"Think so?" giggled his opponent, Mr. Dutchy Meisenberg. "Aw—fly sweet of you to say so, old thing." He tucked his unspeakable handkerchief up his cuff and coughed behind his palm. He turned to Giddy. "Excuse my not having my coat on, deah boy."
Just here Giddy might have done a number of things, all wrong. The game was ended. He walked to the table, and, using the offending stick as a cue, made a rather pretty shot that he had learned from Benoit in London. Then he ranged the cane neatly on the rack with the cues. He even grinned a little boyishly. "You win," he said. "My treat. What'll you have?"
Which was pretty sporting for a boy whose American training had been what Giddy's had been.
Giddy's father, on the death of old Gideon, proved himself much more expert at dispensing the paper mill money than at accumulating it. After old Madame Gory's death just one year following that of her husband, Winnebago saw less and less of the three remaining members of the royal family. The frame house on the river bluff would be closed for a year or more at a time. Giddy's father rather liked Winnebago and would have been content to spend six months of the year in the old Gory house, but Giddy's mother, who had been a Leyden, of New York, put that idea out of his head pretty effectively.
"Don't talk to me," she said, "about your duty toward the town that gave you your money and all that kind of feudal rot because you know you don't mean it. It bores you worse than it does me, really, but you like to think that the villagers are pulling a forelock when you walk down Normal Avenue. As a matter of fact they're not doing anything of the kind. They've got their thumbs to their noses, more likely."
Her husband protested rather weakly. "I don't care. I like the old shack. I know the heating apparatus is bum and that we get the smoke from the paper mills, but—I don't know—last year, when we had that punk pink palace at Cannes I kept thinking——"
Mrs. Gideon Gory raised the Leyden eyebrow. "Don't get sentimental, Gid, for God's sake! It's a shanty, and you know it. And you know that it needs everything from plumbing to linen. I don't see any sense in sinking thousands in making it livable when we don't want to live in it."
"But I do want to live in it—once in a while. I'm used to it. I was brought up in it. So was the kid. He likes it, too. Don't you, Giddy?" The boy was present, as usual, at this particular scene.
The boy worshipped his mother. But, also, he was honest. So, "Yeh, I like the ol' barn all right," he confessed.
Encouraged, his father went on: "Yesterday the kid was standing out there on the bluff-edge breathing like a whale, weren't you, Giddy? And when I asked him what he was puffing about he said he liked the smell of the sulphur and chemicals and stuff from the paper mills, didn't you, kid?"