he did, though not nearly so objectionable as he might well have been, considering things in general and his mother in particular. At sixteen, for example, Giddy was driving his own car—a car so exaggerated and low-slung and with such a long predatory and glittering nose that one marvelled at the expertness with which he swung its slim length around the corners of our narrow tree-shaded streets. He was a real Gory, was Giddy, with his thick waving black hair (which he tried for vain years to train into docility), his lean swart face, and his slightly hooked Gory nose. In appearance Winnebago pronounced him foreign looking—an attribute which he later turned into a doubtful asset in Nice. On the rare occasions when Giddy graced Winnebago with his presence you were likely to find him pursuing the pleasures that occupied other Winnebago boys of his age, if not station. In some miraculous way he had escaped being a snob. Still, training and travel combined to lead him into many innocent errors. When he dropped into Fetzer's pool shack carrying a malacca cane, for example. He had carried a cane every day for six months in Paris, whence he had just returned. Now it was as much a part of his street attire as his hat—more, to be exact, for the hatless head had just then become the street mode. There was a good game of Kelly in progress. Giddy, leaning slightly on his stick, stood watching it. Suddenly he was aware that all about the dim smoky little room players and loungers were standing in attitudes of exaggerated elegance. Each was leaning on a cue, his elbow crooked in as near an imitation of Giddy's position as the stick's length would permit. The figure was curved so that it stuck out behind and before; the expression on each face was as asinine as its owner's knowledge of the comic-weekly swell could make it; the little finger of the free hand was extravagantly bent. The players themselves walked with a mincing step about the table. And: "My deah fellah, what a pretty play. Mean to say, neat, don't you know," came incongruously from the lips of Reddy Lennigan, whose father ran the Lennigan House on Outagamie Street. He spatted his large hands delicately together in further expression of approval.